Chunjiang moonlit night
Don Zhang Xu Ruo
Lian Haiping is in the spring tide, and the bright moon on the sea is born in the tide.
I drift with the tide for thousands of miles, and there is no moon by the river.
The river flows around Fangdian, and the moonlight shines on the flower forest like graupel.
Frost flows in the air, you can't fly, but you can't see the white sand on the pavilion.
There is no dust in the sky on the river, and the lonely moon wheel in the sky is rented by Jiao Piao.
Who saw the moon by the river for the first time? When did Jiang Yue take the photo at the beginning of the year?
Life is endless from generation to generation, and Jiang Yue is similar year after year.
I don't know who Jiang Yue is waiting for, but I see the Yangtze River delivering water.
The white clouds have gone, and Qingfeng is at a loss.
Who will go boating tonight? Where do you miss Mingyue Building?
Poor people wander upstairs for the moon, so they should leave someone to fill the mirror.
The curtain of the jade pot could not be rolled up, but it was brushed back on the anvil.
At this time, I don't know each other. I hope China will shine on you every month.
Hongyan flies in the sky, and fish Long Qian jumps in the water.
Last night, I dreamed that the idle pool had fallen, and the poor spring had not returned.
In spring, the river flows away, and the moon dust falls in the pond.
The slanting moon hides the sea fog, and Jieshi Xiaoxiang Road is infinite.
I don't know how many people return home every month, and the moon is full of rivers and trees.
Brief analysis
Mr. Wen Yiduo once spoke highly of this poem: "In front of this poem, all admiration is rap, almost blasphemy." He added, "This is a poem among poems, the peak on the peak. Looking back from here, even Liu Xiyi is a process. Needless to say, Lu and his supporting actor Luo are both from Cheng Li. " It is said that Zhang and his "Moonlit Night on the Spring River" "cooperated with another peak and cleared the way for the prosperous Tang Dynasty-Zhang's contribution is immeasurable."
That's true! "Moonlit Night on the Spring River" is not only rich in the color and style of southern folk songs, but also successfully uses the new poetry meter brewed for nearly a hundred years from Qi Liang to the early Tang Dynasty. It is also the first time to explore the combination of long poems and group rhyme in seven-character poems. The perfect combination of the three provided a good model for later poets. This is certainly a peak. Qizhichan