Reading Peony Pavilion 1 Reading Peony Pavilion left a deep impression on me, that is, the beauty of words, stories and characters. The Peony Pavilion is one of China's four major plays, which has a far-reaching influence on later literary works, such as A Dream of Red Mansions. The Peony Pavilion was written by its author Tang Xianzu after encountering difficulties. But the misfortune of Tang Xianzu's life is a great blessing in the history of China literature, and it is also a great blessing for ordinary readers. This may also be a kind of "imperfection produces beauty"!
In my opinion, the beauty of this book has reached a peak. When reading, the beautiful text fragments in the book came into our eyes one after another, which made people overwhelmed and amazed. Of course, simple words can't impress people, just an empty shelf without connotation. Really beautiful words should be based on feelings and scenes and describe a story, which is the beauty of this book. Every paragraph of its text is not empty, but what it is saying, which is empty and unfounded. Let's take a brief look at some words in Boudoir. "Boudoir" is completely expressed in a relaxed tone, which makes people laugh. This is also the superb and beautiful use of words. Chen Liangliang's pedantry, Chunxiang and Du Liniang's rebellion are also fully displayed here. Some people may ask, "How did Du Liniang behave as a rebel?" Du Liniang and Chunxiang are in sharp contrast. One is static and the other is dynamic. It seems that Du Liniang is not rebellious. However, Du Liniang in the book really favors Chunxiang and supports Chunxiang everywhere. On the one hand, it shows dissatisfaction with Chen's pedantry. "Master, according to the notes, students teach themselves." On the surface, it looks very polite. In fact, the word "self" deeply expresses this feeling. There are a series of descriptions about the beauty of words in A Tale of the Garden. The beauty is amazing, which expresses Du Liniang's voice and resonates with readers, benefiting them a lot.
The story of this book is also beautiful, just like a dream. The reason why this book reached its climax is precisely because of the two dreams of the two protagonists. Liu Mengmei dreamed of a beautiful woman standing under a plum tree in a garden. Du Liniang returned to his room from the garden and dreamed that a scholar was courting half a weeping willow tree. Since then, there has been a spiritual love between two strangers. This kind of plot is really unheard of, unheard of, and not only amazing. In the book, Du Liniang dreamed of lovesickness, died of lovesickness, and came back from the dead. Finally, it is even more legendary to experience twists and turns and marry Liu Mengmei. A sentence in A Dream of Red Mansions "Is it really hard to think of him?" At the same time, the name of the hero in the book is just right-Liu Mengmei. "Liu" symbolizes the hero and "Mei" refers to the heroine. Both Liu Mengmei and Mei were drawn by a dream, so the name just fits the whole plot of the book.
Finally, when it comes to the beauty of characters, the male and female protagonists are naturally beautiful and spring fragrance is lovely. Is pedantic Chen Liangliang really beautiful? Admittedly, Chen is the most pedantic, but this is only one-sided. In the second half of this article, he also did great things to save the country and the people. He is also a hero, so he is also beautiful. Then, taking The Boudoir as an example, the individual beauty of Du Liniang and Chunxiang is analyzed in detail. It is not difficult to find that Du Liniang's language in this play is far less eye-catching than Chunxiang's, and it just shows Du Liniang's personality with Chunxiang's tone. Chunxiang said, "Not yesterday, not this year, but last year. The official's son locked a turtledove and was released by the young lady, so I went to any house. " She inadvertently misinterpreted the Book of Songs, saying that Du Liniang's talk about releasing official's son's turtledove showed Du Liniang's yearning for freedom. Therefore, Du Liniang's yearning for freedom and awakening to youth did not begin with visiting the park, but already existed. Visiting the park is just a fuse. Then Chen Liangliang said, "The ancients studied, there were fireflies, and the bright moon shone in the sky." Chunxiang said, "The bright moon shone in the sky, and the toad was dazzled; Stay with fireflies and let bugs and ants work. " Chunxiang doesn't care how others study. She only cares about the life and death of small animals, which also shows Chunxiang's loveliness and innocence and her deep sympathy for Miss Du Liniang's loss of freedom.
This book is full of beauty, and each play can be enjoyed separately. When "Going to the Garden" came out, Du Liniang lamented that Shaoguang was fleeting. Readers should feel the same way about this, and borrow a lyric, "The good days of youth and frivolity will be over as soon as you are sensible", so write it like this.
The green pole holds pink Dan, which is pure and pure. It was originally a beauty hairpin. Have pity on jade bone's ice muscle, and the egret wants to break its soul. The golden house is hidden, the skirt is flying, and the jade fragrance is dissipated; Silver flashes and red tears shed only for the hope in my heart. I feel dizzy and long, and I hate it to death. Loose hair.
Looking at the broken wells and ruins, I sighed in shame. Maolin used to prune bamboo, but now it is an old tree with withered vines. The past is over. Who knows where I'm going? Sadness, tears, it is difficult to find the way home; Sigh, sorrow is like fog, confusing the road ahead. Loneliness is not bitter, and bitterness is not lonely. But I want to become a ruined temple, leaving you a moment to stop, regardless of the wind and the sun; But I don't envy you as a lonely moon, guarding you on a cold night.
Peony Pavilion is the representative work of Tang Xianzu and the peak of romanticism in the history of China opera. By showing the immortal love between Du Liniang and Liu Mengmei, the play expresses the hazy desire of people bound by feudal dogma to break the shackles of feudal ideology and morality and pursue freedom and liberation.
Judging from the plot, The Peony Pavilion expresses an "ancient" theme, which is the contradiction between love and reality. But in this play, the reality it reflects has special significance, that is, the ideological shackles in Neo-Confucianism and the feudal ethical code system advocated by the ruling class in the Ming Dynasty. Du Liniang's longing for beautiful love is a kind of nature. Although she lives in a boudoir, she will unconsciously have a strong desire for love and finally get her own love. The significance of this drama lies in affirming the rationality of human love in a visual way, criticizing the shackles of Neo-Confucianism and the ethical code system, especially highlighting the conflict between human feelings and ethical code, and showing the irrationality of the shackles of Neo-Confucianism and ethical code system.
From the ideological point of view, Peony Pavilion shows the ideological height and social characteristics that previous dramas can't match. No longer confined to the category of opposing parents' orders and matchmakers' words, but clearly put forward the slogan of emancipating the mind and personality. Therefore, the hero and heroine in the play either die for love or born to love endows love with invincible power, which can transcend life and death. Therefore, Du Liniang in the play has become a dazzling figure in the history of China literature. Her death was the result of courtship between men and women in society at that time, and it was also a way for young men and women in society to get rid of the shackles of Neo-Confucianism and ethics.
From the artistic features, The Peony Pavilion shows typical romantic features, and shows the contradiction between ideal and reality through exaggerated plots such as "dying because of dreams" and "coming back from the dead". Du Liniang's reading of love chapters in The Book of Songs inspired his yearning for beautiful love. But in the real environment, her emotional ideal is almost impossible to realize. So, the author made up the plot and let her realize it in a dream or in a wandering way. For example, after listening to her mother's nagging, she met Liu Mengmei in her dream. For another example, she confided in the ghost and moved the ghost to let her find a lover, but after her resurrection, her father tried his best to prevent her from combining with Liu Mengmei. Through the sharp contrast between reality and illusion, the author highlights the contradiction between reality and ideal, and also reflects women's yearning for freedom and happiness in feudal society.
The whole play Peony Pavilion expresses the feelings of the characters with lyrical techniques, so reading this play is more like reading lyric poems. Although China's traditional opera has a long history of using poetry to play, Peony Pavilion is particularly prominent in this respect. In addition, Bai Bin in the play is also very interesting, which is both fierce and heavy in the Northern Song and beautiful in the Southern Ci. The hero and heroine in the play often pour out their feelings in southern dialect, while describing struggles and ghosts with northern songs.
Peony Pavilion is luxurious and romantic, but in essence, it has not been able to jump out of the tradition of "love and ceremony". Especially after Du Liniang's resurrection, the plot was more obedient, and he didn't show the idea of acting completely by emotion. But on the whole, it dares to oppose feudal conservative thoughts and advocates free liberation, which has positive progressive significance and occupies a vanguard position in the history of China drama.
Reading experience of Peony Pavilion III. The full name of Peony Pavilion is The Story of Peony Pavilion, which is called "Four Dreams of Tang Yuming" together with The Story of Purple Hairpin, Handan and Conan. It is one of the four plays of Tang Xianzu, a dramatist in the late Ming Dynasty, and it is also his most popular and accomplished work.
The story is about Du Liniang, the daughter of Du Bao, the prefect of Nan 'an. She broke through the shackles, went out to visit the park privately, and touched the scene, and dreamed of a tryst with scholar Liu Mengmei. From then on, I couldn't afford to get sick and died in love. Du Bao was promoted and resigned, and built a plum blossom view in his daughter's cemetery. Yagyu went to Beijing and tried to spend the night in the temple. He picked up the self-portrait of Du Liniang's martyrdom in the garden and recognized this woman as the woman who had a tryst with him in the Peony Pavilion in his dream. In the evening, Du Liniang told yagyu the reason and begged yagyu to dig the grave and open the coffin within three days. Yagyu hinted that Du Liniang came back from the dead, and they got married and went to Lin 'an. Chen Liangliang, a teacher from Du Liniang, visited the cemetery. Yagyu left without saying goodbye, so he went to Lin 'an to report Yagyu's grave robbery to Du Bao. Yagyu finished the exam in Lin 'an, which coincided with the invasion of nomads from the south and delayed his publication. Du Bao, the special envoy of Anfu Department, was besieged in Huai 'an. Entrusted by Du Liniang, Yagyu wrote home to announce the good news of resurrection, but he was imprisoned. After the nomads from the retreat, yagyu was the top student in high school. Du Bao was promoted to the military post with Pingzhang, refused to recognize the marriage and forced his daughter to divorce. The dispute was settled before the emperor.
Du Liniang, the only daughter of Du Bao, the magistrate of Nan 'an, was instilled with the thought and understanding of feudal ethics from an early age. But the cruel feudal ethics could not bind her in adolescence at all. A poem "The Book of Songs Guan Ju" aroused Li Niang's feelings. She doesn't think this is a work to promote Confucian ethics. And think that this is a love poem, a poem that has stirred the hearts of countless girls. Li Niang, who has been trapped in the boudoir for a long time, was inspired by the wonderful spring scenery in her back garden and moved for a spring outing. This shows that the rigid feudal ethics can't bind people's innate lust at all, thus exposing the hypocrisy and cruelty of Neo-Confucianism in Zhu Cheng at that time.
Although Du Liniang's behavior was inconsistent with the society at that time, it did not affect the plot development of the work. The author expounds the theme of the work through her behavior of not being a good family.
After reading this work, I have to be moved by Du Liniang's courage, persistence and true feelings. A song, "Swing inside and outside the wall, laity inside the wall, beauty inside the wall, laughing and gradually becoming silent, affectionate but ruthlessly annoyed." This is the first time they met. After a dream in the back garden, Li Niang got lovesick, couldn't get sick, and even died. In reality, Du Liniang and Liu Mengmei have never met at all, let alone true love. Then what caused Li Niang to die of a spring injury? Is this really a dream? No, it's not. Dreams have more or less accelerated the tragedy, but dreams are closely a prop to promote the tragedy, not the main reason. Imagine, in today's 2 1 century, who will be lovesick because of an illusory spring dream? The chances of falling in love at first sight are slim now, let alone dying for a dream of falling in love with spring. In Du Liniang's era, when true feelings were suppressed and human nature was bound, it might just be an ordinary thing.
In ancient times, women had to obey the four virtues, and could not go out of the front door or enter the second door. I often hide in the boudoir to embroider and practice piano and painting. The man I met before I got married was probably his father and brother, as well as his family. How many people can fall in love at first sight when they suddenly meet a handsome man who is not related to her? And harsh dogma simply doesn't allow this kind of personal lifelong thing to happen. But often things are bound to happen, and the more bound they are, the more they can inspire human nature to challenge. Let's say today, men and women are equal, there are more opportunities to meet the opposite sex, and society is enlightened. Many people can find their other half through searching and live a happy life. How can there be so many tragedies of abandoning home and eloping?
Therefore, in the final analysis, it is the feudal ethics that ruthlessly suppressed human nature and created countless tragedies.
Another feeling is Du Liniang's real feeling. Although this is just a dream. But I can't put out the feelings burned in my heart. After that day's death, she broke through many difficulties and finally met Liu Mengmei. And how much courage and perseverance it takes to break through these difficulties. It is said that love has a time limit. Li Niang has been a ghost for three years, but she is still obsessed with Meng Mei and has gone through all the hardships to realize her dream. How many long-distance couples choose to break up and become strangers because they can't stand the distance between time and space? What I want to say is that while we are bravely pursuing love and happiness today, please don't let go easily. Love always needs persistence.
Reading experience of "Peony Pavilion" 4 There is a book that is best read in the quiet night, and that is "Peony Pavilion"; There is a song on the shelf that is best to sing, and that is Peony Pavilion. There is a kind of love that is best sung in Where Are You Going? That is Peony Pavilion.
Quietly folding the corner of the last page, I asked myself: what is a dream? Yu Dan said that dreams are only about feelings, only about a person's inner feelings. However, Tang Xianzu said: Why is the love in the dream not true? Are there very few dreamers in the world? And I want to say: the dream is very simple, that is, walking out of the boudoir courtyard, suddenly seeing the true self and picking up the lost truth. Frankly speaking, the original colorful flowers are everywhere, as if they were stuck on the broken wall. Today's weather is very good, which is a pleasure for anyone! This is my deepest memory of the Peony Pavilion.
Du Liniang, who was born in an official family, was moved by the love story described in The Book of Songs Guan Ju. In Meng Liang's dream, he saw a scholar Liu Mengmei courting a willow tree. From then on, he had a good time and met the Peony Pavilion. However, the day is full of envy, and Du Liniang has nothing to send because he thinks at night. He can't afford to get sick and regret it for life. After her death, her mother buried her under the plum tree in the garden and moved to Meihua Temple. Maid Chunxiang hid Li Niang's self-portrait under the stone in Taihu Lake. Liu Mengmei went to Beijing to take the exam, stayed in the temple, picked up the painting and remembered the beauty of her dreams. Regardless of the danger of being executed, he dug up Du Liniang's grave and brought her back to life. After many twists and turns, the two finally got the marriage granted by the emperor, and they have been accompanying each other since then, knowing each other and falling in love. If fate is doomed to three lives, even after life and death, people will cherish it.
Peony Pavilion is different from Song of Eternal Sorrow. It has no palace, no golden pots and jade lamps, only peony flowers, apricot flowers and rain, blue bridge slate, all love, and love full of dreams and lovesickness. Perhaps, if Li Niang didn't walk out of the boudoir courtyard, didn't see the beautiful scenery blowing in the courtyard, didn't see the spring swaying like a line, would this love be locked in the dust and wouldn't appear? No, it will appear. Because there are two secular hearts behind. This is the most beautiful dream that Peony Pavilion left me. Is it a blessing or a curse for Du Liniang to emancipate his personality and pursue happiness in that era of neo-Confucianism oppression and feudalism coercion? I said, this is a blessing. Feudal thought changed her passivity towards Nuo Nuo into persistence and courage. She dared to give up her life for love, and she dared to refute and speak out in court. Only those who fight for freedom and faith will become rational. I think this is the truth, and the pigeon in the Book of Songs is the beginning of Li Niang's search for truth. It is true that there are some things in everyone's heart that can't be true and can't be true. Li Niang should be unwilling to be ethical, so she breaks through herself and looks for happiness; Lin Bu should not live in dirty officialdom, so he lives in seclusion by the lake, with a beautiful wife and a crane; Yan Ziling should not be satisfied with wealth, so he dreamed of mountains and rivers and was carefree. Please believe that people are sometimes very small, so small that their pupils are clear that they will be regarded as ice mounds. Light stands beside them, but it can't be blocked. However, people are sometimes powerful because they are small. As long as you believe in yourself and break through yourself, people are really strong.
I think we should turn over the first page, because the story of love has no ending and there is no end to self-realization. Tonight, it is another quiet night.
Reading experience of Peony Pavilion 5 If you want to feel sincere and romantic love, you must read the work Peony Pavilion. Created in 1598, it is one of the representative works of Tang Xianzu, a playwright in Ming Dynasty. Exquisite and colorful sentences and the beautiful and persistent feelings between the protagonists make people intoxicated and sigh. Its full name, The Peony Pavilion, is also known as Tang Yuming's Four Dreams, together with The Purple Hairpin, Handan and Conan, which shows that its achievements are high and spread to later generations, especially its classic sentences, which are well-known even today.
The heroine of the story is Du Liniang, the daughter of Du Bao, the prefect of Nan 'an. When she visited the park, she was moved by the scenery. After coming back, she had a tryst with the heroic scholar Liu Mengmei in the Peony Pavilion. Since then, she has been ill and died. The cemetery where she was buried was built into the plum blossom view. Scholar Liu Mengmei accidentally picked up the self-portrait of Du Liniang's martyrdom with the eyes of staying overnight, only to know that this is the woman who dreamed of trysting with herself in the peony pavilion. In the evening, Du Liniang's soul explained the story to scholars, so Liu Mengmei dug the grave and Du Liniang was resurrected. They got married and accompanied them to Lin 'an. Later, although they met many difficulties and obstacles, they overcame them and had a firm feeling, and finally they had a happy ending.
After reading this article, I am not only gratified that their relationship has been completed, but also admire Du Liniang's courage to pursue true love.
Her desperate struggle for the ideal marriage reflects women's yearning for love, which has anti-feudal significance and value. As we know, Du Liniang lived in a family with serious feudal thoughts. His father wanted Du Liniang to be a lady, that is, to be a good wife and mother at home, to abide by the corresponding moral norms, to be bound by artificial dogma, to have no freedom of thought, to be isolated from the world, and to suppress his wishes. Indeed, in the male-dominated society, ancient women could not liberate their individuality, but only buried the anguish and depression of losing their freedom in their hearts, and became numb over time. I don't know whether this is hateful or sad. But Du Liniang is different. Even though she was surrounded by feudal shackles, she still stubbornly resisted. In particular, her psychological desire to meet a scholar in a dream reflects her strong desire for freedom. In the end, she would rather die than pursue the love in her heart, which is worthy of praise. It is also her persistent spirit and attitude that enables her to overcome the obstacles built by the secular world and finally get the happiness she wants. This work reflects the destruction of people's thoughts by feudal ethics, encourages women's ideological emancipation, and has a strong charm of the times.
I have to say that this touching love story is inseparable from Tang Xianzu's gorgeous rhetoric, and I especially like several classic words in it. One of them is "I don't know what the situation is. After a long time, the living can die and the dead can live." "People who are born but can't be born and die, and those who die and can't be resurrected, are not sentimental." Love is life and death, life and death, affection, unforgettable. Putting out the fire for the moth of love, even if it may not have a happy ending, is also the true feelings of the world.
The Peony Pavilion has inspired countless people who really love each other with a happy ending. "I don't know what I'm doing, but I'm getting deeper." Love is so wonderful, so touching. There may be many unknown factors that hinder us from moving forward on the road of love, but if we have Du Liniang's strong and brave determination, then lovers will eventually break through the obstacles and everything will be fine.