Zhou Bangyan (1056-1121), a Muslim layman, was born in Qiantang (now Hangzhou, Zhejiang). In Zhou's early years, he was "sparse and seldom observed, not pushing the country, but covering hundreds of books". At the beginning of the Yuan Dynasty, "You traveled in imperial academy with a good voice". Zongshen's time is trying to know the truth. Yuan four years (1089), in Luzhou (now Hefei, Anhui) as a professor. Shao Sheng returned to Korea in the fourth year (1097) and served as the main book of Guo Zi. Hui Zong acceded to the throne, succeeded the school book lang, passed the exam, served as foreign minister, and Wei Guo and Wei Yan were also examined by the Council. In the second year of Zheng He (1 1 12), he got to know Longdefu (now Changzhi, Shanxi). In six years, Zi Mingzhou (now Ningbo, Zhejiang) served as secretary supervisor, entered the Yi Hui Pavilion to be compiled, and was promoted to Sheng Da House. In the second year of Xuanhe (1 120), he moved to Chuzhou (now Lishui, Zhejiang) because of the Fang La Uprising. A few days after he was dismissed from office, he was promoted to Hongqing Palace in Nanjing and moved to Qiantang, Yangzhou and Zhou Mu (now Jiande, Zhejiang). Died at the age of 66.
History of the Song Dynasty, A Brief Introduction to the East Capital, and Annals of Lin 'an in Spring are all circulated. The History of Song Dynasty and the Records of Arts and Literature recorded eleven volumes of the Collection of Muslim laity, which has been lost. In the Chronicle of Song Poetry compiled by Li E in Qing Dynasty, six of his lost poems were included. Today, Luo Yilie has compiled 34 ancient modern poems. Zhou Bangyan's "negative pronoun name" (etymology of Zhang Yan), whose words are "vigorous and elegant" (etymology) and "exquisite brushwork and elegant" (preface to Liu Su's Notes on Pian Yu) have a great influence on later generations.
● Youth trip
Zhou Bangyan
The clouds are scattered in the desert, and the pavilions are bleak in spring.
The willow is crying and the flowers are crying, and the mud on the ninth street is heavy, and the swallow outside the door is late.
It's sunny now, peach branches in spring.
Unlike at that time, it was raining in the small building and two people knew each other.
Appreciation of Zhou Bangyan's Ci
This word was written by the author when he lived in Jingzhou eight years ago. Between the lines, feelings move with things, words express feelings, and things blend with me. The first one is about love in spring, and the second one is about love in the past, singing beautiful spring scenery and expressing the joy of reunion. The whole poem expresses the feelings of life experience in eroticism, and the feelings are extremely strong and profound.
What I wrote in the last film seems to be recalling the present at first glance, but in fact it is completely recalling the past and recalling the previous love story. "Go to the desert to disperse the light silk, and the pavilion is light in spring." On the small building, it is lonely and foggy, and the drizzle is light. Although it is spring, the scenery in spring is not beautiful. It was in this environment that they met. "The willow cries and flowers cry, the mud on the ninth street is heavy, and the swallow outside the door is late." In three words, the clouds are low and the rain is dense, and the rain is getting heavier. The heavy rain makes the willows haggard, and even the swallows are struggling to fly because they are dragging their wet hair. This is what you saw outside the door. "Crying" and "crying" make the objective scene subjective, and "being late" is also subjective. What you see outside the door plays a certain role in setting off the encounter between the protagonists inside the door. But the main point of the story will not be said until the last three sentences of the next movie, that is, the two met in such an embarrassing situation and had to be separated for some reason. "It's raining in the small building, and you hate two people." The "small building" should be connected with the "pavilion", where two people meet. Rain takes care of the "crying", "crying", "heaviness" and "being late" in the last film, pointing out that they were facing the spring rain and stepping on the mud all over the street, pointing out that they left because they were sad. In their eyes, the flowers outside the door were like tears.
The next film changed the word "now" to now, saying that they have now formally lived together: "A beautiful house, peach blossoms and spring warmth." These ten words mean that Zhengfeng says that the sun is shining and the peach blossoms are brilliant, and we live together in such a beautiful environment; At the same time, these ten words are also used for comparison, from the previous scene to the past, for comparison.
"Different from then" points out that the carefree together at present is not as meaningful as the scenes of tension, bitterness, sadness and lovesickness at that time. "The first article of this word is about carefree feelings, and the next article is about the love between men and women, which is beyond words and rhymes. The writing of the whole word uses the method of blending things with me, which entrusts the feeling of life experience. Just like Wen Xin Diao Long. "Looking for Articles" said: "Emotions are moved by things, and words are sent by feelings." The whole word is fresh and euphemistic, with profound feelings. In sadness and bitterness, I express my feelings of separation.
● Ruilong Silver
Zhou Bangyan
On Zhangtai Road, I also saw withered plum buds and tried to spend peach trees.
Fang Cheng is a stranger to others, building a nest for swallows and returning to his old place.
Very quiet. Because I am stupid, I look at the door at first sight.
The invasion of the morning is shallow and the palace is yellow, and the wind reflects the sleeves, laughing and laughing.
Liu Lang visited his neighbor and looked for Li. At the same time, he sang and danced. Only his hometown, Qiu Niang, has the same price.
Yin wrote a pen and remembered a sentence from Yantai.
Who knows the company, the famous garden is drinking, and the east market is walking?
Tanchun is covered in injuries.
Things are going well in Gu Hong.
The gold content of official willow is low.
Riding late, the slender pond is raining.
Heartbroken hospital, a curtain of wind.
Appreciation of Zhou Bangyan's Ci
This word is the most representative work of the author. It first writes what it saw and felt when revisiting the old place, then writes about the old things of the old people, and finally writes about the feelings of recalling the past, with the past and the present as the contrast everywhere. The whole word has distinct levels, from folding to hovering, and it is very touching, which is quite ingenious in art.
The scenery at the beginning of the article is extraordinary. Plum blossoms wither and peach blossoms bloom, which is a common occurrence, but the words "fading powder" and "trying flowers" are written between the lines, and the words are quite unique; Fading and flower inspection are closely linked, which makes people feel the change of seasons, ingenious and vivid. Putting "plum shoots" and "peach trees" in inverted sentences shows the author's intention. These two sentences are naturally ingenious and extremely exquisite and gorgeous. At the beginning of this article, some related information is also explained at will. "Zhangtai" and "Fangmo" are the bustling streets of Beijing, and the alleys where dancing pavilions and singing platforms gather; Fang Mo's family ",at the same time, points out that the geisha identity of the role that the author misses is extremely cold and cheerless, suggesting that things are different, and the meaning of comparison is tonight. It is obvious to use the word "return to the old place" to describe the author's revisiting the old place, while the word "nest building" of the swallow has three folds. The first stack is what the writer saw and felt when he first came to his hometown, but he only wrote landscapes, not people, and only said argot, which made his mood depressed and needed to be expressed, thus paving the way for the following.
The second stack, headed by the word "gloomy and stagnant", points out the depth of missing with a heavy pen, but here is a string of light and active words, which just set each other off. The words "I was stupid, but I saw the portal at a glance" are quite vivid, which not only shows the innocence and liveliness of the girl who was not lost at that time, but also permeates the author's good impression on her. The following passage is about a girl standing at the door to attract guests. In the early spring, it was still cold and windy, and she had to cover the wind with sleeves, so the bright eyes after morning makeup were hidden in the sleeves. Yingying Laughs describes a girl's innocence. These characters are vivid and accurate.
The focus of the third stack of Liu Lang is more important than before is to recall the past and express "parting from sorrow" by comparing the past and the present. "It is important for Liu Lang to visit before" uses the story that Liu Chen met a fairy when he entered Tiantai Mountain in Liu Yiqing's "Youming Road", and also uses the poem "Where the Taoist who planted peaches returns, Liu Lang will come again today" in Liu Yuxi's visit to Du Xuan Temple. Liu Lang's self-metaphor is closely related to the aforementioned "peach tree" and "others", which is also a clever brushwork. The following four sentences were written by poets when they visited their neighbors, and only then did they know the people they missed, like the traces of fairies. The only one who "sings and dances" and "has the same price" is "hometown Qiu Ma". "Qiu Niang" is a name that girls like to use in the Tang Dynasty. Qiu Niang is used as a foil here, which shows that the singer missed by the author is so expensive in Yisheng. The following sentence of "chanting and writing a pen" is the specific content of remembering the past. "Yantai" is the allusion of Li Shangyin, a poet in Tang Dynasty. At that time, there was a woman named Liu Zhi in Luoyang, who loved poetry and knew melody. She can remember the melody of sea breeze and waves, and she was shocked by Li Shangyin's poem Yantai. She is extremely talented, and she is eager to inquire about the author and know that she is a business hermit. The next day, she met in the alley. Willow branches combed the girl's hair into a double bun, holding a fan and holding sleeves, talking and making an appointment. But also hinted at the other party's love for talent and the feeling of knowing each other, so that when I miss my old love today, I can't help but think of the "poems and pens" that touched her heartstrings. The sentence "Who knows who is with you" means that you will never meet your ideal partner again. The joy of drinking in the famous garden and looking for flowers in Dongcheng can't be reproduced, but can only be deeply engraved in your memory.
"dew drinking" means taking off your hat and revealing your coat when drinking. "Things Go Alone" borrows from Du Mu's poem "Hate is like spring grass, things go with the arc" in the Tang Dynasty, putting an end to the past and returning to the sober reality without showing any trace. "Tanchun hurts feelings", which is the whole theme. Look calm and deep. At the end, I wrote about the scenery again. First, I took care of the official willow and the opening "Zhangtai" and "Guiqi" and the opening "Gui", and then I wrote about ponds, courtyards and curtains. "Flying rain" and "wind group" are enough to break people's hearts and add sadness and hatred.
This word changed from "lingering" to "visiting", from remembering to awakening, and finally wrote the sadness of returning home, expressing the regret of recalling the present and the past, which is different from the poem "Today last year, this door set each other off" by Cui Hu, a poet in the Tang Dynasty. People don't know where to go, but peach blossoms still smile at the spring breeze.