The power of art can be described as shock?

Li Yu, the queen of the Southern Tang Dynasty, was a weak monarch and a talented "sage of words". His ci is regarded as a charming work, praised and widely read by people, and regarded as a treasure of China culture. More than a thousand years have passed, and many feudal emperors have vanished, but Li Yu is still remembered by countless future generations. It can be said that "the country is unfortunate and the poet is lucky." Shen Qian in the Qing Dynasty said in Miscellaneous Words: "Li Houzhu is not good at governing the country, and his words are still not lost to the South King." In the late Qing dynasty, the king also praised him as "the emperor's middle word, well deserved." Li Yu is worthy of being the emperor of Ci, and we can feel the shocking artistic power when we read his Ci.

Blood and tears writing. Li Houzhu, a man of temperament, left more than 30 words in his life, most of which were full of blood and tears. Many works are euphemistic and sentimental, which truly record his life, feelings and life experiences. "The Fall of Xi Qian Ying Xiao Yue" and "Lover of Sauvignon Blanc Cloud" show his endless yearning for his dead wife, who is his soul mate, after a week of pain and helplessness. "Ruan Langgui, the east wind blows water and holds mountains" and "Qing Ping Le, don't come to the spring half" show his deep nostalgia for Li, the seventh brother who was demoted to the north. There are also many poems that are sincere and straightforward, which truly reflect the process of his unwilling to yield, courage to fight and self-realization of soul redemption. Later, Li Yu suffered from loneliness, humiliation was deposited in his heart, and remorse was burning in his chest. He is unforgettable, heartbreaking and painful. The thought of the motherland and the hatred of national subjugation surged in his words. Yu Meiren is the representative of this kind of words. "When is the spring flower and the autumn moon, how much is known about the past", "How much sorrow can there be, just like a river flowing eastward". He used figurative metaphor, questioning tone, angry expression and shocking style to express the grief of the king of the country to the extreme. Especially the question and answer at the end of the word can be described as a swan song. All the repressed hatred, thoughts and humiliation of losing the country have turned into "some worries", like a rushing spring water flowing eastward.

Detailed description. Li Yu's detailed description is true and profound, vivid and novel, full of personality, able to see the big from the small, describe the specific image and enhance the artistic effect. For example, "the sleeve in the sleeve is still dark, and the cup is deeply turned by the fragrant mash." ("A Hu Zhu") This is the detail of writing beautiful women drinking, which is particularly subtle. The little girl picked up the glass and took a sip. I didn't expect her red lips to be wet with wine. She just wiped the wine stains on her lips with her sleeves, and soon someone came to propose a toast. Another example is "the boat is bent on the river, and the city is light and dusty." (The First Beauty in Wangjiang) When describing the spring scenery in the south of the Yangtze River, Li Yu's ingenuity is still in the details. He carefully selected two scenes, namely, "a boat is equipped with utensils" and "stepping through the city", depicting the grand tour in the river and the excitement of enjoying flowers on the shore, highlighting the social prosperity and happiness of Jiangnan in the past, so as to soothe his pain of losing power and humiliating the country so far. Forty Years of Returning to the Patriarch after Breaking the Array is an important poem for Li Yu to reflect on himself after conquering Lu. "The most important thing is to resign from the temple fair day, and the teaching workshop still plays farewell songs." It is a vivid portrayal of the details of the scene of "hastily resigning from the temple" and the most painful memory of his life. Facing the harsh reality, the late master suddenly repented, "When will you know the war?" and "Tears spilled on Gong E". In a few words, a cowardly, sad and pathetic king of national subjugation is vividly displayed in front of people.

The clever use of verbs. Li Yu knows the profound meaning of the most vital verbs in poetry, and his use of verbs in his creation has reached a level of perfection, perfection and flexibility. For many vivid, vivid and magical verbs, he has carefully selected, repeatedly scrutinized and skillfully used them, giving people a sense of beauty of movement, movement and action. There are three expressions in a sentence: a verb is used alone. For example, the word "broken" in "Broken Cherry Maruko" is more vivid. When a woman sings, her lips lit with heavy sandalwood begin to tremble slightly, just like a cherry in full bloom. What a colorful picture! Two verbs are used together. For example, intermittent cold anvil intermittent wind, two "intermittent" and use, on the one hand, explain the relationship between wind and cold anvil clearly, on the other hand, it has a reciprocating effect, and the melody is also very beautiful, thus showing the quiet loneliness of Deep Courtyard and the loneliness of Fu Huan incisively and vividly. Three verbs are used together. For example, "bad wine smells fragrant flowers", which is a sentence about the expression of the king's concubines when they enjoy singing and dancing, and has always been regarded as the most fascinating. Among them, the three verbs "evil", "read" and "smell" play a role in the same sentence, which makes the whole word suddenly active, especially with dramatic meaning, and vividly expresses a playful but still unsatisfied modality.

There are many skills. Li Yu has accumulated and mastered rich expression techniques, told his own experiences with exquisite language, reasonable layout and skillful skills, reflected the changes of his home country, created vivid scenes, and achieved good results. In The Fisherman, "The waves are full of snow, peaches and plums are silent, and a group of spring", using the anthropomorphic techniques of "intentional" and "silent", describes the snow-like waves and the peaches and plums in spring, outlines the colorful spring and sets off the moving of the fishing boat. "Feng Ge, Long Ta, Lian Gu Nan" and "Jiao Fang still plays farewell songs" in Broken Array are obvious sentences. The contrast between the past and the present and the abnormal alarm reflect the desolation and bitterness of the poet after he was captured, and reveal the endless source of sadness. In Qingpingle, the words "falling plums like snow are still full" and "leaving hate like spring grass, going further and living more brilliantly" are classic metaphors with strong expressive force. With the succession of fallen plums and fragrant grass, endless separation and hatred are displayed. Li Yu also skillfully used various rhetorical devices such as fantasy, photography, comparison, cross-examination, flashback, line drawing and symbol. Describe events, express thoughts and emotions, and form a natural, simple and sincere artistic style. Literary critics say that only a master like Li Houzhu can achieve this simple beauty of washing away lead.

Excerpted from Baidu netizens, thank you.