Appreciation of writing an ancient poem with the theme of "Walking in the Garden of Ancient Poems". Ask for information in this regard

North Malaysia is still attached to the north wind, south birds fly north, and nest in the south branch. "Who doesn't miss his hometown? China people have a strong local complex. For thousands of years, homesickness has been a major theme in China's poems, from Qu Yuan's "Birds fly back to hometown, and foxes will die first" to Yu Guangzhong's "homesickness". During the Southern Dynasties, Sui and Tang Dynasties, the form of poetry became more and more perfect, and homesick poems emerged one after another. Among them, Wei Shan Ting Yun written by Jiang Zong in the Southern Dynasties, Miscellaneous Poems written by Wang Wei in the Tang Dynasty, and Records of Meeting the Capital Teachers written by Cen Can are particularly representative.

Weishan pavilion rhyme wrote: "The heart is driven by the south cloud, and the shape follows the north geese. How many chrysanthemums are blooming under the fence in my hometown today? "

The characteristics of this poem are "the integration of the big and the small" and "seeing the big from the small". First of all, the author launched a grand clear autumn sky: but when he saw a white cloud in the south, he couldn't stand the incitement of the cool north wind and quietly died in the north; However, a flock of geese from the north came to the south to escape the cold and autumn. Seeing things, the author thinks of himself. My hometown is in the far north, but I live in the southern dynasties to escape the war, just like this flying goose in the south; However, the homesickness of wanderers is getting deeper and deeper, just like the clouds floating in the north, which can be described as "being in the Southern Dynasties and being in the North". The word "chase" shows that he is homesick and wants to fly away from Nanyun, which is a strong subjective desire. Compared with the word "Sui" in the next sentence, "Sui" has the meaning of being passive and helpless, which describes his helplessness in avoiding chaos in the south. The autumn scenery, the clouds flying south, the geese flying north and the geese flying south written by the author all imply that the north wind has started, which is "writing without writing" and even more bleak. Then, with a stroke of a pen, he wrote down the chrysanthemums under the fence of his hometown, secretly implying the meaning of "picking chrysanthemums under the east fence and seeing Nanshan leisurely", and wrote down his nostalgia for the leisurely life in his hometown. There is also the folk custom of "drinking chrysanthemums on Double Ninth Festival", but now the poet can only send himself to the end of the world. The contrast between the two is very bleak. "How many flowers are there today?" When I ask, I will bring my homesickness complex to the extreme, condense my image to the minimum, and focus on flowers. It's really great in the minimum. The question is full of endless thoughts, which makes the poem come to an abrupt end, but it has endless aftertaste.

Wang Wei's Miscellaneous Poems is also a five-character poem: "You from my old country, tell me what happened there! . When you passed my window, did the plum blossom bloom its first cold flower? ? "

This is a beautiful sketch, similar to Bai Juyi's "A Suggestion for My Friend Liu", which expresses deep feelings through a life scene. The poet intercepted such a scene: an old friend came from his hometown, and the poet was overjoyed to learn about his hometown, but he didn't ask his family and relatives, and asked Han Mei under the window alone. It seems meaningless, but it is actually a wonderful stroke of poetic tailoring. The only trivia the reader asks is about Han Mei's flowers, which tells the poet's details. Even such trivia is asked, which shows that he is homesick. And a cold plum, with a faint fragrance, not only adds interest to the poem, but also shows the poet's nobleness. It can be said that "asking Mei" is a very unique and typical plot, which has become the crowning touch of this poem. Walking in front of the window and writing flowers are full of life interest, showing endless yearning for hometown. "The charm of poetry lies in it."

Cen Can's "On Greeting the Envoys of the Capital" is a seven-character poem: "The road to the East in my hometown is long, but I don't want to cry. I will meet you immediately, without paper and pen, and I will bring your news to report peace. "

Compared with the first two poems, this poem by Cen Can is sad and heavy. The poet is over 40 years old, but he still has to stay at the border. He no longer has leisure and elegance to ask Jumei. Looking back at my hometown under the boundless frontier scenery, we can see that the road is long and the poet is in tears. I couldn't help seeing the ambassador from Beijing in tears. I feel sad and have a thousand words to express, but I "meet each other late, without paper and pen." "Meet at once" shows the haste of meeting, and "no pen and paper" writes endless helplessness, and finally can only "send news of peace". From ancient times to the present, there have been many parting and missing, but there are also sayings such as "Hongyan sends a book" and "fish belly sends love". However, our poet was forced by the situation and had to convey it through words. "Enlisted 15 years, returned to the team at the age of 80." I have been away from home for many years, but now I can only report peace, which is very sad and helpless. Cen Can is a famous frontier poet, and he has integrated the sadness of frontier poems into his long homesickness, which is even more touching.

Looking at these three poems, Wang Wei's Miscellaneous Poems has the strongest interest in life, and there is an optimism in homesickness. The poem "Wei Shan Ting Yun" was written in autumn, which is a bit bleak. However, these two songs have one thing in common, that is, they both end with questions about flowers. Sima Qian once praised Qu Yuan, saying that "because of his pure heart, it is called fragrant". Here, "Wu Fang" is to show the purity of homesickness. Finally, questioning continues the poetic mood beyond words and makes up for the short quatrains. Cen Can's "On the Messenger of the Capital" is extremely sad, with desolate tears pouring down his chest, expressing homesickness in peaceful language, changing the meaning of the first two songs and showing deep affection. However, although these three poems have their own characteristics, they all run through the red line of homesickness, touching and touching. This is the result of the author's sincere investment, no affectation and no affectation.