This poem comes from Su Shi, which shows that there is a big age gap between them.
The origin of this poem is because Zhang Xian, a poet of the Northern Song Dynasty, married a beautiful woman of 18 as his concubine at the age of 80.
At that time, when many friends visited him and asked the old-timers what they thought of this beauty, Zhang Xian casually read: "I am 80 years old, 18 years old, and your beauty is my white hair. The same age as Qing, only separated by a flower. "
When Su Dongpo went to congratulate him, he wrote this poem in the corresponding play: eighteen brides and eighty lang, with white hair and red makeup. Two nights of mandarin duck quilt, pear tree pressing begonia.
Zhang Xian (990- 1078) was born in Wucheng (now Huzhou, Zhejiang). Tiansheng eight years (1030) Jinshi. He has served as a judge in Suzhou, Wujiang and Jiahe (now Jiaxing, Zhejiang). In the second year of Emperor Yangdi (1050), Yan Shu studied Yongxing Army (now Xi 'an, Shaanxi Province) and was appointed as a general judge. Later, Yuan Wailang, who settled in other places, met Yuzhou and Zhou Guo. Anlu is known for its taste, so it is called "Zhang Anlu". In the first year of Zhiping (1064), an official in Shangshu Capital was a doctor who died in the first year of Yuanfeng at the age of 89.
The extended data Su Shi (1037 65438+10.8-165438+24.8, 0), with the word Zi Zhan and He Zhong, was named Tieguan Taoist and Dongpo Buddhist, and was called Su Dongpo and Su Xian in the world. Han nationality, a native of Meishan, Meizhou (now Meishan, Sichuan) and Luancheng, Hebei, was a writer, calligrapher and painter in the Northern Song Dynasty.
In the second year of Jiayou (1057), Su Shi was a scholar. Song Shenzong worked in Fengxiang, Hangzhou, Mizhou, Xuzhou and Huzhou. In the third year of Yuanfeng (1080), he was demoted to be the permanent assistant ambassador of Huangzhou because of Wutai poetry case.
After Song Zhezong acceded to the throne, he was known in Hangzhou, Yingzhou, Yangzhou, Dingzhou and other places. In his later years, he was exiled to Huizhou and Danzhou because of the ruling of the New Party. Song Huizong was granted amnesty and returned to the north, where he died. Song Gaozong posthumously awarded a surname, posthumous title "article".
Su Shi was a literary leader in the mid-Northern Song Dynasty, and made great achievements in poetry, ci, writing, calligraphy and painting. His writing is arbitrary; His poems are broad in subject matter, fresh and healthy, good at exaggeration and metaphor, and unique in style. He is also called "Su Huang" with Huang Tingjian. His words are bold and unconstrained, and they are both bold and unconstrained representatives with Xin Qiji, and they are called "Su Xin"; His prose creation is rich and unrestrained, and he is also called "Ou Su" with Ouyang Xiu, and he is one of the "Eight Masters in Tang and Song Dynasties".
Su Shi is also good at books and is one of the "Song Sijia"; He is good at painting, especially at ink bamboo, strange stones and dead wood. There are seven episodes of Dongpo, Yi Zhuan of Dongpo and Yuefu of Dongpo.
Su Shi has made extraordinary achievements in the creation of ci. As far as the development of a style itself is concerned, the historical contribution of Su Ci has surpassed that of Su Wen and Su Shi. After Liu Yong, Su Shi carried out a comprehensive reform of ci style, and finally broke through the traditional pattern of "Ke Yan", improved the literary status of ci, changed ci from an accessory of music to an independent lyric style, and fundamentally changed the development direction of ci history.
The transformation of Su Shi's ci is based on his concept of ci and his creative idea of "being unique". Ci has been regarded as "Tao" since the late Tang Dynasty and the Five Dynasties. Liu Yong devoted his life to the creation of ci, which promoted the development of ci style, but failed to improve the literary status of ci. Su Shi first broke the concept that poetry is superior to ci in theory.
He believes that poetry is homologous, and the word "is the seedling of poetry". Although there are external differences between poems and words, their artistic essence and expressive function should be the same. So he often compares poetry with poetry. Because he raised the word to the same position as the poem from the stylistic concept, it provided a theoretical basis for the word to move closer to the poetic style and realize the mutual exchange and infiltration between the word and the poem.
References:
Su Shi-Baidu Encyclopedia