I hope you can take your time. It will help you.
I like them all.
Attaching appreciation can help you understand and recite with emotion.
Hands are born. You can do some coordinated movements, but you should be harmonious. Look straight ahead with your eyes. You can also communicate with the audience under the stage, or you can set up a virtual object with him (just like talking to him, it is more difficult o(∩_∩)o ...)
Music can be played to enhance the atmosphere.
For example, "Moonlit Night on a Spring River" has a guzheng song of the same name.
The following is the recommended poem O (∩ _ ∩) O. ...
Modern Poetry Recommend "To the Oak Tree"
To the oak tree.
Shu Ting
If I love you-
Unlike climbing Campbell,
Show off yourself with your tall branches;
If I love you-
Never imitate spoony birds,
Repeat monotonous songs for the shade;
It is not just like a fountain,
Send cool comfort all year round;
It is not just like a dangerous peak, it increases your height and sets off your dignity.
Even during the day.
Even spring rain.
No, these are not enough!
I must be a kapok beside you,
Standing with you as the image of a tree.
Roots, close to the ground,
Leaves, touching in the clouds.
Every time a gust of wind blows,
We all greet each other,
But no one
Understand what we said.
You have your copper branches and iron stems,
Like a knife, like a sword,
Like halberds,
I have my red flowers,
Like a heavy sigh,
Like a heroic torch,
We share cold waves, storms and lightning;
We enjoy the fog, the rainbow,
As if we were separated forever,
But they depend on each other all their lives,
This is great love,
Loyalty is here:
Not only love your strong body,
I also love your stand and the land under your feet.
Appreciate:
Shu Ting, formerly known as Gong, was born in shima town, Fujian, 1952. 1969 went to the countryside to jump the queue, 1972 went back to the city as a worker. 1979 began to publish poetry. 65438-0980 worked in Fujian Federation of Literary and Art Circles, engaged in professional writing. His main works include poetry collection "Double Mast Boat", "Singing Iris", "Archaeopteryx" and prose collection "Heart Smoke".
Shu Ting is good at introspecting the rhythm of self-emotion, especially showing the unique sensitivity of women in grasping complex and meticulous emotional experience. The complexity and richness of emotions are often manifested through special sentence twists and turns such as assumptions and concessions. Shu Ting can also find sharp and profound poetic philosophy (goddess peak and Hui 'an daughter) in some conventional phenomena that are often ignored by people, and write this discovery with both speculative power and touching feelings.
Shu Ting's poems have bright images and meticulous and smooth thinking logic. In this respect, her poems are not "hazy". Poetry, on the other hand, mostly uses metaphors, partial or whole symbols, and rarely expresses itself, so the images expressed are vague.
To the Oak Tree enthusiastically and frankly sang the poet's personality ideal. Oak and kapok stand side by side, facing each other affectionately in an independent manner, which can be said to be a group of symbolic images with brand-new character in China's love poems.
The image of "oak tree" symbolizes the rigid beauty of men, while the kapok of "safflower" obviously embodies the female personality with new aesthetic temperament. She abandoned the delicate nature of old-fashioned women and was full of life breath, which was in line with the poet's ideal of women's independence and self-esteem.
In artistic expression, the poem adopts the lyrical way of inner monologue, which is convenient for expressing the poet's inner world frankly and openly. At the same time, the image is constructed as a whole symbol (the whole poem correspondingly symbolizes the independent personality and sincere love of both lovers with the whole image of oak and kapok), which makes philosophical thoughts and ideas germinate and poetic in a kind of intimate and sensible image, so this poem with rational temperament makes people feel that there is no preaching.
Rain Lane-Dai Wangshu
Rain Alley
Dai wangshu
Holding an oil-paper umbrella alone
Wandering in the long, long
Lonely rain lane,
I hope to see
Like cloves.
A girl with a grudge.
She does.
Clove-like color,
Lilac-like fragrance,
Sad as cloves,
Mourning in the rain,
Sadness and hesitation;
She wandered in the lonely rain lane,
Hold an oil-paper umbrella
Like me,
Like me.
Quietly hesitate
Cold, sadness and melancholy.
She approached quietly,
Get close and throw again.
Breathing eyes
She floated by.
Like a dream,
As sad and confused as a dream.
Floating like a dream
A lilac field,
I passed this girl by;
She went away silently, far away,
A crumbling fence,
Walk through this rainy path.
In the lamentation of the rain,
Remove her color,
Spread her fragrance,
Disappeared, even hers
Breathing eyes
Lilac is melancholy.
Holding an oil-paper umbrella alone
Wandering in the long, long
Lonely rain lane,
I hope to float over.
Like cloves.
A girl with a grudge.
Writing background
Rain Lane is Dai Wangshu's famous work and early masterpiece, so he got the nickname "Rain Lane Poet". This poem was written in the summer of 1927. At that time, the whole country was in a state of white terror Because Dai Wangshu participated in progressive activities, he had to take refuge in a friend's house in Songjiang, chewing the disillusionment and pain after the failure of the Great Revolution in loneliness, and his heart was always full of lost emotions and hazy hopes. The poem "Rain Lane" is an expression of his state of mind, which is intertwined with the dual emotional appeal of disappointment and hope, disillusionment and pursuit. This feeling was common at that time. Rain Lane adopts symbolic lyrical techniques. The narrow and gloomy rain lane in the poem, the lonely traveler wandering in the rain lane, and the girl as sad as lilac are all symbolic images. These images constitute a symbolic artistic conception, which implicitly implies the author's confusion, sadness and expectation, giving people a hazy and profound aesthetic feeling. Musicality is another outstanding artistic feature of Rain Lane. In the poem, repetition of sounds, repetition of sentences, repetition of singing and other techniques are used, resulting in the cycle of melody and pleasant sense of music. Therefore, Mr. Ye Shengtao praised this poem for opening a "new era" for the syllables of China's new poems.
In Rain Lane, the poet created a girl with a lilac knot. Although this is inspired by some works in ancient poetry. It is a traditional expression in ancient Chinese poetry to use lilac knots, that is, lilac buds, to symbolize people's worries. For example, there is a poem in Li Shangyin's "Gifts for Generations" that says "bananas don't show lilac knots, but they are worried about the spring breeze in the same direction". In the Southern Tang Dynasty, Li Jing tied a lilac knot with me in the rain. He has a song "Huanxisha"
Roll up pearls to make curtains and hang hooks. In the tall building, I look like before, and my depression is still locked. Who is the Lord in the wind? Take it easy!
The messenger didn't bring news to the pedestrians far away. The lilacs in the rain reminded me of sadness. I looked back at the Three Gorges at dusk and saw the river falling from the sky.
In this poem, the lilac knot in the rain is used as a symbol of people's sadness. Obviously, Dai Wangshu absorbed the artistic conception and methods of describing sadness from these poems and applied them to form the artistic conception and image of Rain Lane. This kind of absorption and reference is obvious, but can we say that the artistic conception and image of Rain Lane are the expansion and desalination of the modern vernacular version of the old poem "Lilacs are sad in the rain"? I don't think so. When the poet conceived the artistic conception and image of the rain lane, he not only absorbed the juice of his predecessors, but also created his own. First, the ancients used the lilac knot itself as a symbol of sadness in their poems, while Yuxiang imagined a girl who was as sad as lilac. She has the image of lilacs disappearing in an instant, which is different from the old classical poems and other works created by the poet in his early days. She is full of the tone of the old poems and shows more flavor of the new era. "Lilacs in the rain bear sorrow" can arouse people's hope and disillusionment more than "girls who are as sad as lilacs", and this image is a rare creation in the field of expressing the sorrow of the times. Secondly, in ancient poetry, the lilac knot in the rain is based on the real life scene to pin the poet's feelings. The poet added his imagination to his life experience. It is the product of artistic imagination, more beautiful than life.
Ancient poems recommend you. I like "Moonlit Night on a Spring River"
Zhang in the early Tang Dynasty
However, it is said that it is "an isolated article covering the whole Tang Dynasty"
That's called a powerful
Lian Haiping is in the spring tide, and the bright moon on the sea is born in the tide.
I drift with the tide for thousands of miles, and there is no moon by the river.
The river flows around Fangdian, and the moonlight shines on the flower forest like graupel.
Frost flows in the air, you can't fly, but you can't see the white sand on the pavilion.
There is no dust in the sky on the river, and there is a lonely moon in the sky.
Who saw the moon by the river for the first time? When did Jiang Yue take the photo at the beginning of the year?
Life is endless from generation to generation, and Jiang Yue is similar year after year.
I don't know who Jiang Yue is waiting for, but I see the Yangtze River delivering water.
The white clouds have gone, and Qingfeng is at a loss.
Whose boat tonight, where do you miss the moon floor?
Poor people wander upstairs for the moon, so they should leave someone to fill the mirror.
The curtain of the jade pot could not be rolled up, but it was brushed back on the anvil.
At this time, I don't know each other. I hope China will shine on you every month.
Hongyan flies in the sky, and fish Long Qian jumps in the water.
Last night, I dreamed that the idle pool had fallen, and the poor spring had not returned.
In spring, the river flows away, and the pond falls in the moon and the west.
The slanting moon hides the sea fog, and Jieshi Xiaoxiang Road is infinite.
I don't know how many people return home every month, and the moon is full of rivers and trees.
Appreciate:
The whole poem begins with emotion and ends with emotion. Among them, "spring", "river", "flower", "moon" and "night" appear by occurrence method and disappear by elimination method. Moonlight is a clue that runs through, which combines philosophical thinking, thinking about women and wandering, forming a complete realm of organic unity of emotion, scenery and reason. In this realm, emotion is sublimated emotion, scenery is wonderful scenery, and reason is profound reason. At the beginning of the poem, the poet painted a beautiful picture with the pen of genius. The whole poem weaves a colorful moonlight portrait on the riverside with the moon and water as the latitude and longitude, spring as the texture, flowers as the pattern and night as the background. ) turn to the exploration of the eternal universe and limited life.
1, the poet thought of the eternal moon and the life of generations in the ethereal and mysterious scene. In the question "Who first saw the moon by the river and when the river shone on people at the beginning of the year", he showed a deep sense of the universe and showed interest in the mysteries of finiteness, infinity, instantaneity and eternity. At the same time, in the narrative of "life is endless, moonlight is similar year after year", it also shows persistence and praise for life. The poet got a satisfactory answer in the limited, infinite, instantaneous and eternal encounter.
2. The poet's satisfaction with the meaning of life leads to the lovesickness between men and women. "Baiyun" and "Qingfengpu" in the poem symbolize the elusive man and the difference between men and women respectively. Poetry and prose praise the pure and sublimated love between men and women with affectionate strokes, creating a mysterious, wonderful and moving realm of organic integration of emotion, scenery and reason.
This is a beautiful lyric poem, which was praised by Mr Wen Yiduo as "the poem in the poem, the peak on the peak". There are thirty-six sentences in the poem, four of which rhyme. The exquisite structure, rigorous and natural, mellow and beautiful rhythm show the author's superb artistic skills. Although the author only left two poems, this one is "an isolated poem for everyone".
The hazy moonlight is like running water in a clean stream. Such as gauze, cage the quiet spring river, spring flowers, spring night. There are also sentimental women, waiting for your return in the moon building. A vague feeling, a vague image. Scenes blend, feelings flow in the scene, and feelings contain scenes, which are inseparable. All this is like a gentle serenade, floating on the riverside, like elegant lotus fragrance floating between running water. Implicit and euphemistic but not rigid; Light and delicate, like thinking of a woman's heart, I want to think about it quietly. Rich in elegant, meaningful and harmonious artistic conception.
The whole poem was fascinated by the moonlight. Moonlight endows spring night with aura, which connects all images, objects and modality. Become a poem in a poem, a picture in a painting, a peak on the peak, and a swan song that has been passed down to this day.
The moonlight rises with the tide, and the tide is wide and the moonlight is quiet. Moonlight floats by the river, sparkling, like a woman's beating heart. The lonely moon hangs in the sky, and time flies like frost. I have accumulated a little coolness in my heart, thinking too much, worrying too much, sighing too much, and feeling a little disappointed. Life is short, but generations are endless; Jiangyue is eternal, but it repeats every year. Jun! Hu Bugui? Drift like white clouds! Do you know that woman is wandering on the moon? The peach blossom is still there. Where's the lovely face?
Under the lonely moon on the riverside, the sails are floating, and the women in the boudoir by the river are thin. Yuanyang has been tattooed as a pillow, and tears are wet on the sleeves of the spring shirt beside the candle. Moonlight enters the curtain, but it can't be rolled away and brushed away. The deep acacia is hard to get rid of, lingering and inexhaustible. "If you keep cutting, the reason will be chaotic. It's parting, don't have a taste in your heart. "
Spring drifts eastward with the current. Your way home! Thousands of miles away. Looking forward to seeing the clouds, jun? "I don't know how many people will return to the moon", Jun! Come back by the moon! This woman has exhausted her horizons. The waning moon is full of cold light; The river is moving, the branches are moving, and the shadows are separated on the embankment. The Milky Way is vast and the Cowherd and the Weaver Maid are opposite, but I am thousands of miles away from you, so it is difficult to connect with Hong Fei. Look at this situation. Why don't people cry in this situation?
This poem has no explicit acacia, no makeup, and has its own pride. The moonlight is charming and leads to meditation. The aftertaste is still there, the meaning is still unfinished, and the tune is changeable, which can be described as a stroke of genius.
There is longing and sadness under the moon, a kind of longing and sadness that teenagers know the taste of sadness for the first time. "A person is in a tall building, and someone upstairs is worried" is not a strong worry for assigning new words.
Although the whole poem is full of worries, it is still as light as a mountain stream; Although there is a sigh, it will always be as light as the moonlight on the river. The artistic conception is bleak as a flower forest, and the looming outline is full of hazy beauty. Sadness without harm is more effective than silence. Half-covered and half-covered, the light clouds cover the sun, and the taste is endless, giving people room for imagination and a world for readers to gallop. Then I realized that I was adorned with a charming face, and the shadows were broken, and the wine turned into lovesickness and tears.
Jiang is heartless, she doesn't want people, she is willing to go her own way.