Poetry Appreciation and Scenery Writing Methods

Appreciate the steps 1 and grasp the image. Find out the scenery written in the poem, and make clear the characteristics and meaning of the scenery. 2. Artistic conception. Expand the association, according to the scenery in the poem, construct the picture displayed in the poem in your own mind, and appreciate the artistic conception of the blend of poetry and scenery. 3. Realize emotions. Integrate yourself into the artistic conception and understand the feelings expressed by the poet's scenery writing. Analysis of writing skills 1, the method of describing scenery (1) starts from the author's standpoint of observing and describing scenery. Such as changes in height, height, inclination and elevation; Draw shapes, sounds and colors. (2) Starting with the sequence of scenery described by the author. That is to grasp the level of landscape writing. As seen, heard and felt; Changes in sensation, hearing, vision, taste and touch; Remote and close range; Up and down; Color matching, etc. (3) Starting with the skills of describing scenery. Such as the combination of reality and reality ("Xiao Jian is red and wet, Jinguancheng is heavy"); The combination of static and dynamic (or there is movement in silence, or there is movement in silence) ("the bird is surprised when it comes out of the moon, and it sounds in the spring stream"); Contrast between light and shade ("all the wild clouds are black, and the river boat is only bright"); See the big from the small ("the window contains autumn snow in Xiling, at the gate of Wu Dong Wan Li boating"); The combination of rough drawing (line drawing) and fine drawing (meticulous painting) ("There are no birds in a hundred mountains, no footprints in a thousand paths" and "A boat with a leaf, a bamboo cloak, an old man fishing in the cold river-snow"); The application of bi xing technique. 2. The relationship between scenery and emotion The poet writes scenery to contrast (including positive contrast and negative contrast) emotions. The specific relationship is as follows: in the first case, the "music" scene conforms to the "music" emotion. For example, "good rain knows the season, when spring comes", a word "good" writes the poet's joy when the spring rain comes; In the second case, the "mourning" scene contrasts with the "mourning" situation. Similar to the first case, bleak scenes can also be used to set off the bleak atmosphere, which is more common. For example, "Leaves fall like the waves of a waterfall, but I watch the long river roll forward all the time", and the poet expresses the feelings that time flies and ambition is hard to be rewarded with fallen leaves; In the third case, the scene of "happiness" contrasts with the feeling of "sadness". The ancients once commented: "Write sadness with joy, mourn Syaraku, and its sadness and joy are doubled." The key here is to grasp the central sentence and key words of the whole poem or contact the context. For example, "brother misinterprets the boat, and the red leaves and green hills are rushing." When the sun sets, people are far from waking up, and there is heavy rain in the west building. " Colorful scenery shows the feeling of parting. In the fourth case, the scene of "sadness" contrasts with the feeling of "happiness". Scenery serves feelings. If the whole poem is about "happiness", then the "sadness" scene in front of it is entirely possible to serve as a foil to "happiness". For example, Li Bai's "Xia Sai Qu": "Five In the snow in Tianshan Mountain, no flowers and cold. Spring can only be imagined in the flute "Folding Willow", but it has never been seen in reality. The soldiers fought the enemy in the golden drum during the day and slept in the saddle at night. I am willing to put my sword under my waist and cut Loulan straight. "The first six sentences were written under harsh environmental conditions and tense fighting life, but the last two sentences turned to the heroic pride of the soldiers in killing the enemy, which is also the center of the whole poem. In this way, we feel the image of a soldier who is not afraid of difficulties and has an iron will. Here, the so-called "sad" scene is not sad at all, since it is used to set off lofty sentiments.