Qinyuan Chunxue analyzes the descriptive techniques of sentences from the perspective of verbs

This poem starts with "the scenery of the North Country", then "looks at..." and then "looks at...", and then goes from "leading..." to "cherishing..." and finally ends with "all..." "The past is over, counting the famous people, but also looking at the present" ends in one go. In particular, the characters "wang" and "xi" are used to lead seven short sentences in the upper and lower parts respectively, which are connected in one stroke and are very powerful. There are many short sentences in the poem, mainly four-character sentences, so the rhythm is distinct. This makes the whole word quite bold and bold in rhythm.

Other verbs are "feng", "piao", "wu" and "chi".

Use "feng" to write about the ground, which is calm and quiet; use "piao" to write about the sky, where the snow is light. One stillness and one movement, a combination of movement and stillness

The word "wu" is used to describe the snow-covered mountains winding like "silver snakes",

The word "chi" is used to describe the snow-covered plateau like " The "wax figure" surges and flutters, vividly bringing the ice-covered and snow-covered mountains and plateaus to life. They are both adverbs that modify and restrict,

"Desire to compete with God", the word "desire" personifies "mountain" and "origin", vividly describing their ambitious mental outlook and High-spirited and energetic spirit.

Also in the discussion of the next film, the word "Yin" was used at the beginning to connect "kingdom" and "hero".

Then he uses words such as "cherish", "slightly lost", "slightly inferior" and "only know", neither fully affirming nor erasing them, which embodies the poet's affirmation of the heroic figures in history. Critical emotions are expressed euphemistically and implicitly. "Competing to bend the waist" and "bending the bow to shoot the big eagle" not only visualize the discussion, but also make people think about it. The three words "Ji Gong", especially the word "weng", pass through thousands of years of feudal social history and a series of feudal emperors in one stroke, and then praise the "romantic figures" of "the present". The writing is powerful and meaningful.