The "six meanings" in The Book of Songs refer to style, elegance, praise, fu, comparison and honor. The first three are content and the last three are technology.
The division of style, elegance and fu is based on the difference of music. The Wind includes 15 articles, most of which are folk songs in the Yellow River valley, and it is called *** 160 articles. Ya is divided into Xiaoya and Elegance, which are court music songs with *** 105. Odes include
Zhou Fu, Lu Fu and Shang Fu are 40 music and dance songs used in ancestral halls.
Specifically, the characteristics and influence of The Book of Songs are mainly manifested in the following aspects:
First, lyric poetry in The Book of Songs is the mainstream.
Secondly, the poems in The Book of Songs, except for a few, fully reflect the real world, daily life and daily experience.
Thirdly, in connection with the second item mentioned above, The Book of Songs has obvious political and moral color as a whole.
Fourthly, the lyric poems in The Book of Songs are generally restrained when expressing personal feelings, so they appear peaceful.
The Book of Songs often adopts the form of overlapping chapters, that is, between repeated chapters, there are only a few changes in word meaning and literal meaning, resulting in the effect of singing and sighing. This is a feature of folk songs, which can strengthen the expression of feelings. Therefore, it is most commonly used in folk songs such as "National Wind" and "Xiaoya", but rarely appears in political poems such as "Ode to Ya" and "Xiaoya". A typical example, such as Nan Zhou Mix:
Pick and choose, pick and choose. It's a short story to pick up flies and collect them.
Pick and choose and say a few words. Pick and choose, fine print.
Pick and choose, Kan Kan and talk. Pick and choose, make a fool of yourself.