, revealing the word "Yan". Literally, it means: with the collapse of the Eastern Jin Dynasty, Lingyi, whose surname is Wang Xie, is not easy to see the swallows who used to fly to the aristocratic family in Ceng Xiang. But its inherent meaning goes far beyond this. After the establishment of Yuan Dynasty, the policy of ethnic discrimination was implemented, so the intellectuals of Han nationality were not promoted, and a few officials were left out in the cold, and many people lived in depression. In addition, at the end of the Yuan Dynasty, the intellectuals were in a dilemma. These two
sentences, that is, through the past and present of Swallow, reflect the decline of social talents and the silence of scholars in Yuan Dynasty.
two or three couplets, with white images such as
moon, snow, catkin and pear, are used to render the word "white", suggesting that the poet's chanting has changed from a common bird that "sees should be rare" to a more rare Bai Yan. Three or four of them use
two allusions. In the Qing Dynasty, Ye Jiaoran's "Long Xing Tang Shi Hua Sequel" said: "Yuan Haizuo
" Bai Yan "says:" There is no shadow at the beginning of the Han River in the Ming Dynasty, and the snow has not yet returned to Liangyuan. " People
take care of their work, but there are also blueprints. Tang Koubao and Xie Guan are as famous as Wen Zao, and they said,
Kouri:' What's a good sentence in your Bai Fu?' Leopard Day:' Dawn enters the Garden of Liangyuan, and
the mountains are covered with snow; Climb the bright building at night, and the moon is thousands of miles away. " Yuan's sentence is original. "(According to" Wen
Shan Ji Wu Se Fu Ji ":"Hengshan County Records Yi r1 ") once wrote about the events of Kou
Bao and Yuan Guan, and Yuan Guan wrote" Bai Fu "instead of Kou Bao. ) so-called. Yu
Bright House ",out of Biography of Yu Liang in the Book of Jin Dynasty: When Yu Liang, an important official in the Eastern Jin Dynasty, was guarding the prosperity of Wu
," The followers of Yin Hao, the assistant officials, went to the South Tower in autumn night, but suddenly it was not bright, so people would avoid it and brighten up the day:' You live less, and Lao Zi is happy here. (2)' measuring books' redundant 73 225
Since then, Yu Lou has become synonymous with the place where celebrities enjoy the moon and entertain themselves. In this
, Yuan Shi refers to the scene of "a thousand miles of moonlight" with the most "white" characteristics near Yu Lou. "Garden of Liangyuan" refers to the Liangyuan built by Liu Wu, the king of Liang Dynasty in the Western Han Dynasty, where a number of famous scholars such as Zou Yang, Mei Cheng and Sima Xiangru used to be guests. In the Southern Dynasties and the Song Dynasty, Xie Huilian once wrote "Ode to Snow". Imagine that on the day of heavy snow, King Liang entertained guests and invited the above three people to sing
harmony on the topic of snow. Among them, there is a famous sentence
that "all the mountains are white, and the mountains are white". Yulou and Liangyuan are places where talented people gather, but there is no sign of Bai Yan in such places < P >. These two sentences not only set off the white
Yan's white with the images of moon and snow, but also echo and strengthen the word "seeing should be rare" in the first couplet. More importantly,
shows how lonely and lonely this Bai Yan is! She doesn't want to be attached to others, even if the person she relies on is the famous minister and prince of Corporal Lixian. The loneliness and loneliness < P > conceal unspeakable anguish.
five or six sentences. "Sweet dreams" and "cold invasion of clothes" are intertextual, and the poem "Pear flower courtyard dissolves the moon, catkins
pond is faint wind" in Yan Shu's poem "Untitled", which expresses deep feelings, means "catkins pond". "Pear Garden",
Although it is warm and lovely ("sweet dreams"), you should not live in it ("cold clothes").
These two sentences, while setting off Bai Yan's white with white images, focus on
expressing her thoughts and feelings: she still has greater ambitions and refuses to let her life
be confined to tender willow flowers.
The above four sentences, from autumn to winter and then to spring, from the geographical point of view, are
from Jianghan to the Central Plains, and from the scene of the court to the home of the scribes, show that
all the year round, the north and south, the government and the people, and Bai Yan can't find a comfortable place to live
. In the poem, Bai Yan is the poet's self-portrayal. The above four sentences are not only
writing about Bai Yan, but also
expressing the author's life dilemma of being at a loss, lonely and depressed. The use of the book "Stories of Different Stories" at the end of the couplet means that Bai
Yan, who was desperate, once considered flying back to the Zhaoyang Hall where his concubines lived, but soon rejected the idea, because the present masters Zhao Feiyan and Zhao Hede were jealous of each other, and it was by no means a paradise for Bai Yan to show himself and settle down, expressing
the poet's concern for the highest ruling class. The whole
poem is written by Bai Yan, and the other sentence is written by the poet himself; The meaning of "Si Lian" is condensed into one < P >, which makes the whole poem shrouded in a desolate and sad atmosphere and becomes a < P > symbol of the poet's melancholy heart. Shi Daben's poems borrow Bai Yan's own feelings, but the sentences such as "the bead curtain rolls in the middle of ten
two, and the jade scissors fly high and low" obviously have the trace of
regarding things with people; Every sentence of Yuan Shize has the characteristics of multiple meanings, which is completely confusing.
The canon used in Yuan's poems covers the Eastern Jin Dynasty, the Western Han Dynasty and the Northern Song Dynasty, and the long-span leap in historical time
endows this Bai Yan with the characteristics of going through the past and the present, which makes people think that poetry not only shows the feelings generated by the poet's looking at the reality horizontally, but also
is a sigh that is caused by looking at history. It is not only one's own < P > mind, but also the narcissistic self-appreciation and < P > self-injury and self-mourning complex that is common among intellectuals in the Yuan Dynasty and even in the past dynasties. Compared with the poems of the time, which only expressed the poet's lonely feelings, Yuan's poems clearly summarized a broader realistic and historical connotation, and had richer emotional connotations. Many ancient poetry talks summed up the writing experience of chanting
poems, among which Zhu Tingzhen in Qing Dynasty said more specifically: "The poem chanting
is the most difficult to be good at, and it can be described everywhere, that is, the path of a small family in the late Tang Dynasty, which depicts
in a very elegant way, but it is not superior in the end, so it cannot be detached. It is still the habit of people in the Southern Song Dynasty to use the meaning of
everywhere and discuss the Sect again, which is not a subtle realm. Then, if you turn to the
level, you will have no trace of sustenance, not stick to the scenery, not focus on judgment, and take the
spirit from the shape, which is beyond the human reason, so there is another way. " 7 tearing up the poems of "Raft Descendants" Volume Four Yuan
, the chanting of Bai Yan is inseparable, stuck and detached, and its sustenance is far away without trace
. Among them, the sentence "The snow is full and the garden has not yet returned" ignores the
life appearance of the swallows "autumn goes and spring comes", which is even more "taking the spirit from the shape and surpassing the truth".
from the above analysis, it is not difficult to see that Yuan Kai < Bai Yan's poetry gallery is vast,
the weather is magnificent, the things are confusing, and the worries are deep and wide, and it won the Yang Weizhen seat
. It is no accident that Bai Yan's nickname is not Big Ben, but Yuan Kai.
Yuan Kai is a poet whose external appearance is far from his internal reality.
In Ming History, it is said that after he resigned from his post and returned to his hometown, he "rode a black cow with a black scarf on his back,
paraded through Jiu Feng, and a good Samaritan painted a picture." Is it cynicism, loneliness and arrogance
, or madness and mental disorder? In any case, it is only one side of the surface
, in fact, his inner world is very deep and complicated. After being called
as an imperial adviser, he saw that "the military officials were arrogant and offended many people" and said,
"I am afraid that you will not know the etiquette of the monarch and the minister, so please ask them to extend the study of the ancient scholars in the governor's office and ask them to attend lectures in the capital, so that you can protect the whole family." The emperor accepted this suggestion, "Yan Mingshi of Taitai Province went straight to the noon gate to tell stories for the generals." But
seeing that Yuan Kai is very knowledgeable and kind to others, I don't know how many
military officials have been spared from the crime by his suggestion. One day, The emperor was worried about the completion of the prison, and ordered Kay to send the Crown Prince < P > a reply, which was much regretted. Kay returned the favor, and the emperor asked,' Who am I, or the Prince?' Kay
made a sudden remark:' Your Majesty's law is right, and the East official's heart is kind. In the face of a dilemma that is easy to get
crime, Yuan Kai's answer is very clever, which on the one hand shows Yuan
Kai's wit, but it also shows that he doesn't hold on to one end. However,
"The emperor likes to hold on to both ends and hates it." So, "Kay is afraid, pretending to be crazy and not telling < P > to return." [2]' Ming history' Rui 2.5 7% In folklore, the emperor "held both ends, went to prison, and Kay did not eat or drink for three days. Let the prince release it, send someone to order the food, and find it. Kay was afraid of disaster and ran into Jinshui Bridge, so he couldn't afford to be ill at work. Or doubt its falsehood on the cloud, touch its skin with a wooden drill, and reluctantly put it back. Kay is ruined and tastes from the market. On the stage, people waited on him, sang "The Moon is High" to the messenger, and reported the triumphant fruit wind. Exempt. " (See page 7 of "Biography of Seclusion" in Volume 22 of Cha Jizuo's "Record of Crime" in Four Series and Three Editions, Shanghai Bookstore, July 1985
. ) Yang Yi's Ming Liang Ji also records that Yuan Kai "returned to the old place < P >, and (the emperor) sent an envoy to spy on it. Kaiyi is a wild waste, with sugar and cooked rice, which is < P > dog's dung-like, and it is abandoned in the night and eaten in the day. When the messenger saw it, he thought it was
eating dog dung. If you return to the record, you will be saved. I didn't get a haircut until I heard that Taizu had collapsed. < P > There is a ten-day period of' from now on'. " An intellectual with knowledge and talent
had to resign and pretend to be crazy in order to preserve his health, let alone realize the ideal of governing the country
, and his inner sorrow can be imagined. This was true even after the overthrow of the alien rule and the establishment of the new Han dynasty, especially in the Yuan Dynasty under the alien rule. Yuan Kai, a "poet", poured out his melancholy < P > knot through his poems, which caused his external wanton waste behavior and the split of < P > emotional world in his poems. In the first year of Zhengde, his later countryman Lu Shen said. First,
he was born with many powers and wonders, and he was talented in distinguishing, elegant and good at talking about banter, so he saved himself from difficulties. Despite his
poems, he was elegant, solemn and stirring, muddy and gloomy, which was unique. Don't give the rest to cope with the world, and everything in it is unfathomable? [1] Peng 64' Bai Yan' poem
1233 is such a poem that shows his' unfathomable' and' muddy and gloomy'.