After 1949, she wrote a collection of essays, such as Little Orange Lamp, Notes on Picking Up the Leftovers, Three Letters for Young Readers, etc. Among these works, Little Orange Lantern, We Have No Winter here, Cherry Blossoms and Friendship are more representative. These creations of hers still maintain a fresh and beautiful artistic style, but they have a clear and optimistic mood instead of the confusion and faint melancholy of the past.
Bing Xin's novels are fresh, concise but full of charm and brave in practice. They have made a special contribution to the transition of China literature from classical Chinese to vernacular Chinese, showing the author's good classical literature accomplishment and keen mastery of modern language, with strong language control ability. Her writing style and superb literary attainments have been praised by many famous writers and scholars. Among them, Mr. Hu Shi commented on Bing Xin's works: "Ms. Bing Xin has been influenced by the great poets in China history and has a deep foundation in ancient Chinese, so she has brought a feminine taste and elegance to this new form, which is both fresh and straightforward." "Not only that, but she also inherits China's tradition of loving nature and is good at using images in her writing skills, which makes her style simple and elegant." Mr. Ba Jin commented on Bing Xin himself like this: "We like Bing Xin, and we love the stars and the sea with her. I, a lonely child, found warm and lost maternal love in her works. "
Bing Xin's creation, from "problem novel" to modern vernacular prose, from "Stars", "Spring Water" to "For a Young Reader", is pioneering in style and language form. The language is beautiful and natural, mixed with the charm of ancient Chinese, and it is a style with distinctive artistic characteristics and personal narrative style. As far as the text content is concerned, maternal love, childlike innocence and nature are the basic motifs of Bing Xin's writing, which are embodied in praise, pursuit and thinking of love and beauty. "Love is on the right, sympathy is on the left, walk on both sides of the road of life, sow seeds at any time, blossom at any time, decorate this long journey with fragrant flowers, so that pedestrians who wear branches and brush leaves will not feel pain and tears, nor will they feel sad." As the title of this article says, Bing Xin's article completely embodies her own belief in love.
Her sad beauty comes from her gift. This is reflected in her poems, "full of tenderness, slightly sad", "I am just a weak person, a bright cross, let me carry it on my back. I want to abandon the dim stars in nature "and" The poet is writing! " Tiny sadness will stay in my heart forever! "When she was bored, she wrote a letter to her sister, which described her impressionable mind in more detail. Genius is probably an excellent molecule in human beings. Its nerve tissue is slender and dense, and it will react when there is external stimulus. Even ordinary people think that people who don't have to be sad are led by genius, and those who don't have to be happy are led by genius. Singing and crying for no reason is like epilepsy. There used to be a famous saying that "sorrow is greater than heart death". The situation is cosmological: even if time and space are endless, it will inevitably become the robbery of bad space. Taking life as the theory: the fundamental tragedy of birth, aging, illness and death is as expensive as Qin Huang and Hanwu; Sages such as Confucius and Socrates; Wisdom is like Solomon; Heroes such as Alexander and Napoleon can't be avoided, and their daily life is also "unsatisfactory". Mediocre people are groggy and lead a drunken life, but they don't agree; Smart people are full of emotions about everything. Therefore, "sad autumn" and "hurting spring" are all tricks played by poets. And "worry", "worry" and "pain" have almost become the most nouns in the poet's dictionary. There is no "pain" in Bing Xin's gentle and happy environment, but as a poet, her nerves are easily excited. She is also a woman and is more sensitive to women's feelings. Her heart piano plays solemn and joyful, ethereal and magical music, but it often leaks sad sounds, which is the reason.
Her sorrow is gentle sorrow, and some people criticize it as velvet yellow. Reading her poems, every time I hear songs at midnight, people feel helpless; Another example is the bright moon above the empty river, and the distant wind sends a wisp of flute, which does not make you feel tears, but only makes you quietly tempted and carefree; Another example is Yu Pingbo's Cold Rain Talk in the South of the Yangtze River. "It makes you feel sad, but what we usually call sadness is just a name, and most of it is mixed with troubles. Only a heart washed by the cold rain in the south of the Yangtze River can experience a kind of sadness that is light blue and pure as crystal. "