The differences are as follows: Meng's poems are mostly sketches, with light pen and ink, which are more simple than Wang's poems; Wang's poems are colorful and dazzling. Li Dongyang, a scholar of the Ming Dynasty, said: "It is not extravagant, while Meng is obsessed with ancient times and has a long history, and there is no cold disease, frugal disease or hemorrhoid disease." This comparison also applies to these two poems. ?
1, deer gate night song
Night Returning to Lumen Mountain is a seven-character ancient poem written by Meng Haoran, a poet in the Tang Dynasty. This is a poem about scenery. This poem expresses the poet's seclusion feelings by describing what he saw, heard and felt when he returned to Lumen Mountain at night. According to the time and space sequence, the whole poem writes two scenes, the riverside scene and the mountain scene, which are moving first and then static, and the static scene of the deer gate, which shows the poet's quiet mood, and also implies loneliness and helplessness in his leisurely and refined seclusion.
Writing a sentence or two about Zhou Yuliang Ferry is very noisy, which sets off the poet's calm and free mind. Three or four sentences write that people go home and poets go to Lumen. Writing about the world and poets have different ways to go home. Five or six sentences describe the scene of the bright moonlight and climbing the Lumen Mountain at night, showing the interest and artistic conception. The last two sentences are about Pang Gong's seclusion. Outside the rock wall, the pine path is lonely. It's just that the poet is accompanied by mountains and forests, isolated from the world, and the hermit image of the poet is indifferent and detached.
This poem has smooth brushwork, calm tone, simple language, natural structure, clean pen and ink, sparse embellishment and sincere feelings.
2. Go home to Songshan.
Returning to Songshan Mountain is a poem by Wang Wei, a poet in the Tang Dynasty. This poem expresses the author's quiet and indifferent leisure by describing the scenery he saw on his way to retire from Songshan Mountain. The first line writes about his departure in seclusion; In fact, Zhuan Xu's description of water and birds is a symbol of his feelings, and his feelings of returning to the mountains, such as the secluded heart of flowing water, like a bird returning at dusk.
The couplets on the neck are about the ancient crossing in the deserted city and the autumn mountain in the sunset, which are full of feelings in the scenery and reflect the twists and turns of the poet's feelings; The tail couplet describes the height of the mountain and points out the author's hiding place and purpose. The whole poem is simple and fresh, natural and natural, especially the two couplets in the middle, which empathize with the scenery. The image is sparse, and the poet writes casually, but it is exquisite and subtle.
Extended data
1, Literature Appreciation of Song of Night Lumens
The first two sentences are about the poet's trip to the river in the evening. In the first sentence, one day passed, dusk fell, and bells rang in the quiet ancient temple. The second sentence is about the noise of people rushing to cross the river near Mianshuikou. The first sentence shows a peaceful and quiet environment, while the second sentence shows a loud and strong contrast, which is a contrast between the Zen realm far from the world and the noisy world.
The second couplet, the first sentence inherited the poem of "Fishing Beam", is to write about the villagers going ashore and returning home; The latter sentence inherits the poem "Mountain Temple" and writes that I have returned to lumens. These two sentences are based on the return of mankind as a concrete supplement to the last article. The two ways of going home show two different moods, which is another contrast, showing the poet's seclusion and indifference to glory.
Third, the trees in Lumen Mountain are shrouded in twilight and hazy. When the mountains and the moon come out, the light is clear and bright, but the dusk disappears and the shadow is clear. The poet was completely intoxicated by nature. He climbed the rugged mountain road and unconsciously came to Pang Gong's seclusion.
This subtle feeling and intimate experience shows the secluded interest and artistic conception. The hermit was melted by nature, but he got carried away. Meng Haoran admired Pang Gong's ambition. He also wrote in Looking Back on Lumen Mountain, "I heard of Pang Degong once, but I never came back to collect herbs. Hidden traces still exist today, and the wind is far away.
In the last two sentences, this "hermit" refers to both Pang Degong and his own situation, because the poet thoroughly understands the fun and true meaning of "isolation" and is committed to the road and destination of Pang Degong's "collecting medicine and not returning". Within the rock, Chai Fei was half hidden, and under the loose path, he carved his own path. There is no earthly interference here, only birds and mountains are companions, and hermits live a quiet and lonely life here.
Although the whole poem praises seclusion, it still can't forget the excitement of the world and expresses the feeling that seclusion is helpless. Feelings are sincere and elegant, plain and beautiful and true. Obviously, the theme of this poem is to write "Returning to Deer Gate at Night", which is quite like a landscape sketch.
But its theme is to express lofty and secluded feelings, interests and the destination of the road. The journey from sunset to dusk, to the moon hanging in the night sky, and from Hanshui to Lumen Mountain in the poem is essentially a secluded road from dusty secular to lonely and natural.
The poet truly expressed his inner experience and feelings with his heart-to-heart style, natural structure, clean pen and ink, and sparse contact, vividly expressed the image of a hermit who was detached from things, and formed a unique artistic conception and style. The predecessors said that Meng Haoran's poems were "pure in weather and lonely in mind", while "the words were scattered and washed away from the near" (Tang Yingui quoted Xu before).
These seven ancient poems can represent these characteristics. From the artistic point of view, the poet expresses his inner feelings in a plain, natural, beautiful and true way, with skillful skills and simple explanation, which is successful and harmonious. It is precisely because the poet truly expressed his interest in seclusion and got rid of all earthly fireworks that he showed a passive and lonely state of mind.
2. Overall appreciation of Letters from Songshan.
This poem describes the scenery and quiet and leisurely mood that the poet saw on his way to resign and retire.
"The clear river flows slowly through the bushes like my chariot." The first couplet describes his seclusion and departure, with the word "return" deducted from the title. Clear rivers surround a grassy meadow, and the returning horses and chariots slowly move forward, looking so leisurely. The scenery and the dynamics of horses and chariots written here all reflect the poet's peaceful and leisurely state of mind when he returned to the mountains.
The middle four sentences further describe the scenery on the way to seclusion. The third sentence "Being a fellow traveler" inherits Qing Chuan, and the fourth sentence "Returning home late at night" inherits slender, which is directly developed from "Running slowly as my chariot". Empathy here personifies "flowing water" and "yellow bird", as if they are also full of human feelings: the river is clear and gurgling, and birds fly back to the lush forest in the evening to live, as if they are returning with the poet.
These two sentences are ostensibly written about "water" and "bird", but in fact they are the writer's own feelings: first, they reflect the carefree mood of the poet at the beginning of his return to the mountains, and second, they contain the author's sustenance. The phrase "flowing water" means that it will never return, indicating its firm seclusion attitude; The sentence "Twilight Birds" contains the meaning of "birds are tired of flying and know how to return", revealing that the reason for their retirement is disappointment and boredom with real politics. Therefore, this couplet is not a general description of the scene, but a feeling in the scene and a hint in the understanding.
"An abandoned city wall covered an old ferry, and the autumn sunset flooded the mountain peak." This couplet still uses a sense of scenery. In two sentences and ten words, four kinds of scenery are written: the deserted city, the ancient ferry, the sunset and the autumn mountain, which constitute a colorful picture with the characteristics of season, time and place: the deserted city is next to the ancient ferry, and the afterglow of the sunset is full of the autumn mountain.
This is Qiu Jingtu in the wilderness at night, and this is a gloomy and desolate scene that the poet saw on his way to seclusion. Rendering it reflects the poet's tortuous feelings, and sets off that the closer the author is to seclusion, the sadder he is.
"Far away from Songshan Mountain, I will close the door and rest." Pay attention to the topic Point out the theme of seclusion. Tiaodi is a description of high mountains, and gives a concise and vivid description of the mountain situation. "Takamatsu" means Songshan Mountain. The previous sentence explains the secluded place and points out the word "Songshan" in the title. "Gui" means the end of the process of returning to the mountain, and points out the word "Gui" in the title.
"Closing the door" not only refers to closing the door, but also refers to closing the door to thank the guests. The last sentence describes his mood after retirement, indicating that he should be isolated from the world and stop asking about social personnel. Finally, he points out the purpose of resigning and retiring, and live a quiet and indifferent secluded life with peace of mind. The poet's mood returned to indifference and leisure.
The whole poem is progressive layer by layer. With the poet's pen, we can not only appreciate the changes of the scenery on the way back to the mountain, but also vaguely touch the subtle changes of the author's feelings: from serenity to sadness, and then to tranquility and loneliness. It shows that the author has both a leisurely and anxious side and a resentful and helpless resignation and retirement side.
The poet writes casually, without carving, but vividly and implicitly, meaningful, without axe marks, but delicate and implicit. Fang Hui said, "If you don't ask for a job, you can." The right path shows the characteristics of this poem, which is quiet and fresh.
Influenced by Zen thought at that time, Wang Wei's seclusion poems in the mountains in his later period mostly wrote ethereal and clear realms, and this poem was written at the beginning of Wang Wei's seclusion, so it is quite different from other poems. The whole poem has distinct layers, blending scenes and scenes, and a long artistic conception. The poet's feelings have gone through a process of change from the initial leisure to the later desolation and sadness, and finally closed the door to thank guests.
"Qing Chuan", "Growing thin", "Running water" and "Sunset Birds" make the poet feel more cordial and have a joy of returning home. Images such as "desolate city", "ancient crossing", "sunset" and "autumn mountain" on the one hand show the silence of the poet after he retired, on the other hand, he is somewhat frustrated and cold.
But on the whole, the poet's mood is still leisurely, and the whole poem is also a peaceful, leisurely and indifferent artistic conception. The poet writes casually, but it is really touching, fresh and natural, and the beautiful artistic conception is even more memorable.
Baidu encyclopedia-decoration Songshan
Baidu encyclopedia-deer gate night song