Appreciation of Li Jian Shui Ying's Little Garden: The tree moves deeply, and the mountain light peeks at the short wall. Autumn village is full of yellow leaves, half into the sunset. Travel is as quiet as a person, and cold flowers are fragrant for me. The small garden should be small, and the new moon is like new frost. Li Jian (1747 ~ 1799) was a poet in Qing dynasty. The words are simple, and the words have not been cut. Shunde (now Guangdong) people. Because the East Bridge (Luofu) and the West Bridge won in its territory, it was named "Second Bridge". He also took the meaning of 432 peak in the East Bridge and 72 peak in the West Bridge, and named the room "504 Peak Hall". Li Jian has profound attainments in poetry, calligraphy, painting and printing, and his poems are unique, which had a positive impact on the development of Lingnan poetry in the middle of Qing Dynasty. Li Jian is arrogant, calling himself "Crazy Jane" and carving his own seal "Crazy Jane". It is said that when Yuan Mei, who was famous all over the world at that time, wanted to come to Guangzhou to meet him, he was rejected by Li Jian, so he was very arrogant. The first couplet is about the scenery in the garden, one is written and the other is written. There is a small pool in the small garden. The water in the pool is clear, and a big tree by the pool is flourishing, which is reflected in the pool. In the evening, the breeze blew and the shadows in the pool shook and danced. The stillness of the water, the movement of the shadow, and the combination of static and dynamic are in harmony with each other. "Mountain light" refers to all kinds of scenery in the mountains, and the word "mountain light" describes all the beautiful scenery in autumn. Zhang Xu, a poet in the Tang Dynasty, wrote a poem, "Birds are singing and mountains are shining here". However, although the mountain light is beautiful, the scenery in the small garden is even more amorous feelings, so there is a "mountain light peeping at the short wall". Originally, the owner of the small garden enjoyed the "mountain light" through the short wall, but out of curiosity about the beautiful scenery in the garden, the poet skillfully changed his angle and wrote the "mountain light" with anthropomorphic techniques, and poked his head into the garden. It not only vividly describes the artistic expression of "mountain light", but also highlights the charm of the garden scenery from the side. This sentence is similar to Wang Anshi's "Green Flowers on Two Mountains". From the garden to the outside, Zhuan Xu has a broad vision and a broad realm. In autumn, the mountain village is full of yellow leaves. This yellow is mature golden yellow, not withered brown yellow. Bright and moist, the picture is painted with a bright color. Pieces of golden leaves are like flying butterflies. Especially under oblique illumination, it is half bright and half dark, with distinct colors, showing the purpose of "mountain light".
Neck couplets are written in the garden, and the flowers are cold and fragrant. You stand still, people stand still, people are clear and calm. "Cold flowers" are chrysanthemums, and Shuang Ling is proud and fragrant. These two sentences capture two typical images of "secluded bamboo" and "cold flower", one is strength, the other is pride, which shows the poet's lofty style and bright integrity, and stands aloof from the world. At the end of the couplet, "the small garden should be small, and the new moon is like a new frost", so the poem has stress and unique language. The word "small" refers to the scope and time. Why do you say "stand small"? Just because the moon is already like frost. Although it was named "station", the poet stood from "sunset" to "new moon like new frost" for too long, intoxicated with the beautiful scenery in front of him, and could not bear to leave. The new moon and first frost symbolize elegant, holy and flawless white jade, so the image of a lonely and noble poet stands out. This poem is bright and beautiful in color, can be opened and closed freely, takes elegance and elegance as a model, and has a sober style, which reflects Li Jian's aloof and noble feelings. However, people with discerning eyes can see at a glance that the first five methods are not quite satisfactory, and the couplets of "Autumn Village is full of yellow leaves and half enters the sunset" are not antithetical. Li Jian's How to Hammer and Chisel, How to Carve, How to Carve (Zhang Weiping's Brief Introduction to Poets in China) won the essence of Du Fu's metrical poems. The whole poem is in a state of slow but steady and strict meter. Why did he write such awkward sentences? It is said that Li Jian's original couplet was "Autumn Village is full of yellow leaves and Xiqiao is full of white fog", but "Little Boy's Crazy Jane" was on a whim, and it felt dull, not as gorgeous and fantastic as yellow leaves in the sunset, so this change was also caused by his arrogance.