There are tall buildings on the high wall, which are shoals in the water outside the children. Jia Sheng cried when he was young, but RoyceWong went further for a spring outing. I often yearn for the freedom of the old people in the rivers and lakes after retirement, and I want to travel to a different world. I don't know that a rotten death of a mouse has become delicious, and I don't know that a proud love has become suspicion. 3-8 sentences Write the scenery in one or two sentences of four allusions, which is open and fresh. The poet stood on the towering stability tower, looking at the mountains and rivers surrounded by green willows in the distance, and couldn't help feeling deeply. The following six sentences are allusions: three or four sentences use Jia Yi and Wang Can to compare their frustration. 1, Jia Yi is a native of Luoyang in the Han Dynasty, and he has little talent. Emperor Wen of Han valued him very much and was jealous of his officials. When he was a teacher in Liang Wang, he wrote a letter to discuss current politics. Among them, he said, "I can be a weeping person, a weeping person and a sighing person." But later, because of his dissatisfaction with his official career, his opinions were not taken seriously by the court, so he said "empty tears" here. 2. RoyceWong, one of the seven sons of Jian 'an, was attached to Liu Biao in Jingzhou for many years during the Chang 'an Rebellion in the late Han Dynasty. He was depressed. He once climbed the tower in spring, feeling that he had never traveled far, and wrote "Ode to the Tower" to express his feelings. These two sentences are neat, concise and meaningful. Five or six sentences say that I often want to make great achievements in the world, retire when I am old and my hair is gray, and retire from the rivers and lakes. 3. "Boating" is an allusion to Fan Li, a doctor of the State of Yue, who crossed the Five Lakes by boat in the Spring and Autumn Period. Biography of Historical Records of Huo Zhi: During the Spring and Autumn Period, he assisted Gou Jian, the king of Yue, to destroy Wu, and then took a boat to live in seclusion in the Five Lakes. Shang Yin took this opportunity to say that he had always wanted to retire from the Jianghu when he was old, but he had to wait until he had completed his career of governing the country and made a name for himself. 4, the last two sentences with "Zhuangzi? The allusions in Autumn Water express their resentment and anguish, saying that they have ambitions, but they are suspected by the secular pursuit of fame and fortune. Zhuangzi? Qiushui has a story: Keiko is Liang Xiang, and his old friend Zhuangzi went to see him. Keiko was told that Zhuangzi came to see him. Keiko was frightened and searched Zhuangzi in China. I searched for three days and nights, but I couldn't find it. At this moment, Zhuangzi went to see Keiko and said, "There is a kind of bird in the south called Kun Yu (Phoenix). What do you know? Husband and children were born in the South China Sea, but they flew in the North Sea. They are not only phoenix trees, but also do not eat or drink. So the owl caught the rotten mouse, and the cub passed by and looked up and said, "Fear!" " Today, I want to scare me with my son's Guo Liang? In this dialogue, Zhuangzi compares himself to a "little hen", Keiko to an "owl" and Liang to a "rotten mouse". Regard fame and fortune as the most important Keiko, mistakenly think that Zhuangzi, the "young bird", wants to take his place and take away his "rotten mouse", so he does unkind things regardless of his friendship. Don't you know that the detached Zhuangzi, as an official, has already seen through the imperial court, but he is like a rotting mouse in the owl's mouth, and has no taste at all. Keiko's suspicion is completely unnecessary. This is the portrayal of Li Shangyin's mood at this time! The main artistic feature of Li Shangyin's poem Ding 'an Tieta is 1. First of all, from the structural point of view, the poem Ding 'an Tieta first describes the scenery, narrates it, and then expresses emotions. It can be said that the level is very clear. Li Shangyin's poems can be described as "hidden and beautiful" in an orderly way. Therefore, when reading his poems, there are often complicated ambiguities and feelings. Therefore, when understanding his poems, it is sometimes impossible to analyze them rationally.
For example, the word "land adjustment" in the first sentence itself has a lofty look and a distant meaning, so the elderly have the habit of expressing their feelings at the same height. What kind of feelings does Li Shangyin have in this calligraphy? He said that I came to this continuous wall and climbed the tower. Chang 'an is so far away from him at this time, and I should also take care of myself in Chang 'an, but my mood is so predictable. Therefore, the word "land adjustment" closely contains many of his feelings, and it is difficult for us to analyze it with specific rational thinking. Similarly, the next sentence is the same, and I won't say much for the time being. 2. In the second couplet, Li Shangyin began to narrate, which is the reason for his own feelings, and here he used a very common technique in ancient poetry-allusions. There are many kinds of allusions, such as direct allusions, indirect allusions, classical allusions and modern allusions. Li Shangyin's reuse of allusions can be said to be unique, and it is also an artistic technique that he is most accustomed to and good at. The quality of allusions actually depends entirely on how you use them. Let's look at these two allusions, one is Jia Yi and the other is RoyceWong. Judging from their age, background and experience, they are very similar to Li Shangyin at the moment. Then, through the stories of these two people, it is not difficult for us to understand the author's tragic experience and inner resentment at that time. The story of "getting on the boat" and "suspicious fish" after the expansion is also unique. 3. The first part can be said to be the essence of the whole poem, which mainly embodies a wise attitude towards life and life values. Such grand sentences rarely appear in Li Shangyin's later poems, which is also related to his character and life experience. In addition, he used an inverted sentence for the sentence "Always remember the Jianghu, return the white hair", and the normal order should be "return the white hair to the Jianghu", which was also a rhetorical device used by some poets at that time. In the last couplet, he wrote two sentences with an allusion. From this sentence, we can easily read the poet's indignation, which can be said to be straightforward and even a little angry. This is also a rare situation in Li Shangyin's poems. Taking Anding Pagoda as an example, we can comprehensively analyze the artistic features of Li Shangyin's poems. Let's talk about this poem first ~
This poem is the representative work of Li Shangyin's poems about objects. This was written in the early days. Two years after the senior high school entrance examination, Li Shangyin took an examination of erudition and poetry. But for some unknown reason, Li Shangyin, who had been admitted, was disqualified by a chief of Zhongshu Province on the grounds that he was "unbearable". With a feeling of discontent and loneliness, he came to Jingzhou, which was ruled by his father-in-law, Elvis Presley Genji. This Anding County was the seat of Jingyuan Provincial Government at that time. 1. First of all, from the structural point of view, this song Ding An Tie Tower first describes the scenery, describes it, and then expresses emotions. It can be said that the level is very clear. Li Shangyin's poems can be described as "hidden and beautiful" in an orderly way. Therefore, when reading his poems, there are often complicated ambiguities and feelings. Therefore, when understanding his poems, it is sometimes impossible to analyze them rationally. For example, the word "land adjustment" in the first sentence itself has a lofty look and a distant meaning, so the elderly have the habit of expressing their feelings at the same height. What kind of feelings does Li Shangyin have in this calligraphy? He said that I came to this continuous wall and climbed the tower. Chang 'an is so far away from him at this time, and I should also take care of myself in Chang 'an, but my mood is so predictable. Therefore, the word "land adjustment" closely contains many of his feelings, and it is difficult for us to analyze it with specific rational thinking. Similarly, the next sentence is the same, and I won't say much for the time being. 2. In the second couplet, Li Shangyin began to narrate, which is the reason for his own feelings, and here he used a very common technique in ancient poetry-allusions. There are many kinds of allusions, such as direct allusions, indirect allusions, classical allusions and modern allusions. Li Shangyin's reuse of allusions can be said to be unique, and it is also an artistic technique that he is most accustomed to and good at. The quality of allusions actually depends entirely on how you use them. Let's look at these two allusions, one is Jia Yi and the other is RoyceWong. Judging from their age, background and experience, they are very similar to Li Shangyin at the moment. Then, through the stories of these two people, it is not difficult for us to understand the author's tragic experience and inner resentment at that time. The story of "getting on the boat" and "suspicious fish" after the expansion is also unique. 3. The first part can be said to be the essence of the whole poem, which mainly embodies a wise attitude towards life and life values. Such grand sentences rarely appear in Li Shangyin's later poems, which is also related to his character and life experience. In addition, he used an inverted sentence for the sentence "Always remember the Jianghu, return the white hair", and the normal order should be "return the white hair to the Jianghu", which was also a rhetorical device used by some poets at that time. In the last couplet, he wrote two sentences with an allusion. From this sentence, we can easily read the poet's indignation, which can be said to be straightforward and even a little angry. This is also a rare situation in Li Shangyin's poems. In fact, I have roughly summarized several points about his poetic artistic style, which is purely personal. First, the meaning is vague and the allusions are clever (this is his most representative point, and it is also the most difficult point to understand his poems, but it is different from the dry and incomprehensible style of modern misty poetry school. Second: "Many teachers can be teachers". In the face of the shrinking poetry circle in the late Tang Dynasty at that time, he proposed to gather the strengths of many families and broaden his thinking and writing path. He imitated Du Fu's spirit, Korean sentence patterns, Li He's twists and turns, Qi Liang's poetic beauty, Li Sao's vanilla beauty, and so on. On this basis, he created his own unique style. Third, he took parallel prose as his poem (he wrote ancient prose first, then rewritten parallel prose). In his poems, he unconsciously incorporated exquisite writing, metaphor, Chen Pu and other means into his poems, forming another charm. Fourth, he has contradictory ideological tendencies (Li Shangyin's own ideological character is contradictory and difficult to understand. What is the difference in artistic style between Li Shangyin's Stable Tower and Untitled Tower? Li Shangyin was one of the few poets who deliberately pursued the beauty of poetry in the late Tang Dynasty and even the whole Tang Dynasty. He is good at poetry writing, and parallel prose has high literary value. His poems are novel in conception and beautiful in style, especially some love poems and untitled poems are touching, beautiful and moving, and are widely read. However, some poems (represented by Jinse) are obscure and inseparable, and there is even a saying that "poets always love Quincy and hate that no one writes about Jian Zheng".
I don't know what rotten mice taste like, but I guess the fish hasn't stopped. What do you mean? I didn't expect young people to regard the small profit of "rotten mouse" as delicious.
It's a shame to always suspect that the noble phoenix is robbing its rotten mouse!
From the Late Tang Dynasty "Anding Tower"-Li Shangyin.
Extended data:
Anding tower
There are tall buildings on the high wall, which are shoals in the water outside the children.
Young and promising Jia Yi shed tears in vain, and Chundeng Temple once again made a trip to Wang Can.
I often yearn for the freedom of the old people in the rivers and lakes after retirement, and I want to travel to a different world.
I don't know that a rotten death of a mouse has become delicious, and I don't know that a proud love has become suspicion.
Translation:
There are towers hundreds of feet high on the tall city wall, and the sandbars in the water are outside the poplar forest.
Young and promising Jia Yi shed tears in vain, and RoyceWong, who went upstairs in the spring, went on a trip again.
I often yearn for being able to retire freely in my later years and want to go boating freely around Gankun.
I don't know that rotten dead mice have become delicious, but I also doubt young people's hobbies.
Anding Pagoda is the work of Li Shangyin, a poet in Tang Dynasty. This poem expresses the author's firm attitude of sneering at despised villains, although his career was blocked and he was vilified by some people, which fully embodies the author's great ambition and enterprising spirit when he was young. The language of the whole poem is implicit, sharp, cheerful and calm, elegant and elegant, and full of charm. The two sentences of the Neck Couplet are famous sentences that have always been widely recited, because they have lofty aspirations, vigorous brushwork, broad boundaries and profound meanings.