Xi Murong said: "Life is a running river, and we are all people crossing the river." The left bank of the river of life is forgetting, and the right bank of the river of life is memory. Only when we shuttle between the left bank and the right bank in our unique boat do we know-forget what should be forgotten and remember what should be remembered. A poetic and philosophical prologue, cleverly pointing out the main idea in quotations and metaphors.
Walking on the road of life, we laugh at the flowers blooming and falling outside the window and watch the clouds roll and the wind stop. On the way, we experienced too many mixed feelings. During the voyage of the river of life, we learned to forget the sad and happy things that should be forgotten, and to remember the bits and pieces that should be remembered.
Dongpo threw up his hair and shouted "River of No Return", and the troubles he faced suddenly sank into the rolling waves and disappeared without a trace. The magnificent surging river made Dongpo choose to forget, forget those frustrations and sorrows, and forget those disappointments in his career. Tao Qian accompanied the butterfly dance in Saint Zhuangzi daydreaming Butterfly Jun and picked chrysanthemums leisurely under the east fence. Facing Nanshan, Yuan Ming chose to forget the ugliness of officialdom and all the unhappiness he encountered. This is the choice of the soul, the wise choice made by people crossing the river on both sides of the strait, and the wise "ferry". Take Dongpo and Tao Qian as examples to illustrate the wisdom of "forgetting" the joys and sorrows. Fluent words contain rich cultural connotations. People stay on the left bank of the river. Besides, there are people living happily on the right bank. Sitting under the pool pavilion, tears streaming down her face, drinking wine alone, Yi Anzhu told me in her words that she would always remember the bits and pieces of her life experience, which was the choice she made on the way to "cross the river". Haizi told me that starting from tomorrow, he will remember all the water in his life, because it is the dew he used to water the flowers. Sanmao used her words to remember the soul of Sahara forever. Van Gogh will always remember his "boat" with sunflower ... (Examples show that "remembering" is eternal. As far as brushwork is concerned, it covers ancient and modern China and foreign countries, and rich materials add humanistic connotation to the article. This is the life on both sides of the river of life, and it is the choice of forgetting and remembering. The wind blows petals like a broken childhood. Desperate ancient music explains the gap between souls, hiding in the depths of dreams and memories, listening to flowers and nights singing nightmares, singing prosperity, singing away all memories, forgetting the unhappiness and triviality that should have been forgotten with the clear smile and unclear tears that no one knows, and remembering the profoundness and eternity that should have been remembered. White rabbit, look around. Clothes are not as good as new ones, and people are not as good as old ones. Sailing in the "river of life", sitting in your unique boat, knowing that forgetting is on the left, remembering is on the right, and there are endless shuttles in the middle! (At the beginning of rebate, the image of "endless shuttle" of the ship of life contains profound philosophy, poetic and intriguing)
Comments: This is a poetic and philosophical essay. Its brilliance is mainly manifested in two aspects: first, it is rich in materials. From Xi Murong to Van Gogh, the author's brush strokes spread all over the world, and his poems and articles enriched the content of the articles with little aspects, details, associations between "forgetting" and "remembering" and excavations from different angles. Second, the artistic conception is far-reaching, poetic and philosophical. Xi Murong's poems are mentioned at the beginning and end of the article, which means "life" with "river", showing the philosophical meaning of life shuttling between "left bank and right bank"; The typical characters and their typical works involved in this paper have rich humanistic connotations. The massiness of materials adds a lot of color to the massiness of the article, supplemented by meaningful and poetic language, which is naturally poetic and implicit. The profound connotation, rich materials and brilliant literary talent are important factors for this paper to get high marks.
Xi Murong-References
1, the poem of Xi Murong
2. On the theme of love in Xi Murong's poems.
3. On the modern female consciousness in Xi Murong's poetry creation.
4. On the universality of Xi Murong's homesickness poems.
5. The poet Xi Murong released Inner Mongolia complex (Xinmin Weekly)
Xi Murong, female, is a famous poet, essayist and painter in Taiwan Province. Mongolian, full name of Mulunxilianbo, Mongolian means mighty river. Originally from Inner Mongolia, 1943 was born in Sichuan. He spent his childhood in Hongkong and grew up in Taiwan Province Province. After graduating from the Fine Arts Department of Taiwan Province Normal University, she went to Europe for further study. 1996 graduated with the first place from the Royal Academy of Art in Brussels, Belgium. He has held many solo exhibitions and won the Royal Belgian Gold Award, the Brussels Municipal Government Gold Award, the two bronze awards of the European Artists Association, the Best Lyrics Award of the Jinding Award and the Zhongxing Literature Medal of New Poetry. He used to be a professor at Taiwan Province Hsinchu Teachers College for many years, and now he is a professional painter. Representative works include A Flowering Tree and Qilixiang. In 2002, he was appointed honorary professor of Inner Mongolia University. Because of his strong homesickness, his "Father's Grassland and Mother's River" was widely sung by Mongolian children who stayed at home and drifted abroad.
Xi Murong-Features of Works
Xi Murong's works, written in plain language, have deep feelings. Exquisite brushwork and good use of repetitive sentence patterns make her articles present a soothing musical style and full of pastoral sentiment. In the management of syntax, she not only pays attention to the overall effect, but also pursues the beauty of words. Xi Murong's articles are all people-centered, so it is easy to see the sincerity of the author by simple narration.
Perhaps it's because Xi Murong, as a professional painter who graduated from the Fine Arts Department, often blends into his paintings, so that readers can appreciate his works like flipping through picture books and immerse themselves in bright pictures, which is why Xi's works are so distinctive.
As a Mongolian, Xi Murong never set foot in her hometown, but her poems can't hide her Mongolian consciousness, such as expressing her homesickness for Mongolian grassland and history and culture, and her Buddhist ideas with Mongolian philosophy and religious characteristics, which are different from other writers.
Xi Murong-the influence of works
Infinite memories
Xi Murong is a very special case in the history of modern poetry in Taiwan Province. As soon as it appeared, it became the "nouveau riche" in the poetry circle of Taiwan Province Province, and created the "Xi Murong phenomenon" of "soft poetry". Xi Murong's poems have become prominent in the bestseller list; The work has become a treasure in the hands of college middle school girls; Names have become a hot topic in newspapers and radio stations; Xi Murong himself is even known as Taiwan Province's "Qiong Yao in Poetry". All these have become new things in the poetry circles of Taiwan Province Province.
In the middle and late 1980s, Xi Murong crossed the ocean and set off a "Xi Murong whirlwind" in Chinese mainland, which became the idol of many young poetry lovers.
As a modern poet, Xi Murong can be regarded as the first "so-and-so phenomenon" written by contemporary critics-although this group of critics used the word "Xi Murong phenomenon" with a somewhat critical flavor.
Xi Murong-Prose Review
Xi Murong's prose works have two characteristics, one is the description of flowers, and the other is the lexical use of colors. In the description of "flower", all kinds of flowers can be used in this paper, among which lotus is the most closely related to her. Because Xi Murong is a painter, the use of color is naturally more appropriate than other writers, which forms one of her characteristics.
(A) the description of flowers
In Xi Murong's prose, except people, flowers are often taken as the object, or flowers are interspersed in the text to imply some symbolic meaning. For example, "the whole tree is full of white flowers, and the dark green leaves highlight the white flowers, so I saw it from a distance ... what a big tree, deeply planted on the cliff by the sea." A few decades ago, when those who came across the ocean first began to live on this small island, this cliff must be covered with this coastal plant, right? I think when those people first started to build their hut under this tree, they must have thought it was only a temporary stay and they could leave soon, so they built it in such an embarrassing and chaotic way? "
Xi Murong likes to combine the characteristics of a certain flower with a certain type of story. Although the flowers in the story may only play a static role, they occupy an important position in the whole text. For example, in A Story of Flowers, Xi Murong wrote a story about a man and a woman, which began with the blooming of epiphyllum and ended with its withering.
"Many years later, every time I smell the same flower fragrance, the girl will think of the boy who picked epiphyllum under the moon. They haven't seen each other since that night. He shouldn't give her an epiphyllum. It is said that this is an unfortunate sign. "
Xi Murong's feelings for flowers are expressed in the form of stories. Flowers also act as catalysts. For readers, even if they have never experienced a similar or identical situation, they can have a deeper feeling through the atmosphere created by Xi Murong, which may be one of the factors that have always been loved by Xi Murong's works.
Every writer has something he likes, and Xi Murong especially likes lotus flowers. She paints and writes lotus flowers. However, she seldom praised Lotus alone. She always associates the lotus with others or brings it out with something. In literary criticism, there is a saying that "writing is like a person", with special emphasis on the relationship between the writer's living environment and the style of his works. To explore the relationship between this phenomenon and Xi Murong, we can find the answer from Xi Murong's living environment and growing process.
Xi Murong published a book entitled "Keepsake", which was entirely about writing and praising the lotus. The content of this book is to use Xi Murong's articles and brush strokes to create the atmosphere of the book, and to show his praise and love for the lotus. Not only write the scenery objectively and carefully, but also write the feelings subjectively, so that the whole work presents the feeling of blending scenes and the situation of integration of things and me.
(B) the use of color matching
At the same time, as a painter, Xi Murong's description of the color of flowers is more sensitive and delicate than that of ordinary writers, which makes his works feel more vivid. The construction of its image is mostly based on the use of color, and the articles presented to readers are no longer just rigid flat words, but three-dimensional pictures.
Mu Rong uses the description of colors and flowers to make abstract ideas convey clear images. It is very easy for readers to get into the emotions that Xi Murong wants to express when reading the works.
Edit this paragraph and return to the catalogue. Xi Murong-Inner Mongolia Complex
Xi Murong and her Inner Mongolia
Xi Murong's Mongolian name is Mulunxilianbo, which means mighty river. After she was a Mongolian royal family. Although she didn't grow up in Inner Mongolia grassland, she grew up in a traditional Mongolian family. Before the age of 5, Xi Murong could speak Mongolian. Xi Murong was born in Chongqing. Because he was in a turbulent wartime, he went to Chongqing, Shanghai and Nanjing with his parents, and finally went to Taiwan Province Province.
Nineteen Ancient Poems is the first poetry reading book that Xi Murong came into contact with. There are many poems expressing homesickness, such as "Homesickness makes people old and the years are getting late". Since then, faint homesickness and homesickness have become attached to Xi Murong. Xi Murong wrote poems in her diary to balance her inner world, and homesickness became a deep imprint and complex of her inner world. As a painter and poet, Xi Murong wrote homesickness in his poems and painted it in his paintings.
In many of her works, there is a yearning for her hometown, and even the shadow of grassland desert can be seen in the background color of her works. In a desert, a tree leaves its long shadow, which can only be seen in his hometown, and Xi Murong painted such an oil painting without having been to his hometown. An elderly Mongolian living in Taiwan Province Province saw her paintings and said in fluent Chinese, "This seems to be my hometown."
1On August 22nd, 989, Xi Murong returned to Inner Mongolia for the first time. Since then, while living in Taiwan Province Province, Xi Murong has returned to Inner Mongolia grassland once or four times a year, and his footprints are all over Inner Mongolia grassland.
The trip to his hometown from 65438 to 0989 can be said to be a watershed in Xi Murong's creative career. Xi Murong, a somewhat melancholy and lonely person, wrote Li Qixiang, and he can never go back. Back in Taiwan Province Province, she wrote behind closed doors and wrote a short essay of five or six thousand words in three days and two nights. This life lasted for a whole year. During this year, she postponed all the art exhibitions, canceled all other plans and concentrated on writing her feelings about going to Inner Mongolia.
Xi Murong said that in the first ten years when she set foot on the grassland, she was sad and afraid. Grassland is destroyed, desertification is serious, there are too many immigrants, and grassland culture gradually disappears. However, in the last three to five years, she has become optimistic. "All things are animistic and all beings are equal" is what Xi Murong repeatedly said. "Every nation has its own culture, and we have no reason not to respect the culture of others. Everyone should preserve the cultural characteristics of their own ethnic group as much as possible and don't forget their roots. " References:
Poet Xi Murong Releases Inner Mongolia Complex (Xinmin Weekly)
Xi Murong-Representative Works
His works include more than 50 kinds of poems, essays, albums and anthologies, which are widely read at home and abroad. In recent years, I have devoted myself to exploring Mongolian culture and taking my hometown as my creative theme.
Prose and poetry works include: Shell, Youth Without Complaints, Qilixiang, Nine Articles of Time, In that Far Away Place, Song of the River, There is a Song, Sanxian, For Happiness, My Home is on the Plateau, Mountain Moon and Zen.
Flowering tree
for this reason
I prayed in front of the Buddha for 500 years.
Pray for Buddha to let us have a dusty relationship.
Buddha made me a tree.
Follow the path you may take.
A flowering tree Xi Murong
Under?the?sun
Carefully full of flowers.
Every flower carries my previous hopes.
When you get close,
Listen carefully
Trembling leaves
This is the passion I am waiting for.
When you walked under the tree, you didn't notice me.
On the ground behind you
My friend,
Not falling petals
That's my withered heart (reference:
Xi Murong's poems)
common jasmin orange
The stream is eager to flow to the ocean.
The tide is eager to return to land.
In front of the hedge with green trees and white flowers
I waved goodbye so easily.
After 20 years of changes,
Our souls come back every night.
When the breeze blows.
It became a garden full of fragrance (refer to "Xi Murong's Poems").
Xi Murong-others' comments
Critic Shen Qi believes that the reinterpretation of "Xi Murong's Poetry Phenomenon" aims at renaming and positioning the whole normal poetry writing. China's new poems, which have been arbitrarily transported for a long time, are gradually awakening and claiming to enter a benign development period, and the importance of normal writing is increasingly prominent. Rereading Xi Murong from this angle, we can read some embarrassing revelations-the market has pushed the avant-garde attitude from the mainstream to the edge, and the times have pushed a touch of "marginal light and shadow" to the hot spot of the market; The market is innocent and the times are changeable. Xi Murong only passively acted as the "darling" of the voters of popular poetry, which inadvertently opened people's re-understanding of the value of normal poetry writing. In this value field, Xi Murong's poems undoubtedly occupy an important position, not a false love and misunderstanding.