Those who hate the four strings want to be old, but it is difficult to find a thousand posts in their dreams. Why didn't you rush? Make an appreciative comment
White Stone, written at the age of 32, is one of the earliest works about Hefei couple. Baishi and He met at Chilan Bridge in Hefei, where the willows set each other off in spring and in winter. They all know the melody, Baishi writes lyrics, and Iraqis sing, which is as good as a fairy's house. However, the creation made people jealous and popular, and Baishi and his lover finally separated, which became the "complex" of Baishi's life. The last time Baishi and Hefei women were different was at the age of 37. But it seems that before The Last Farewell, Baishi had a premonition of the tragedy of love, so that his pregnant works were full of tragedy from the beginning. Order first, then words. The first half of the preface is about the magnificence of Yang Shan. A woman must be like a woman, referring to her sister. Baishi lived in his sister's house when he was young. She is in Yangshan Village of Hanyang, surrounded by Taibai Lake and Yunmengze. Spring is born, running thousands of miles. Winter cold water recedes, and grass meets the sky. The second half of the article is about the fun of traveling. Bingwu is the thirteenth year of Xichun (1 186). This autumn, the poet and his nephew (Ming 'an) rowed boats to collect diamonds during the day, lit a fire to catch rabbits at night, and sometimes watched fishing (using bamboo and wooden fences to catch fish). Singing in the mountains is really interesting. However, in the end, the tone of the pen suddenly changed: "My hopes are dashed, because Fu is a shovel." It turns out that the fun of traveling can't make up for the poet's sad heart at all. The preface is the preface of this poem. "The wine is full of wind." I began to write that I was running around vilen with a little drunkenness. When the autumn wind was full, I felt the vastness of heaven and earth. "The grass withered, and frost and storks fell in the clear sky." Looking up in the clear autumn, I saw a goshawk flying directly from the clear sky to the endless Yuan Ye. These two sentences are extremely high in heaven and earth, which shows the poet's "overlooking emptiness" So I wrote the following sentence from the scene: "Forget me in the sunset." Taking a break is very incisive, integrating emotions and scenery, and integrating people and the universe. The realm expands infinitely with the infinity of the sunset, and sadness is born with the infinity of the sunset. Where there is a sunset, there is sadness. Sad Ran Ran pervades this infinite sunset field. It turns out that the height of heaven and earth written in the last two sentences seems to be unable to accommodate the poet's infinite melancholy. "Forget myself in the sunset" can be compared with Zhou Bangyan's famous sentence "Sunset makes Ran Ran spring endless" in "The Warrior Lanling". Why is the poet so fascinating? "Those who are ecstatic, only don't." (Jiang Yan's Beppu) The meaning of taking a break triggered the next movie. Play a connecting role. "People who hate the four strings want to be old, and dreams are hard to find." Write an imaginary lover's unforgettable love for himself through two sentences. Imagine that Iraqis are sad and want to get old. Four-string refers to the pipa. Zhou Bangyan's "Huanxisha" said: "Pipa plays all four strings." Women in Hefei have a wonderful understanding of melody, so Baishi Ci has written many times about its musical instruments. For example, "Jie Lianhuan" says: "For Da Qiao, the spring breeze can stir, and Xiao Qiao moves the kite skillfully." The Iraqi people are full of bitterness and hatred, and pour into the pipa. You can complain about the pipa, but how do you really report it? Amid complaints, Iraqis are getting older. Baishi is thirty-two years old this year, and his wife in Hefei is under thirty. Why are they old? "Thinking of a gentleman makes people old" and "Nineteen Ancient Poems", so the word "old" is stressed. Not only do Hefei couples love themselves, but they also know each other very well. Not only that. The deep affection of Baishi Hefei can also be seen in this sentence. Hefei lovers and Baishi are both good at music, but they are bosom friends. It can be seen that his love connotation is extremely elegant and profound. It is a major feature of Baishi's love poems to be good at putting yourself in the other's shoes and describing the deep feelings and the suffering of lovesickness from the other's point of view. For example, "Who teaches red-violet at the end of the year, the two places try to figure out each other" ("Partridge Sky"), "The bright moon in Huainan Qian Shan is cold and nobody cares" ("Walking in the sand"). And the words. Write the next sentence about the suffering of Iraqis in their dreams. The mountains are long and the waters are wide, and the sky is far away. Even if Iraqis dream of flying high, it is difficult for them to find their own feelings. The lyrics are like Yan Xiaoshan's Dead Hua Lian and Dream into the Smoke Waterway in the South of the Yangtze River. Do your best in Jiangnan, and don't meet people who leave. "Such a bleak sentence has become a rehearsal of love tragedy. It is no accident that Baishi and Hefei forged a lifelong enemy. Even in dreams, it is difficult to be flat, and life will be full of hatred. It's hard to meet again, and it's hard to meet in dreams. The poet can't help but express his inner feelings and infinite regrets: "Why didn't you rush at that time? "I hate to be separated from my lover at that time in a hurry, but now we are far apart and it is difficult to meet again. Infinite sadness and great pain are condensed into one sentence. In fact, the difference in one day must be due to necessity. Today's regret is helpless, which is a great regret of Baishi's life. The conclusion is similar to Yan Shu's Walking on the Sand. "At that time, I didn't care about the right person, and the mountains and rivers far know where." The overall conception of the whole word is quite characteristic of Baishi. Preface and words, the first and second chapters, are all empty, connected by a vein, but progressive at different levels, which is actually a seamless whole. In the preface, joy and reward are written with great pleasure, which not only causes unspeakable sadness in the text, but also reflects the heaviness of sadness. The first part describes the vastness of heaven and earth and the infinity of sunset, which is actually the profound and sad infinite environment of lovesickness written in the next part. Looking at the overall situation, the situation caused by the preface is that the upper piece is extroverted and the lower piece is introverted. Although it is a small work, it also greatly changes the opening and closing ability. This is one of the ways that little feet make waves. This word is the prelude to a series of words. Bai's ci creation began in this year, and at the age of forty-three, he wrote two poems, Partridge Sky, which lasted for more than ten years. This is the most precious experience in life, and it has also become a profound emotional source of Baishi's lyrics. The love stories written by Baishi are all deep and quiet and meaningful. In the literary history of Song Dynasty, Baishi's poems about Hefei women, Li Yonghu's poems and Tang Wan's poems about Weng reflected this problem successively. Possession is the temperament left by the most affectionate people.