What kind of feelings did Du Mu express in A Spring in the South of the Yangtze River?

Jiangnan Spring expresses the author's praise and love for the spring scenery in the south of the Yangtze River. By depicting the beautiful spring scenery in the south of the Yangtze River, the whole poem reproduces the misty balcony scenery in the south of the Yangtze River, making the scenery in the south of the Yangtze River more magical and confusing, giving it a profound and beautiful artistic conception, expressing the author's subtle and profound feelings, as well as his praise and yearning for the scenery in the south of the Yangtze River.

Jiangnan Spring is a seven-character quatrain written by Du Mu, a poet in the Tang Dynasty.

Original text:

Jiangnan, the sound of green and red flowers, the waterside village in the foothills.

More than 480 ancient temples were left in the Southern Dynasties, and countless pagodas were shrouded in wind and rain.

Translation:

Birds are singing in the south of the Yangtze River, green grass and red flowers set each other off, and wine flags are flying everywhere in the foothills of waterside villages.

There are more than 480 ancient temples left over from the Southern Dynasties, and countless terraces are shrouded in wind, smoke, clouds and rain.

This song "Jiangnan Spring" has enjoyed a high reputation for thousands of years. These four poems not only describe the richness of spring scenery in Jiangnan, but also describe its vastness, profundity and confusion.

Du Mu is especially good at depicting beautiful and moving pictures with just four sentences and twenty-eight characters, presenting profound and beautiful artistic conception, expressing implicit and profound feelings, and giving people the enjoyment of beauty and the enlightenment of thinking. "Jiangnan Spring" reflects that the aesthetics in China's poems and paintings are beyond time and space, indifferent and free and easy, with the thought of "epiphany" of Confucianism, Buddhism and Taoism, and more poetic feelings of nostalgia, seclusion and freehand brushwork.