There are two lyric ways, one is direct lyric, and the other is indirect lyric.
1. Direct lyric
Taking the first person "I" as the lyric subject, it directly expresses the author's thoughts and feelings. It's also called expressing one's mind directly. For example, the central sentence of Li Bai's tianmu Mountain Ascended in a Dream is "oh, how can I gravely bow and scrape to men of high rank and men of high office, who never will suffer being shown an honest-hearted face." On the basis of narrative description, the author expressed his thoughts and feelings of not colluding with the rulers with the passion of volcanic eruption.
Another example is Lu You's poem "Show Your Son": "When you die, you know that everything is empty, but you are sad to see Kyushu. Julian Waghann set the Central Plains Day in the north, and the family sacrifice did not forget to tell Nai Weng. " The first two sentences begin with a discussion, expressing the poet's patriotic feelings of restoring the Central Plains to his death.
2. Indirect Lyrics
Indirect Lyrics can be divided into three categories: lyric by scenery, lyric by things and lyric by things.
The poet expresses his thoughts and feelings euphemistically with the help of various artistic techniques. It is divided into scene blending, borrowing scenery to match feelings, and holding things to express one's will. For example, Li Bai's "A Gift to Wang Lun" and Liu Yuxi's "Zhuzhi Ci" all adopt indirect lyric methods on the basis of narration. The difference is that the former uses "Peach Blossom Pond is deep in thousands of feet" as a metaphor for "Wang Lun sent me feelings", while the latter skillfully uses homophonic pun "Tao is sunny but sunny" to show the subtle love between lovers.
borrowing scenery to express feelings or blending scenes:
When a poet feels something about a certain scene or an objective thing, he entrusts his feelings and thoughts to this scene and expresses them by describing this scene and this thing. This lyric way is called borrowing scenery or borrowing things to express feelings.
scene blending: it includes three forms, one is to express feelings in the scene, the other is to knot feelings with the scene, and the third is to write the scene with feelings. In ancient Chinese poetry, there are pine and bamboo, Meilan, mountain and rock streams, ancient desert roads, sunset at the border, jathyapple breeze, drizzle and grass, banana residue, phoenix tree drizzle, duckweed, swan goose and crane, road-side pavilion and so on.
is often the object of poets' lyricism, and these scenes are no longer purely natural things, but carry and convey people's extremely rich and complicated thoughts and feelings. For example, Bai Juyi's "wildfire never quite consumes them, they are tall once more in the spring wind" vividly expressed his admiration for tenacious vitality through the image of "the original grass".
For example, Liu Yong's "Where do you wake up after drinking tonight?" Yang Liuan, Xiao Feng, the waning moon ",in the description of the scene, contains the poet's infinite sadness and don't hate.
In general, it's a happy scene with Syaraku's feelings and a sad scene with Syaraku's feelings.
The most typical example is in The Book of Songs: "In the past, I was gone, and the willows were reluctant. Today I think about it, it's raining. " Yiyi Yangliu, beautiful spring scenery makes people intoxicated, but it is a sad time to leave; It's raining, raining and freezing, and it's time for the husband to return home! Writing mourning with music scenes or mourning with Syaraku can double the effect of mourning.