What is the style of North Korea?

The so-called title refers to the' seasonal song', which is the meaning of popular songs at that time. Strictly speaking, a tune is not so much the name of a literary category as the name of a musical tune. But in modern times, influenced by western European literature, literary categories (singing, new style poetry, free verse, etc.) appeared. ) Never seen before. Therefore, in order to distinguish it from this kind of poetry, the tune at that time was taken as the name of musical tune and the name of literary category. It can be said that TiaoDiao is an eight-part poem composed of about 45 words in three chapters (the first chapter, the second chapter and the last chapter). The basic form of melody is the first chapter 3, 4, 4, 4, the middle chapter 3, 4, 4, and the last chapter 3, 5, 4, 3. However, this basic form is only a standard form of hypothesis, and it is absolutely not bound by a fixed form. The tune of the times was formed in the late period of Korea and entered the early period of Korea, which was called' lyric poetry' and further developed. As an eight-part poem derived from country songs, it is a literary style that all classes and civilians can participate in together. The types of time tones can be divided into three chapters and four-step standard format' ordinary time tones', and the first and second chapters are medium-sized time tones that are one sentence longer than the standard format. Only the first sentence in the last chapter is the same as the ordinary time tones, and the rest of the words in the first and second chapters are long. Usually, the tone begins with a midrange that is neither high nor low, which is expressed by terms such as' Ping'. The music of ci is characterized by the long tune of lyrics, and the melodic songs are closely arranged together. Rhetoric in Rhetoric is a term used in the sense of singing and a lot of rhetoric. It came into being at the end of the Koryo era, and was called a short song at that time, and later it was called an aria of the time in the Yingzu era. After the term Xinwen, as a time tune, it developed in a formal form. The prevailing Korean era is different from the Korean era, and most of them are ordinary times created by Korean nobles. So now the theme of the song is mainly nostalgia and sighing for the old, and there is a lot of content to praise a Dan Xin. This is because in the gloomy world background of the decline of the Korean dynasty, the loyal ministers reflected the troubled times through their love for the monarch and their concern for the country. The representative works of Korea era, Zheng Mengzhou's "Shan Xin Ge" and Li Fangyuan's "He Ru Ge" are particularly famous. In the late Koryo period, the tune was more developed in the Korean era, and there are more than 2,000 works that have been handed down to this day. In the early days of the Korean era, Confucian officials who witnessed the decline of Korea wrote many songs of absolute justice and nostalgia. 15-16th century, the foundation of the Korean dynasty was solid, mainly supplemented by Confucianism, and the tunes of "leisure love songs" and "seclusion songs" including Lao Zi and Zhuang Zi's natural inaction were popular. The chaos in the early days of the founding of the People's Republic disappeared, ushered in the wise King Sejong, and restored the stable and peaceful atmosphere of the times. Contemporary scholars and people wrote many songs praising the elegance and nature of the monarch. Modern tunes including this content have been passed down in the traditional context of ancient tunes ever since. During this period, mainly influenced by the knowledge of learning, the trend of life based on Confucianism flourished in essence, so compared with the lyric trend of literature, Confucianism expressed more ideas of lessons. While expressing the affinity between Confucianism and nature, they also created a lot of' love songs' to remember the monarch and ensure loyalty. With this content and concise formal beauty, it is a literary form that can fully express the frank mood of early Korean Confucian scholars at that time. In the later period, Korea inherited the previous literary works, and the creation was more lively, forming the heyday of the current music. The tunes of this period, like the lyrics in the later period, formed a transformation from two classes to civilians, and became a national literature in which not only the aristocratic class, ordinary civilians and prostitutes also participated. Many times, including the simple life of the poor, satire and humor. Especially in this period, the new trend of modern literature is the dull phenomenon of modern literature. In addition, it can also be seen as a reflection of the phenomenon of formal transformation to popular literature centered on civilians. As a representative work, Yin Shandao's Four Seasons Poems of Fisherman formed the peak of Korean literature in the later period. Literature representing an era exists no matter what era. As a creative field, literature contains the joys and sorrows of that era, the characteristics of that era and many aspects of life. The same is true of the timing, which presents various forms from the last years of Korea to the Korean era. Origin: Shi Diao is a Korean metrical poem evolved from ten Korean country songs. It is a short song with various forms. It came into being in the last years of Korea and prevailed in16th century. The content of this kind of poems is quite extensive:1Jin, a patriotic soldier in the 5th century (1390- 1453) expressed the heroic spirit of sticking to the frontier defense. Li Shunchen (1545- 1598), a famous patriotic general, said: "On a quiet moonlit night on a mountain island, sitting alone guarding the building, with a waist knife stuck in his waist, is it sad for the country?" This reflects his thoughts and feelings of hating the invaders and worrying about the country and the people. In addition, the poetess Huang Zhenyi (15 16-? ) also created a number of songs with high artistic level. In these tunes, she sang love, euphemistically and delicately expressing the inner world of women who were discriminated by feudal society and longed for happy love. Her China poem "Farewell to Friends" is also written with sincere feelings and fresh artistic conception: the moon is full of court language, the frost is yellow with wild chrysanthemums, the building is one foot high and people are drunk. The flowing water is cold, and the flute is fragrant with plum blossoms. After tomorrow, love and blue waves will grow. In the second half of the 16th century, the society of the Li Dynasty began to be turbulent, and internal party struggles intensified. Some scholar-officials have negative retirement mood; Some poets expressed their dissatisfaction and negative protest against the reality in the time tune, and a group of landscape time tune writers lived in seclusion, among which Yin Shandao was the most successful. Yin Shandao (1587- 167 1) is good at singing praises to nature, and has created Four Seasons Songs of Fisherman and Songs of Five Friends in the Mountain. His tonal language is extremely beautiful and occupies a high position in the development history of Korean national language and literature. Songs are Korean national language poems developed on the basis of tunes (34 and 44). It retains three or four syllables in the tune, but its form is more free and can be expanded indefinitely. Compared with previous tunes, it has a strong narrative and is an important form of Korean national language Long song. It came into being in the early years of the Li Dynasty in the15th century and prevailed in the16th century. The most famous writer in Song Ci is Zheng Che (1537- 1594), and his Song Ci of Songjiang is the earliest collection of poems. Among them, "Kanto Biequ" praised the beautiful scenery of Mount Kumgang, a famous scenic spot in South Korea, with rich rhetoric; "Song of Beauty" and "Song of Beauty's Second Daughter" were originally written by the author who missed the monarch when he was frustrated in politics, but they were regarded as ordinary love songs for men and women because of their beautiful language and deep and delicate feelings. The poet sang in "Song of Beauty": "I was born with beauty, but my beauty declined ... I was young and beautiful, I loved Weiss, I wanted to be nothing, I would like to be a subversive all my life", and the poem was full of emotion, which had a great influence on the development of Korean national poetry later.