Fog, sky, clouds, mountains and water, there are shadows on the white lake, but there is a long beach, there is a small pavilion in the middle of the lake, there is a mustard Yu Zhou, and there are only two or three people on board.
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The article first explains the time, destination and weather conditions of seeing snow. The time is "December of the fifth year of Chongzhen". It snowed heavily in the West Lake for three days, and all voices and birds were heard. The vast snow scene made the world look cold and silent. The author chose to enjoy the snow at this time, which shows his mentality and distinctive taste at this time.
Then I described the concrete process of enjoying the snow. Early this morning, the author rowed a boat to the pavilion in the middle of the lake. The word "independence" fully shows the author's aristocratic feelings and unconventional lifestyle, but walking alone in the vast snowy night suddenly feels "a drop in the ocean" (Su Shi's Red Cliff Fu).
At this time, the lake is filled with ice flowers, and the sky and clouds and mountains and water are in chaos. Only snow light can bring bright colors. What catches my eye is that "there is only one trace on the long embankment, a small pavilion in the middle of the lake, a mustard with Yu Zhou, and two or three people on board."
A trace, a spot, a mustard seed, two or three grains, using the technique of sketching, just like the freehand landscape in Chinese painting. A few strokes contain many changes, such as length, point and line, square and circle, more and less, big and small, dynamic and static, concise summary and so on.
Man and nature together form an artistic picture full of artistic conception. Distant and refined is the spirit of this painting, and it is also the personality quality respected by the author. This is the spiritual unity and harmony between man and nature.
Then, with a change of pen, the author described his adventures in the pavilion in the middle of the lake. It is a miracle to meet tourists here and now. Both of them are "overjoyed" and sigh, "How can there be such a person in the lake?" Every confidant has a thousand glasses of wine, and a few people take a swig and leave. "We are both unhappy-we meet each other forever. We understand. What is the relationship between acquaintances? " (Bai Juyi's Pipa Trip).
When the author writes "two people" and "exultation", he writes that he is exultant and "Yu Qiang drinks three whites", that is, two people drink freely, and intertextuality is used here, which changes the writing style. And wrote "ask his surname, he is from Jinling, and he is a guest here", only to explain the situation of his friend in a hurry. On the one hand, it is because Zhang Dai is a man of temperament.
What I care most about is the emotional and spiritual communication between friends, but I don't care about secular issues such as friends' identity and official position. On the other hand, it can truly reflect the emotional changes of the author's happiness and sadness. When asking about each other's identity, it is also the time to leave each other. Fate is not easy to come together.
It may be difficult to see you again at this moment, how can it not be regrettable! Finally, the author summed up the full text with Zhou Zi's words: "Don't say' xianggong' and' xianggong'!" Zhou Zi said that the author was a "madman", which reflected the layman's view, but the word "madman" was not the most accurate evaluation of Zhang Dai.
He is obsessed with the harmony between man and nature and the elegance beyond the secular world, and Jinling people are the kind of people who are "crazy as" xianggong "and" birds in the lake are singing "and come out to enjoy the snow. "Sitting on the carpet, a boy shochu shows that they are ready, which further embodies their * * * same" delusion ".
The full-text style is elegant and smooth, seemingly natural and intriguing. The wonders of the West Lake show their charm because of the existence of the lake, and the scenery and writers set each other off.