Si Kongtu's Twenty-four Poems is very popular in itself, and I always learn something from it when I study it.
Get it. Twenty-four poems are actually twenty-four very beautiful four-character poems. Each poem is divided into twelve sentences, describing twenty-four different styles of poetry (bold, diluted, refined, thick, lofty, elegant, refined, vigorous, beautiful, natural, subtle, bold, smart, meticulous, generous, delicate, tortuous and graceful).
There is a controversy in academic circles about whether Twenty-four Poems were written by Si Kongtu. Scholars who hold the concepts of affirmation and negation all demonstrate through historical materials, documents, classics and other materials, but they all lack conclusive materials and evidence to overthrow each other's arguments. This is evidence from outside. Take an example from internal evidence. Poetry embodies the excellent spiritual character of Lao Zi and Zhuang Zi, and almost every work shows Lao Zi and Zhuang Zi's thoughts, sentiments and life ideals. It is everywhere, such as "Don't take away the truth, it is better to be poor than strong." "Dragon dust, suddenly the sea. The depth is gathered and scattered, taking one in ten thousand. " "All roads are like avenues, and wonderful deeds follow the dust. It is like a shape, it is a few people. " "Suddenly meet a stranger and see the heart of Tao." They are all permeated with the spiritual beauty of being indifferent, broad-minded and ethereal. On the other hand, Situ Kong does not really belong to a generation obsessed with Buddhism in his later years, but a quiet and tranquil person with a strong enterprising spirit of Confucianism who actively joined the WTO. He was extremely concerned about the success or failure of the Li and Tang dynasties. It is only because the decline of Li Tang has become a trend, and he is unable to return to heaven, that he has to take deep sorrow and avoid Buddhism and old age in order to get rid of his spirit. However, in his poems, there is often a kind of helpless sadness, as he said in his poems: "Summer wets Shan Ye, and rain destroys people. If I have no confession in my life, I will become a monk. " It is really because of sadness and loneliness that I have to become a monk. "There is no end to the spring in the old country, and the small bar is high in other people's homes. Wu Geng's sad return to his solitary pillow still hurts his body. " These works all show the poet's seclusion, his attachment to the court, and his sentimental and unhappy mood. In other words, his heart has not actually reached the real emptiness and detachment. Therefore, it is undeniable that there is a certain difference between the spiritual realm of Situ Kong's poetry creation and the quality of poetry.
I also found that in almost every product, there are fictional characters hanging around, such as "You Ren", "Beauty", "Weird Man" and "Bishan Man". And they all seem so carefree, self-sufficient and carefree, which can be said to be the ideal figures of Tu, and the virtual environment corresponding to these figures is so quiet and peaceful, without any traces of pollution. For example, seclusion and solitude are actually two sides of a body, and this body is the "heart", which creates the environment. Human feelings permeate into physics, and physics maps human feelings. "People", "things", "mind" and "environment" are not isolated and opposed, but integrated. Through Si Kongtu's natural imagination and suggestive power, the two realms are skillfully integrated into one, reaching a perfect and harmonious state with the universe, clear and natural. When this realm was born, it was the literati who found their own spiritual realm to settle their spiritual life and pursue inner peace and tranquility.
In China's literary works, I pay attention to echo from beginning to end, and I also found this phenomenon in Twenty-four Poems. Although Si Kongtu may not be intentionally arranged in order, it doesn't necessarily mean anything that he ends with "flow". The original meaning of boldness is "opposing emptiness into ignorance", and the original meaning of wanderer is "returning to nothingness" From nothingness to reality, seeing invisibility and getting a clear image, all this is like a fog and smoke, showing a spiritual realm. A painter in the Qing Dynasty said: "The pen is ethereal, all in the smoke, but connected with trees and stones, and the spirit of painting is in it." Landscape trees and stones, solid pens, clouds and smoke, empty pens. It is empty, real and empty, and the whole picture has an atmosphere. "It is in this realm that the true is empty and the empty is real that the poet's feelings and images blend seamlessly. He feels things with his heart, so he should know the magical power. His heart and things are invisible, and the unity of heaven and man means a sincere and far-reaching image presented in things and seen in his heart.
Since Si Kongtu, the artistic conception beyond the form pursued by poetic aesthetics has penetrated into artistic aesthetics. The artistic conception outside this form is "beyond the image, in the ring" mentioned in the first product, that is to say, the beauty of art is no longer limited to the form ("image"), but lies in exploring the deeper meaning beyond it and moving people with this meaning. Elephants are the panorama of natural or social life. It includes both isolated and limited images that we can see and things that are invisible but exist objectively. More precisely, the world we see is concrete, objective and real, but if it is reflected by the bright heart, it will be covered with a layer of spiritual enlightenment and wisdom, so that those who watch him can experience a more vivid and meaningful world outside this concrete, objective and real world. For Si Kongtu, it is obvious that he regards the things, things, people and images described in the poem as "rings" and the essence and spirit of the poem as "rings". In short, the aesthetic meaning of "outside the image and inside the ring" refers to the expression of artistic conception, which cannot be described in words, and transcends the wordless beauty of things to grasp the harmony between everything in the universe and our individual lives. This * * * voice has nothing, nothing, although there is nothing, it does not exist. But it is empty and empty, and there is nothing in essence, so we can only see the real beauty in the empty space. As the poem says: "The deeper you meet, the harder it is; It has a similar shape and the handshake is violated. "
Si Kongtu's "Twenty-four Poems" definitely does not teach us how to write poems and how to talk about sentences, but to cultivate the poet's mind, enhance the poet's personality first, and then refine it in poetry. I always feel restless, and when I read poetry in a clear voice, he will be calm and suddenly enlightened, and achieve deep and sincere "truth."
Attached:
Twenty-four poems by Si Kongtu [Tang]
burst with vitality
Great use of external fibula, real body filling. Anti-virtual into muddy, accumulate health for the male. Have everything, travel through space. Wild oil clouds, less Changfeng. Besides the image, you got the ring. If you are not strong, you will come endlessly.
dilute
Su Shi is speechless, and his ingenuity is very small. Drink too much, fly alone. The wind in Judah is wasted on clothes. Pronunciation, beauty. The more you encounter bandits, the greater your hope. Out of shape, shaking hands has been violated.
slender
Collect running water, bitter fleabane bitter fleabane springs. When you are in a deep valley, you will see beauty. Peaches are full of trees, and it is windy and rainy. Liu Yin Road turns, and warblers live next to each other. The more you ride, the more you know. If it is inexhaustible, it will be the same as the past.
sink
Green cedar wild house, the sunset is clear. When you hear birds chirping, take off your towel and walk alone. If Hongyan doesn't come, my son will travel far. Thinking is not far away, if it is a lifetime. The sea breeze is blue and the night is bright. There is a saying that the river will cross before it.
5.Gogu
Sick people use the truth to deal with hibiscus. Pan-other catastrophes, but nowhere to be found. The moon rises in the east and the wind follows. Taihua night is blue, and people smell the clear clock. Mentally empty, but it is sealed. Huang Tang fought alone and Xuanzong fell.
elegant
Jade pot buys spring and enjoys the canopy. Sitting in Zhong Shi, pruning bamboo. White clouds are in Chuqing and birds are chasing each other. The sleeping piano is shaded by trees with waterfalls on it. Without words, people are as pale as chrysanthemums. At China's age, books are readable.
Step 7 wash
Such as gold in ore and lead in silver. Super heart smelting, absolutely love phosphorus. An empty pool flows in a spring, and an ancient mirror shines on a fairy. The element is pure, and the moon is true. Look at the stars and sing to people. Running water is the predecessor of today's bright moon.
8. Jin Jian
The spirit is empty and the spirit is like a rainbow. Wu Xia Chihiro, walking in clouds and even winds. Drinking is true and strong, and it keeps the element. To say that he is healthy means that he is a hero. Heaven and earth stand together and deify each other. The period is solid and the end is final.
9. beautiful
God is rich, but gold is light. Strong is exhausted, weak is repeatedly deep. Beside the fog, red apricots are in the forest. The moon is bright and the house is beautiful, and the bridge is Yun Lan. The golden bottle is full of wine and plays the piano with the guests. Self-sufficiency, kindness and beauty.
10. Nature
Look everywhere, without neighbors. All roads are suitable for the future, and the beginning is spring. I like every flower and look forward to the New Year. It's better to be true than poor. You are lonely and empty. You can pick apples after the rain. Thin words and feelings, long days.
1 1.
Without a word, it's all romantic. If you don't worry, words won't affect you. This is a real massacre, ups and downs. If it is full of green wine, it will be autumn when it is spent. Dust in the sky, suddenly the sea. Shallow and deep gather and disperse, one in ten thousand.
12. Bold and unconstrained
Flower viewing is forbidden and wild. From Tao to Qi, deficiency is madness. The sky is stormy and the seamounts are gray. The real strength is full, and everything is around. Recruit three chens first, and then attract the phoenix. Xiao ce is six ao, and Zhuo zu fusang.
13. Spirit
I want to return endlessly, and I want to go with you. The Ming dynasty has no end, and the first child is a wonderful flower. Young parrot, willow balcony. Bishan people come, sake is deep. Anger goes far away and never returns. Who should judge the wonderful creation of nature?
14. Careful
There is an original, if unknown. Still exposed. The farther you want to go, the later you will be. If you don't want to commit a crime, you don't want to be stupid. Spring is greener, and the month is snowier.
15. Sparse fields
Making love at home is really unrestrained. Control things from wealth, the rate is the same. Build a Panasonic room, take off your hat and read poetry. But I can't say it until I know when. If it is suitable, it is definitely promising. If you release it, you will get it.
16. Qingqi
Juanjuan Group is loose and has a flow. Snow bamboo in the clear sky, fishing boat across the stream. Yue Yu, step BD to find seclusion. Long-awaited, empty You Lan, strange and indifferent. Like the dawn of the moon, like the autumn of gas.
17. Youqu
Climb Taihang Mountain and go around the sheep intestines. Jade is flowing and flowers are fragrant. When the force is there, the sound is in Qiang. It's like going back, hiding like a bandit. The water is spinning and the wind is soaring. Tao is not self-sufficient and round.
18. Reality
The language is very straightforward and the planning is very deep. Suddenly meeting a stranger is like seeing Tao's heart. The song of Qingjian, the shadow of Qingsong. A guest lotus firewood, a guest listen to the piano. Wherever you like, it's nice not to find it. Speaking of this day, Ling Ran was glad to hear.
19. sympathy
When the wind rolls over the water, the trees are destroyed and people die. If you want to die, you can't rest. A hundred years old is like a stream, rich and cold. Avenue is dying, if it is a hero. A strong man blows a sword, noble and sad. Leaves rustle and moss oozes.
Description of step 20
Don't stay on the spiritual elements and return to halal. Looking for Shui Ying is like writing Yangchun. Abnormal situation, Hua Ling. Waves and rugged mountains. Everything is like a road, and the wonders are like dust. Deformed, a few people.
2 1. Chaoyi
The spirit of bandits is rare. Such as white clouds, breeze, return. If a leader goes far, he has to face it. There are not many deeds of Taoism, but it will eventually violate the custom. The trees in Chaos Mountain are bright with green moss. The more I think, the more I think.
22. elegant
I want to go. I'm embarrassed. The crane of Goushan is the cloud of Huading. In the master's paintings, color is strong. The leaves of the wind are boundless. If it is impossible, it will be heard. I've received everything I know, and the more stages I have, the more I have.
23. Big-minded
A hundred years old makes a difference. Happiness is short-lived, but there are many sorrows. How to toast, smoke every day. Flowers cover the eaves to keep out the rain. The stick sings as soon as the wine is poured out. Who is ancient, Nanshan is towering.
liquidity
If you drink water, it will be like a pill. How can my husband say that prosthetic limbs are stupid like fools? Barren Kunzhou, leisurely Shu Tian. With its end, with the same symbol. Go beyond the gods and return to ghosts. Back and forth for thousands of years. That's what it means.