Occasionally reflected in your mind-
You shouldn't be surprised,
There's no need to be happy-
It disappeared in an instant.
You and I met in the dark sea,
You have yours, I have mine, direction;
You remember it well,
You'd better forget,
The light that shines on each other at this intersection!
Xu Zhimo's "Accidental" is probably just a love poem, written for a lover who falls in love by chance and then lives far apart. However, the image of this poem has gone beyond itself. We can completely regard this poem as an exclamation of life. On the road of life, there are many accidental encounters and many beautiful things. They are just accidental encounters and will never be repeated. Whether it's lingering affection or touching friendship, whether it's great maternal love or pure childlike innocence, whether it's a knowing smile on the street or a few words on the journey, it's often a flash in the pan and disappears. How much of those lost beauty and love can be recovered? The devil of time took everything away. Clouds in the sky occasionally flash by in the heart of the waves, which is really "no need to be surprised, let alone happy". What's more, in the vast sea of life, heart to heart sometimes can't reach the other side even if it takes endless time to trek. Everyone has everyone's direction, we meet by chance, and then we will be separated in a hurry, and there is no hope of meeting again. Those "lights" that are released to each other when they meet, and those feelings that are poured into each other when they meet, "remember, it is best to forget."
The poet realized the disappearance of many "beauty" and "love" in life and wrote the sense of loss in life. This is the profound mystery and implication of life in this poem.
The poet's feelings are temperate, and his modality is natural and unrestrained. After all the most difficult and precious things are gone, expressing the sense of loss in a seemingly casual tone makes this poem not only achieve the beauty of harmony in appearance, but also have an elegant beauty in inner poetry. The middle two sentences of the first two paragraphs of the poem-"You don't need to be surprised, let alone happy" and "You'd better forget"-contain a very tortuous mentality and a very delicate affection. On the one hand, Christina? Luo Saidi (1830-1894, British Victorian poetess) wrote the charm of "I would rather you forget and smile than remember and be sad" in Remember Me. On the other hand, we can also experience a bitter emotional appeal that is helpless and pretentious in the face of fate. These two aspects constitute a three-dimensional and fuzzy aesthetic body. Constantly think, experience, watch and ponder from different sides, you will have fresh feelings and show quite elegant taste.
In such a short poem, Xu Zhimo points out a hazy, crystal clear, small and boundless world with such a simple artistic conception, such a rigorous format and such a concise melody. When we walk in this world, how many sighs about life, how many memories of the past, and how many memories of the past ... However, we didn't cry, let alone cry for land. We just walk slowly, a little heavily, and occasionally look up. Passing through the grape trellis or deep blue clouds, a meteor just flew by, and then a faint sadness rose in my heart. But still walking, the slow and a little heavy footsteps, like an "Eternity", stay in the night sky.
It is light and elegant, but it can't hide the sadness of reality, and there is a faint loss hidden in the depths of emotion. The poet is not indifferent to beauty and life, but has deep attachment and persistent pursuit. Just "beauty" or other aspects of life, like clouds in the sky or light on the sea at night, all disappear in an instant. He has a vision, but at the same time he can't get rid of a faint sadness. "If you remember, you'd better forget", as if ... >>
Question 2: What feelings did Xu Zhimo inadvertently express? The poet realized the disappearance of many "beauty" and "love" in life and wrote the sense of loss in life. This is the profound mystery and implication of life in this poem.
A detached, elegant and out-of-touch romantic love view.
Question 3: Xu Zhimo's "accident" seems to mean that Zhimo and Hui tell themselves to forget because they obviously appreciate her and it is hard to forget, because forgetting is the best choice.
Question 4: What images are there in Xu Zhimo's Accidental? I am a cloud in the sky.
Occasionally projected into your heart-
You shouldn't be surprised,
There's no need to be happy-
It disappeared in an instant.
You and I met in the dark sea,
You have yours, I have mine, direction;
You remember it well,
You'd better forget,
The light that shines on each other at this intersection!
Make an appreciative comment
Note: It was written in May, 1926, and was first published in the supplement of Morning Post on May 27th of the same year. The ninth issue of "Stone Carving Edition" was signed by Zhimo. this
It is the lyrics of the old blind man in the fifth act of the script Bian Kungang written by Xu Zhimo and Lu Xiaoman.
We can visualize such an extremely abstract adverb of time as "contingency" and put it into a symbolic structure.
It is full of interesting philosophy, which is not only beautiful and catchy, but also memorable and unfinished-this song by Xu Zhimo.
For me, it is not an exaggeration to describe it with the phrase "I have a special liking" in the poem "Accidental".
In the history of poetry, a poem with thousands of long sentences can be buried by ruthless historical precipitation as time goes by, and a certain one
Some exquisite short poems can shine independently in the long river of history. This two-paragraph sonnet poem, in modern poetry,
In the long corridor, it should be called a unique work.
In the process of Xu Zhimo's pursuit of poetic beauty, this "accidental" poem also has a unique "turning point" significance.
Justice. Bian, a student of Xu Zhimo and a famous poet, said: "This poem is the most perfect in form among the author's poems.
One of the songs. "(Bian' Poems of Xu Zhimo', p. 94) Chen, a crescent poet, also believes that' accidental' take.
And several poems, such as Ding Dong-Qing Xin, opened the gap in his first two issues, and he erased his previous anger and used it neatly.
Soft and refreshing poetry, writing the subtle secrets of the soul. "(in memory of Xu Zhimo). Indeed, this poem is very fashionable.
Legally, we can also see Xu Zhimo's skill and craft. The whole poem has two sections, which are symmetrical up and down. The first sentence of each section,
The second and fifth sentences are composed of three steps. Such as "occasionally projected on your heart" and "meet here".
The third and fourth sentences of each paragraph consist of two steps, such as "You don't have to be surprised" and "Do you remember?
You'd better forget it "Obviously, in the arrangement and handling of steps, there are many free and easy, long and short.
Alternate steps, easy to read euphemistically and catchy.
What I need to emphasize here is that this poem is full of all kinds of imperceptible "Zhang".
Strength structure, between muscle and frame, and between image and image,
There are various aspects between "meaning" and "meaning" The unique "tension" structure should be said that this poem is artistic.
The mystery of charm.
The so-called "tension" is a critical term advocated and practiced by British and American New Criticism. In layman's terms, it can be considered as
However, in the organism of the whole poem, there is a dialectical relationship of contradiction and opposition between * *. A poem,
Generally speaking, it must be organic and integrated, but it is permissible and should be full of contradictions and tensions.
Force. Poetry full of tension can be profound, chewy and memorable. Because there are only such poems.
It is not static, but "moving in silence". For example, the bow is still full, but it is full.
Full of energy and strength that can erupt at any time.
About this poem, first of all, there is a certain tension between the title and the text. "Opportunity" is a completely abstract concept.
The adverb of time, what is written under this heading, should be said to be free and casual, and the author is in this abstract standard.
Under the heading, I wrote two more true things. One is the wave heart that clouds in the sky occasionally project into the water, and the other is "you".
I (two symbolic images) meet at sea. If you use "you and me" and "meet" or something.
Although the title is acceptable, the poetry is quite different. If you use "you and me" and "meet", anyone can.
When quite practical words summed up from poetry are used as titles, the tension between abstraction and concreteness naturally disappears.
Yes
Thirdly, there are more tension structures in poetry texts. "You/I" is a pair of "binary opposites", or
"Occasionally projected in the heart of the wave" or "meeting at sea" are all passers-by who pass by in the journey of life;
"You don't need to be surprised/happy" and "You'd better remember/you'd better forget" are both marked with "binary pair ... >; & gt
Question 5: Xu Zhimo's full text is unexpected
-Xu Zhimo
I am a cloud in the sky,
Occasionally projected in your heart.
You shouldn't be surprised,
Not to mention being lucky.
It disappeared in an instant.
You and I met in the dark sea,
You have yours, I have mine, direction;
You remember it well,
You'd better forget,
The light that shines on each other at this intersection!