Jiang Chun grass green, endless extension to the distance, makes me miss my husband who travels far away. A husband who is far away from home can not miss him all day, but he can see him in his dream soon.
I saw him by my side in my dream and woke up to find that he was still in exile. Different counties in different places, the exhibition will not meet.
Mulberry withered until the wind came, and the sea knew the taste of cold. Everyone is charming at first, who will speak for whom!
A guest came from far away and brought me a carp-shaped wooden box with silk and silk letters in it. Tell the boy to open the wooden box and write a letter with a ruler.
Kneeling for a long time to read a plain book, what is it like in the book? The first part of the letter is to increase appetite. It is said that the second half of the letter is often left out.
The poem begins with "Green Riverbank Grass Flows with Philip Burkart Road", which makes women moved by the scenery and miss their husbands who are far away. The word "ceaseless" conveys two meanings: women's "ceaseless thoughts" are caused by "endless grass". Because of the long journey, I suddenly miss you, so I have to meet you in my dream. However, when I woke up, my dream was isolated in a distant space, and I was still "in a different place and county" and could not meet each other. This passage can be said to be the premise of the story In terms of rhetorical skills, "Philip Burkart's road is long and its Xiu Yuan is unimaginable." The "distance" in Long Distance Love is "dreaming of it in the past." Dreaming of being by my side, "dreaming" in the middle, "suddenly feeling in a foreign land; The word "foreign land" in Foreign Land is the "thimble" syntax in rhetorical skills. This way of linking sentences makes the whole paragraph have a smooth musicality.
There are only two sentences on the second floor: "Dry mulberry leaves know the wind, and sea water knows the cold." It implies that people far away can understand, while neighbors are just immersed in family happiness and refuse to take a message for her. In this layer, the method of evoking harmony and contrast is used to write about women living alone in poverty and express their lonely and desolate feelings.
In the last paragraph, the plot took a turn. Suddenly, a guest brought a letter sealed with her husband's wooden carp from a distance, freeing her from the pain of missing, and in the book, she also gained unswerving affection from a distance. This kind of story mainly describes the emotional ups and downs of traditional women in China who "miss people in their boudoir". The words are simple and natural, and their feelings are true and distant.