The central image of Li Jinfa's poems

Li Jinfa, known as the "strange poet", was the first symbolist poet in China.

First, character information.

(1900165438+1October 21-1976 65438+February 25th), formerly known as Li, was born in Meixian County, Guangdong Province. The originator of China's modern symbolism poetry. He studied in San Jose Middle School in Hong Kong in his early years and then went to Nanyang Middle School in Shanghai. 19 19 went to France to work and study, 192 1 year studied at Dijon School of Fine Arts and Imperial School of Fine Arts in Paris.

Li Jinfa's Slight Rain, Ode to Joy and Diners and the Bad Year, published from 1925 to 1927, are representative works of early symbolism poetry schools in China, which have made beneficial explorations and attempts for the development of China's new poetry art.

Together with Lin Fengmian and Lin, they are also known as the "Three Musketeers" in Meizhou in the history of China Academy of Fine Arts. Each of them leads the way and has made important contributions to the development of art history in China. On February 25th, Li Jinfa died in Long Island, new york at the age of 76.

Second, the life of the characters.

1900165438+1October 2 1, Li Jinfa was born in Luotianshang Village, Meinan Town, Meixian County, Guangdong Province. His original name is Li Quanxing and his alias is Li Yu 'an. "Li Jinfa" is his most commonly used pseudonym. Meizhou is a famous hometown of overseas Chinese in Guangdong. When he was young, his father Li ventured to the African island country of Mauritius to make a living and opened a "candy store", which was successful. He used his business income to buy farmland in his hometown of Meizhou and built a house "Chengde Land".

19 15, Li Jinfa came to a senior primary school in Meizhou from his hometown and was exposed to new courses such as mathematics, physics, geography, English, Chinese painting and physical education for the first time.

In the winter of 19 17, Li Jinfa graduated from high school. Because of the autumn graduation stipulated by the education department, he dropped out of school because he didn't get a diploma. At that time, he was 17 years old, trapped by the future, trapped in the depression that he could not extricate himself, hiding in the study all day reading the sad novels of Yuanyang Butterfly School and the operas of Peony Pavilion.

19 19 At the beginning of this year, Li Jinfa and her classmates went to Hong Kong. He first went to Tan's cram school to study English, and then transferred to St. Joseph's Middle School (commonly known as Roman Academy) six months later. He received a short-term formal English education in Hong Kong. By the end of the year, I finally bid farewell to Hong Kong and returned to my hometown in Meizhou because I was homesick. Although his study career in Hong Kong was short, it laid a preliminary foundation for Li Jinfa to write abroad in the future.

Features of the work:

1, symbolic meaning

Li Jinfa is good at understanding his ideas intuitively. Li Jinfa is good at expressing his feelings, feelings and thoughts with symbolic images. Li Jinfa's poems hardly need to be "straightforward", but hint and metaphor bit by bit through concrete images, that is, express aesthetic feelings and experiences with main images.

Take the abandoned wife as an example. In the last paragraph, there is a saying that "the old skirt is pitiful", which is a lament for the abandoned wife who is dead and old.

2, thinking jump

Li Jinfa's poems are full of leaps of imagination. For the imagination and feeling of poetry, Zhu Ziqing once had such a discussion. The material of imagination is feeling, and how exquisite and ethereal castles in the air are built on feeling.

I feel that everyone has it, but they are either keen or slow, so there is a difference between fine and thick. However, the complicated relationship between the senses is ever-changing, difficult to grasp and often fleeting. Get caught occasionally. Do you want to sort this out? It takes time and skill to succeed in a visible form.