1 visual image: This poem uses many visual images to describe specific things, such as "Around the thatched eaves", "Stay with the apples", "Bulge the gourd" and "Bulge the hazel she" in the first day, the fourth line and the seventh line, and a picture of all ripeness and fullness in autumn is displayed before our eyes. In the second paragraph, the third line and the fourth line, "one needs to sit in careless oil", the floor of a granary has soft hair and is blown by the wind; The poet's description seems to let us see a woman sitting on the ground of a barn, with the wind blowing her hair to the king, producing beautiful visual enjoyment.
2 Smell image: In the third line of the second paragraph, "Drows' dwith thefume ofpoppies", we seem to smell the rich fragrance in the poppy field and have a beautiful smell image.
3. The first section, such as the taste image "sweet kernel" and "ripe stone", seems to be enjoying the sweetness and delicacy of ripe apples and hazelnuts in autumn, giving people a beautiful enjoyment, so that readers can enjoy the fruits of autumn while seeing them. These taste images have aroused readers' longing and attachment to Feng Shuo's autumn days.
Tactile image: This poem has many tactile words and phrases. Such as "load and blessing", "bending over", "SweH", "fullness", "softness", "fanning the wind" and "sleeping soundly and reaching the sky", when readers read this poem, the days of autumn are no longer abstract, but concrete autumn that can be seen and touched, which deepens their visual impression of autumn scenery.
5 sound image (auditory image): rhythm and sound together we call it poetry music. "
[3] (P 180) [3] Lawrence Perrin. Sound and meaning: an introduction to poetry [M]. Harcourt: Brace & World Company, 199 1 Poet's score gave us a beautiful Qiu Ge. In the last seven lines of the third line, the poet described "gnat iilourn", "mature lambs baa loudly", "cricket sirIg" and "red breast whistle gathers swallows on twitter". '"".
There are many specific creatures in autumn: insects, birds, crickets, robins and swallows flying in groups. In the bright Qiu Guang, it seems that they hear the plaintive cries of natural creatures, who lament that autumn is short and winter is approaching. A variety of voices appear alternately, adding a layer of profound artistic beauty and hazy color beauty to poetry ... An outstanding poet will make the voice he described. Materials, form a sound style (if you can put it this way). There is no doubt that sound has amazing power, which can impress images on readers' minds. "[6] (P 105 [6] Communication in alexander pope [M]. Oxford: clarendon Press, 1956, Keats is like this. These auditory images convey an autumn song to readers' ears, which makes readers as shocked by reality as I do. To sum up, we can say that the poet uses visual images, abstract images, tactile images, taste images, auditory images and kinesthetic images to fully mobilize and effectively stimulate the readers' various senses, so that readers can understand and feel the arrival of autumn in vision, touch, hearing and taste. Autumn is full of colors and autumn, autumn fruits and music. Poets use these images to turn abstract, invisible, invisible, empty and vague autumn into concrete, tangible, perceptible, intuitive and vivid autumn, and the emptiness becomes realistic, and the invisible autumn is endowed with specific shapes and colors. Originally lifeless autumn also has life and strength. Full of vigor and vitality. Autumn is a vibrant and fruitful scene of prosperity and a colorful art world everywhere.