A group of thriving young people.
Behind them is a sorghum field. They are as simple as that piece of sorghum.
The cold south wind blows sorghum leaves and their clothes.
They look calm and quiet. The waist drum that clings to them never seems to ring.
But:
Look! ——
I made a determined effort as soon as I hit it, and I was driven out of my mind! Hundreds of young people with oblique drums, such as hundreds of stones hit by strong earthquakes, dance wildly in front of you. Like a shower, it is a rapid drum sound; Like a whirlwind, it is a flying tassel; Like a frog, it is a jumping step; Like a spark, it is a flashing pupil; Fighting tigers is a powerful charm. What a magnificent, bold and vigorous dance broke out on the Loess Plateau-Ansai waist drum!
This waist drum makes the cold air heat up immediately, makes the quiet sunshine splash immediately, and makes the sleeping world excited immediately.
Remind people that the flag of sunshine is falling and the wind in A?vagho?a is rustling!
Remind people: Thunder thousands of miles away, the flash of Wan Li!
Remind people: dark and clear, clear and dark, and then clear forever!
No fetters, no fetters, no obstacles. Break free, break through and break open, which is such encouragement!
What an Ansai waist drum!
The heavy sound of hundreds of waist drums collided with wild jujube trees in the field on the cliff, and the cliff suddenly turned into a cowhide drum face, only to be heard rumbling, rumbling, rumbling.
The heavy sound of hundreds of waist drums collided with the hearts of the audience who had left all the sundries behind, and the hearts of the audience suddenly turned into cowhide drums, rumbling, rumbling, rumbling.
Rumbling grand lyricism, rumbling serious thinking, rumbling ground waves mixed with grass roots turned up by plow tips, rumbling pain occurs and disappears. ...
What an Ansai waist drum!
The arms, legs and whole body of the younger generation are fighting vigorously, fighting quickly and fighting ups and downs. It shocks you, burns you and threatens you. It makes you feel the existence, activity and prosperity of life more clearly than ever before. It makes you marvel at the body wrapped in the farmer's clothes. Digesting the old pumpkin with red beans can release such magnificent energy!
On the Loess Plateau, you raised these young people who are full of vigor and vitality. Only you can bear such a thrilling battle!
Jiangnan, a water town, is fragile glass, where you can't beat such a waist drum.
Where else can there be such a thick soil layer besides the Loess Plateau?
What a loess plateau! What an Ansai waist drum!
Every dance is full of power, every dance is buzzing, every dance is a hasty change of light and shadow, and every dance makes people tremble and marvel at the intense artistic enjoyment.
How happy Ansai waist drum, mountains and rivers, full of imagination!
Fight harder and harder! The body has become a heavy and flying thought!
Fight harder and harder! I have no secrets in my head!
Fight harder and harder! Pain and joy, life and dreams, getting rid of and pursuing are all intertwined in dance and drums! Rotating solidification! Go! Radiation! Surfing! Sublimate!
People become boundless; Voice, turned into a vast. ...
When it came to an abrupt end, the world was strangely silent, making people feel strange about it.
It's like being on another planet.
I heard the cock crow in the distance.
Overall grasp
This is an article praising the stirring life and majestic strength, showing the masculine beauty of men, showing their desire to break through the harsh living conditions and ideological constraints, and telling us that we should live and behave like this as human beings.
"A group of young people in their prime", "as simple as that sorghum", what a magnificent, bold and vigorous dance-Ansai waist drum broke out on the Loess Plateau! "Afterlife", a young life, is in full swing, dazzling and boiling with the enthusiasm of life. Young life is "simple", unpretentious, unassuming, unpretentious like "sorghum", vigorous, natural and healthy; This kind of life is primitive, with no artificial carving, no pollution and no impurities. This kind of life is rushing on the "Loess Plateau", and such a young, warm and perfect life is gestated on the ancient gully-crisscross land. "Ansai waist drum" gave them a way to vent and expressed the love of simple people on the Loess Plateau for life.
Those "descendants" who are full of vitality, "look leisurely", live in passion and wait for the outbreak. Sure enough, they "made a determined effort as soon as they started fighting, and their forgetfulness died." Once the passion of life is released, nothing can stop the gushing of power. Here it comes: "like a shower, it is a hurried drum sound;" Like a whirlwind, it is a flying tassel; Like a frog, it is a jumping step; Like a spark, it is a flashing pupil; Fighting tigers is a powerful charm. "Man is no longer a conceptual' man', but a simple carrier of life and strength. Only by venting and venting, spraying and spraying, can people and life be integrated with strength. " This waist drum makes the cold air heat up immediately, makes the quiet sunshine splash immediately, and makes the sleeping world excited immediately. "These rotating life spewed hot energy scorched everything around. Life is like a thunderbolt, like a landslide, which makes everything small. Only the energy of life is roaring between heaven and earth, "there is no room for bondage, no room for fetters, no room for occlusion". Who wants to bind this life, this power, and who can bind it? Life has become a "power to break free, break through and burst"-great, bold, passionate, rough, perhaps a little wild and even destructive, but it is a true, primitive and natural expression of life. What could be more precious, exciting and amazing than this power? -"The arms, legs and whole body of the younger generation are fighting fiercely, rapidly and ups and downs. "Their movements are not as exquisite, neat and rhythmic as the dance on the stage, but their strength comes," shocking you, burning you and bullying you. " "It makes you feel the existence, activity and strength of life so truly. "In the face of such a life and such power, what will people do? -Some people may think that this kind of life is too naked, too overbearing and too outrageous, but it will break the layers of hard shells on people, let life vent between heaven and earth, not worry about fame and fortune, not suffer from gains and losses, not be pale and haggard, make people "put aside all clutter", make people "enjoy the mountains and rivers and enrich their imagination", and make people understand why people are people and why life is life.
The author endows Loess Plateau and Ansai Waist Drum with such life catharsis and power explosion, which is of far-reaching significance. "The Loess Plateau, you gave birth to these youthful epigenetic; Only you can bear such a thrilling battle! " Compared with the author's praise of the Loess Plateau, he thinks that "Jiangnan, a water town, is fragile glass, where can it beat such a waist drum", and then he thinks that "where can there be such a thick soil layer except the Loess Plateau?" Why does the author have a soft spot for the Loess Plateau? In the author's view, people on the Loess Plateau are simple, calm and quiet, and they still preserve the vitality of life. Compared with Jiangnan, where the commodity economy is developed, they are less impetuous and less sophisticated. Thick soil contains primitive life and turbulent power, while Jiangnan, a water town, has passed away and changed a lot.
This article achieves the perfect unity of content and form.
There are 30 natural paragraphs in the full text, and short sentences are often used to express the content. For example, a group of young people in their prime simply shows the enthusiasm and boldness of young life; Forgotten, Dead effectively shows the boiling of life and the unstoppable gushing of strength. Other sentences, such as "the flag of the falling sun", "only heard rumbling, rumbling, rumbling" and "the pounding of hooves is getting louder and louder", are all impassioned.
In this paper, parallelism is widely used. There are parallelism in sentences, sentences and paragraphs, which not only appear alternately, but also appear continuously, such as "reminding people of …" and "hitting harder and harder", all of which use three parallelism sentences continuously, just like a river of thousands of miles. Many of them are arranged neatly, such as "showers", which are hurried drums; Like a whirlwind, it is a flying tassel; Like a frog, it is a jumping step; Like a spark, it is a flashing pupil; Fighting tigers is a powerful charm with high momentum; There are also layers of parallelism, such as "breaking free, breaking through, knocking down", "shocking you, burning you, threatening you" and so on. It makes people breathless.
From beginning to end, the text kept a fast pace. Parallelism one after another, climax one after another, leaving no room for breathing. The fast pace makes the content more enthusiastic and exciting, and fully demonstrates the charm of life and strength!
Bing Xin, a story of watching dance.
-Dedicated to the sisters of Indian dancer Kalama
How to describe the dance of Indian Karama sisters?
If I were a poet, I would write a long poem to describe their various dances.
If I were a painter, I would touch them with various colors and dye their bright brow and gorgeous clothes.
If I were a composer, I would use notes to convey their light dance steps and ringing bells.
If I were a sculptor, I would simulate their slim, agile and energetic figures on jade.
But I'm nothing! I can only describe this amazing dance art with my own poor words.
Like a baby, he saw a dazzling red lotus in the morning sun and a peacock dancing in the depths of the forest. He wanted to surprise him, but he couldn't find the right language except silence.
But, my friend, can I hold back my joy and excitement and not spit out my silence to you?
I dare not pretend to be a scholar who studies Indian dance to explain the history and factions of Indian dance, and to show that their performance of Bharata dance is authentic. I dare not be like a dancer. I am good at praising their posture and how "true colors" they are.
I am just an admirer, but I am willing to try my best to tell the "beauty" of flying that I feel in my heart!
My friend, on an unforgettable night-
The curtain slowly opened, and a small table in the middle of Taichung was dedicated to a dance statue of Shiva Kanda, with two high-legged copper lamps burning on both sides. The atmosphere on the stage was quiet and solemn.
Karama Lakshman is out. What a brilliant moment! She bowed her head to the audience, folded her hands deeply and looked up. She showed off her beautiful face and a pair of long eyebrows and eyes that can speak thousands of words.
She stood stiffly.
The flute sounded, the tambourine sounded, and Sansong and Karama began to dance.
She used her long eyebrows, beautiful eyes, fingers and waist, flowers in her bun and pleated skirt around her waist, and her fine dance steps and countless ringing bells to dance the joys and sorrows of the poem slowly like clouds and whirl like a whirlwind.
Although we don't know the content of the story, our emotions can sing with her movements! We watched her frown suddenly, revealing infinite sadness; Suddenly blushed with laughter, revealing endless joy; Suddenly drooping sideways, showing a low and euphemistic shyness; Suddenly, I looked at it angrily, showing all-powerful anger; Suddenly, I touched my arm gently, drew my eyes, smoothed my eyebrows and made a delicate and decent dress. Suddenly stand up, press the arrow and pull the bow, so that people can almost hear the clank of the strings! Like Potian, she forgot the audience and herself in the carnival dance. She just tried her best to tell the beautiful poetry story of ancient India with flexible and skilled limbs and facial features!
A dance performance (little sister Rada, sometimes dancing alone, sometimes with her sister, she is a chick! We find that they are not only gods and people, but also plants and animals: such as lotus flowers, deer galloping and peacock strutting, which can be described incisively and vividly! The most wonderful thing is the "snake dance", the gentle shaking of the neck and the trembling of the shoulders: a series of flexible peristalsis, from the fingertips of the right hand to the fingertips of the left hand! I can't really describe it, so I can only borrow two poems by Bai Juyi, "Zhu Ying dazzles and shakes the stars, while Hua Man fights dragons and snakes".
After watching the dance of the Kalama sisters, people deeply realized the beautiful and long-standing culture and art of India: dance, music, sculpture, pictures … are all like branches on the same banyan tree, hanging down and rooted underground. These branches are closely connected in the earth, absorbing the food provided by Mother Earth, which is the vast people of India with a long history.
Karama and Rada are just two soft branches on this big banyan tree. Although Karama spent her twenty-two years on the stage for seventeen years; Twelve-year-old Rada also has four years of performance experience, but we know that India's great Mother Earth will continue to raise them.
The most disappointing thing is that they just showed their "Youlong" dance to the people of China. Because of the needs of the people of the motherland, I will fly back in two or three days!
In Beijing in the early spring, we can't find any full and fragrant flowers like their hometown of South India. We can only learn from their great poet Tagore's poem: Let's put on our hearts of admiration and gratitude like red flowers, give them to their chests, take them back to the Indian people, thank them for their friendship and enthusiasm, and thank them for the kindness of Lakshman sisters!
This is a picturesque essay.
Nearly forty years have passed, and time has long faded people's impression of the cerebral cortex. However, the writer vividly recorded the charm of these two young dancers with her beautiful words, and evoked our memories of that beautiful night with her affectionate praise.
Dance is originally the art of combining poetry and music, and it is the most appropriate way to describe nature with Jourman's poems.
Therefore, we can see that in four difficult hypothetical sentences, the author uses accurate and harmonious colors to outline the dancers' "gorgeous whirling dance", "clear eyebrows and gorgeous costumes", their "light dance steps and crisp ringing bells" and their "slim and agile bodies full of vitality".
However, it seems that the author doesn't feel enough about these affectionate artistic languages to express her surprise. With the innocent eyes of the baby, she suddenly saw "a dazzling red lotus in the morning sun and a peacock dancing in the depths of the forest", and used these vivid images to describe the overall impression in her heart and her "full of joy and excitement".
As we know, Bing Xin has been studying the ancient culture of India, and her first poem was inspired by the Indian poet Tagore's Birds Want to Fly. She has translated Tagore's Gitanjali, Gardener's Collection, Tagore's Selected Poems, and Indian writer Anand's Pomegranate Queen. At the end of 1953, a delegation of the China China-India Friendship Association visited India for more than a month, and soon after returning home, it translated and published The Tales of India. She is naturally familiar with the history of Indian dance and its religious origin. However, this article is not an academic discussion. The author only tells her feelings about the flying beauty of dance as an appreciator. However, in her humble confession, she still pointed out to us that "their performance of the" Bharata "dance is authentic in Indian dance". It is under this prompt that we can easily consult relevant materials, so as to understand the popular place and main characteristics of this dance.
If the first part of the article is compared to freehand brushwork in Chinese painting, because its brushwork is so concise and the artistic conception of the work is so vividly displayed, then the second part of this article can be regarded as neat and meticulous meticulous meticulous brushwork.
You see, the author described the installation and quiet atmosphere on the stage in detail with her wonderful pen, and then described the wonderful moment of the dancer's appearance: she seemed to bow her head and cross her hands to the stage entrance, and the gorgeous dress was dazzling. She slowly raised her head, with her "beautiful face" and a pair of long eyebrows and eyes that can say a thousand words. People hold their breath, all praise and cheers are completely silent in their chests, fearing that any sound will scare away the light of regeneration.
When writing about how a dancer dances to music, the author first outlines how she uses the five senses of her limbs, her clothes bell and her slow-moving dance steps to express her complex feelings of separation, joy and sadness in the world. Then describe the details neatly, sometimes frowning, sometimes blushing, sometimes drooping, sometimes angry, sometimes docile, sometimes terrible. The snake dance, which hurts the author, is described in detail, from the shaking of the neck to the trembling of the shoulders, and then to how to make flexible peristalsis with flat arms. From here, we not only see the impeccable charm, but also feel the exciting melody.
Tagore once expounded the artistic charm of prose in the poetic language in the "script" of his collection of prose poems "Reji" as follows:
Prose sometimes spits fire and sometimes pours waterfalls. In the world of prose, there are vast plains, towering mountains, deep forests and desolate deserts ... Prose has no external surge, but it stimulates internal melody with light and heavy methods.
Isn't it more helpful for us to understand and appreciate this excellent work to confirm Bing Xin's prose?
The Karama sisters are still young and have outstanding skills, but in the face of ancient Indian culture, they can only be two soft branches on banyan trees. This is the author's metaphor and the author's expectation for young dancers; Praise is different from flattery, it shows the kindness of the author and gives us useful enlightenment.