After the Song Dynasty, parallelism poems were introduced into the creation of ci and qu, especially in the opera of the Ming and Qing Dynasties. Most of them end with parallelism, such as the Peony Pavilion by Tang Xianzu, which has a total of 55 plays, including as many as 54 parallelism sentences! For example, the conclusion of the article "Boudoir" in the fourth volume of high school Chinese is a poem with a set of sentences: "Ceng Fei also thanked his family and wanted to turn the butterfly in the West Garden into a failure. Infinite spring worries don't ask each other, and the shade will eventually be temporary. " The authors of these four poems are Li Shanfu, Zhang Bi, Zhao Wei and Zhang Hu. Tang Xianzu put these poems together, suggesting that Du Liniang finally rushed out of the family cage after many obstacles.
In fact, there are not only poems but also words. The first set of two sentences by Su Like Dongpo:
Su Shi's Nanxiangzi
Leng Yujing (Wu Rong). Qing and Song Dynasties, a golden pot (Zheng Gu). Ye Ye prostitutes have always known (Li Shangyin) and competed with each other. Tofu pudding tip (Du Mu) in early February.
When you are young, you need a moment (Bai Juyi). I stole too much time when I was young (Bai Juyi). The back of the silver candle hangs from the Luo Zhang (Han Wo). Have fun. I have never been handsome (Du Mu).
Xin Qiji also has, for example. Climb up the hill and send it back to the water. Sad, sad, sad, parting. You don't have to complain. People are different from the past. Only autumn geese fly every year.