Back to Yan 'an is a new poem written in the form of Pilgrim's Progress, a folk song in northern Shaanxi. The poet recalled the fighting life in Yan 'an with full passion, praised the great changes in Yan 'an, and looked forward to the future of Yan 'an, showing the author's heart of missing "mother" Yan 'an and expressing his attachment to her mother Yan 'an. The whole poem is divided into five parts. The first part is about the poet's excitement and joy when he returned to Yan 'an's mother's arms after a long absence of 10. Yan 'an is the place where He Jingzhi lived and fought, and he has deep feelings for Yan 'an. The poet was particularly excited to revisit his old place. Don't jump so hard in your heart/don't block my eyes with dust. The two prayers of "Don't" and "Don't deal with" show that the poet can't control his inner excitement. The next few words, the loess bosom, dream back to yan' an, hold Baota shan tight, issued a long-awaited call. Successive plots and actions express the poet's attachment to his mother Yan 'an. The welcome scene of Yan' an relatives is even more warm. The personified Du Fuchuan, Liu Linpu and Hongqi are singing, laughing and waving. Relatives are wrapped in white sheep belly towels and red belts around their waists to welcome Yanhe River. At this time, the poet "talked too much to say,/threw himself in the arms of his loved ones." A word "jump" can express feelings better than a thousand words. The second part, recalling the fighting life in Yan 'an, shows the kinship between the poet and Yan 'an's mother. At that time, the production and fighting in Yan 'an were in full swing, and the author did not spend a lot of ink to describe them one by one. He gave full play to his specialties such as Fu, Bi and Xing, and showed his unusual life experience. "The treetops have branches and roots./I am close to the mountain and have relatives." "The lamb is nursing to see her mother, and the little rice is feeding me to grow up." I have a good relationship with Yan 'an's mother. "There are millet in Dongshan Mountain, valley in Xishan Mountain, books in hand and red flags on shoulders", using Fu's method, selecting typical things to summarize the life in full swing in that year. Teach me by hand, writing about mother-child affection. "The road to revolution is thousands of miles away,/I miss you all over the world", which shows my gratitude and nostalgia for my mother. In the third part, the poet described the reunion with his relatives and expressed their profound friendship. In the reunion scene, the author highlighted things with local characteristics in northern Shaanxi, such as rice wine, oil buns, charcoal fire, heatable adobe sleeping platform, white window grilles and red window grilles, which set off a lively atmosphere. Three generations of old people, young people and teenagers get together to talk about the new year and the old year. "A mouthful of yellow rice wine is worth a thousand words,/the waves behind the Yangtze River push the waves before" is an exaggeration and metaphor. The topic flew from Yan 'an to Qian Shan, and the national situation surged like the Yangtze River and the Yellow River. The fourth part describes the new face of Yan 'an and praises the great changes that have taken place in Yan 'an under the leadership of the Party in the past 10 years. "A thousand legs make a thousand eyes" is an exaggeration, which shows that the change is too great to be seen. The parallelism of "one strip at a time", "one block at a time", "Yi Deng Yi Deng" and "one row at a time" is characterized by the use of overlapping words in quantity. "Wearing a rainbow", "welcoming the spring breeze" and "changing clothes" are anthropomorphic techniques that give people a vivid impression. The fifth part eulogizes the glorious history of Yan 'an and looks forward to a bright future. "The red flag of Yang Jialing is fluttering,/Revolutionary Wan Li is at its climax", which is a pleasant reminder of the excellent situation of the revolution. In the following paragraphs, the poet reviews the history of Yan 'an, and writes that the people of Yan 'an advance wave after wave, as if the river were rolling forward. At the end of the paragraph, "Let's go back to Yan 'an to see our winged mother. "With exaggerated techniques and heroic tone, I once again expressed my attachment to Yan 'an's mother. 2. This poem is an excellent work created by modern poets absorbing the nutrition of folk songs. The poet praised Yan 'an in the form of folk songs of "believing in heaven", which in itself is a return to Yan 'an's mother's kindness. Each part of this poem consists of two sentences. According to the characteristics of "Xin", the first sentence rises, and sometimes the two sentences are used together or together, which generally rhymes. For example, "there are branches and roots at the top of the tree,/people have relatives near the mountain", and the rise of "trees" is a metaphor for the poet's flesh-and-blood ties with Yan' an and Yan' an fellow villagers. "The lamb eats milk to see the mother, and the millet feeds me to grow up", which is a symbol of Yan 'an's kindness to poets. The red flag of Yang Jialing is flying high,/the revolution in Wan Li is at its climax. "The former sentence arouses a thousand waves, which makes people think that the revolutionary situation has expanded from Yan 'an to the whole country, and the latter sentence is followed by exaggeration. "The students with beards have red enough papers,/and the dolls are fighting for their hands." This sentence is more popular and has the function of describing the environment. The expression of "Xing" in Xintianyou often gives readers a lot of imagination and makes emotional expression more powerful. Making good use of exaggeration is also a feature of "believing in heaven", such as "a million words of rice wine,/the Yangtze River makes waves", "you have wings, your feet have clouds,/go back to Yan 'an to see your mother" and so on. There are also rhetorical devices commonly used in folk songs, such as personification, parallelism and antithesis, which add a cordial and lively emotional color to this poem. There are also many northern Shaanxi dialects in this poem, such as repeated words "several times", "roots", "lamb", "white beard" and "full mouth", and some children's voices "tight" and "hand in hand". In short, praise Yan 'an in the form of "believing in heaven" and express the poet's attachment to his mother. The form and content of this poem have reached a perfect unity.