Du Mu
Du Mu's official career is not magnanimous, but it can't be said that the situation is bleak. Although Du Mu has been detached from the organization of the Tang Dynasty, this does not hinder his achievements in literature and poetry. Because it was not reused, Du Mu did not show any dissatisfaction in his poems. On the contrary, most of his poems are mainly praise, which gives people a positive and optimistic feeling.
Du Mu was an outstanding poet in the late Tang Dynasty. His quatrains of seven words can describe the static scenery as dynamic spirituality, and the reasonable insertion of thoughts and emotions can easily arouse people's voices. Du Mu also achieved the highest success with his seven-character quatrains. Du Mu is good at prose. A poem "A Fu" shows the world the history, which is very shocking. While appreciating Du Mu's wonderful literary techniques, it is also thought-provoking and memorable for future generations.
At the same time, Du Mu paid attention to the military. He wrote many military papers and annotated Sun Tzu's The Art of War for future generations to better understand. The Collected Works of Fan Chuan compiled by his nephew contains Du Mu's poems and songs, which provides a good guarantee and historical basis for future generations to understand Du Mu's works.
Du Mu and Li Shangyin also called "Little Du Li", which is different from Li Bai and Du Fu, and completely different from Du Xiaoli's style. Poetry in the late Tang Dynasty was so soft that Mu Zhi corrected it with steepness. Not only that, Du Mu also has high attainments in calligraphy. Du Mu's cursive script is vigorous and powerful, just like the emotion expressed in his article.
Although Du Mu was influenced by the ethos of the late Tang Dynasty, he did not lose his heart. He emerged from the mud without staining, and combined prosperous rhetoric with personal characteristics to create an excellent literary work.
Nostalgia for the West River is an ancient poem by Du Mu. Many of us don't know why we must climb mountains and see far, and why some nostalgic poems are often accompanied by deep melancholy, as if clinging to history, there will be melancholy, bitterness and faint sadness.
Xijiang nostalgic dumu
Perhaps it is because people feel the length of mountains and rivers and the vastness of the universe when climbing mountains. In contrast, they are sometimes so small that people sincerely respect the martyrs and the creators of history and cherish their past. We lament the relentless passage of time, the constant change of history and the change of dynasties. There are always victims. We sigh that our strength is small and powerless, and we are lost and lonely in front of time and space.
When poets climb mountains, they often feel the strongest. When they climbed to the top of the mountain, they saw how devastated the mountains and rivers of the motherland were, but they didn't know how to develop and build them tomorrow. They were worried that the wrong rule would make the tragedy repeat itself, and their hearts were even more sad.
In the poem, Cao Cao wants to monopolize the water flow of the Yangtze River with the sand in his pocket. At that time, the story that Fu Jian claimed to stop the flow with a whip was ridiculous, but now these people are gone. Even though they were once brilliant and how they ruled the world, they are now scattered into mud and become a part of nature, lying quietly, leaving only touching stories and immortal stories.
People are always small. We don't have the vastness of mountains and rivers, the tolerance of the sea, and the vastness of the universe. We will always be just passers-by in the world. The poet is different from ordinary people because he realized this earlier. They are used to thinking things that ordinary people don't want to think, and poets will be more sad.
Therefore, when Du Mu described the vastness of the scene and the insignificance of human beings in "Nostalgia of Xijiang River", this sadness became more and more intense, which made people feel worried about the country and the people.
Du Mu and Li Shangyin are called Little Du Li, and Du Mu is called Little Du Li. We can't help but compare Xiao's role in the Tang Dynasty with that in the prosperous Tang Dynasty. If Li Bai and Du Fu created the peak of poetry in the prosperous Tang Dynasty, then Li Shangyin and Du Mu can definitely be regarded as the existence of a rich and colorful poem in the decline of the late Tang Dynasty.
Lishangyin statue
Li Shangyin lived in an era when the Tang Dynasty turned from prosperity to decline. Social unrest, rulers are no longer enlightened, and most people have no hope for the Tang Dynasty. Li Shangyin was born in a small official family, and his family was not without any background, so he naturally embarked on the road of being an official.
But even so, Li Shangyin lived in poverty when he was a child, and his father died very early, but Li Shangyin insisted on studying. /kloc-When he was 0/6 years old, his articles were appreciated by Bai Juyi, and then he received some training.
Li Shangyin has delicate feelings, and his poems are beautiful in style, especially when describing some love life. Some of Li Shangyin's love poems and untitled poems are unique in emotion. Women will want to have the idea of falling in love after reading them, and men can also recall the time when they used to play the piano.
This makes many readers have a strong interest in Li Shangyin's love life, and people have to ask what kind of red dust past they have experienced before they can write love poems that cover up their tenderness, and the emotions contained in them cannot be expressed without certain social experience and experience.
Li Shangyin is regarded as the most outstanding poet in the late Tang Dynasty. He was deeply influenced by Li He. Some people say that Li Shangyin is second only to Du Li. Indeed, his poetic style is unique, and few descendants can imitate it. However, Li Shangyin's unexpected achievements in poetry are rarely mentioned. It is a historical choice for Li Shangyin to be remembered by later generations as Little Du Li, which is the inevitable development of poetry in Tang Dynasty.
Du Mu's poem "Peaches and plums are silent, and the next time you do it yourself" is a rare allusion in Du Mu's poem. The original sentence said that the peach blossoms and plums all over the tree attracted people to stop and watch, and the footprints of tourists under the tree formed a path.
Purple osmanthus
Du Mu's poems are uncharacteristic. He contrasted the blooming peaches and plums with the flowers in Wei Zi, which was very creative. Although he is showing readers the blooming form of Wei Zihua, there is not a word related to Wei Zihua in the whole poem. Readers are amazed at the poet's exquisite expression skills and feel the beauty of Wei Zi's flowers.
Wisteria is only willing to be that unique beauty. Just like a poet, when the poetic style declined in the late Tang Dynasty, he was not influenced by himself. Ziwei flower does not compete with flowers, but is a conservative and elegant character. This is also the poet's own determination to warn the world.
Keep your heart and not be disturbed by the external atmosphere. This poem was praised by later generations as a masterpiece praising Wei Zi because of its unique expression, and Du Mu himself was named "Du Weizi".
Osmanthus fragrans mostly blooms in midsummer. Although it is sunny, it blooms like fire. Breeze blowing, sweet-scented osmanthus in full bloom, charming and moving. Osmanthus fragrans is mostly displayed in purple, white, pink and other colors, bringing a touch of bright color to the hot summer days. But the purple flower is its orthodox color, so it is called Wei Zi.
In the last two sentences of the poem, Du Mu said that the prosperity of peaches and plums disappeared with the disappearance of spring. At the beginning, only fragments of branches were left, and only Lagerstroemia indica accompanied them. Du Mu praised Lagerstroemia indica for its long flowering period, giving people an eternal beauty. After seeing all the flashy flowers, looking at this unique scenery seems to be a beautiful experience and a calm state of mind.
Going home Du Mu's "going home" is Du Mu's helplessness in describing his official life. The child asked me why I came home so late. Is it a struggle against the years? Is the silver temple a military victory medal?
Jia Gui Dumu
The first two sentences of the poem describe the innocence of children. When they speak, they are outspoken and dare to say anything. In fact, they want to set off the author's thinking about his career in the last two sentences. I want to ask myself what I have done in officialdom in recent years.
Is it just driven by fame and power to make a broken head, but what did you get in the end? It seems that whether it is affirmed by the court or loved by the people. So, what have you been busy with all your life?
Today, I am no longer what I used to be, and the traces of years of struggle have long been reflected in myself. It should be not only a sigh for yourself, but also a question about the final result of your life's struggle. I want to understand, but in the end I may only get a wry smile that is worthy of myself.
This five-character quatrain tells the world a sad fact. We have used it all our lives, but our career is not smooth. We exhausted everything, but the officialdom was sinister, and we were so worried. The answer we thought hard about didn't seem to satisfy that person so much after everything returned to calm.
The poet elicits inner sadness from the perspective of children and expresses his dissatisfaction with the status quo. Perhaps the poet is revealing some philosophy of life to us through the hands of naive children. When we are full of silver hair, we can still smile and ask ourselves, has this life really existed?