Outstanding Achievement Award in 24: Ge Fei (Peach Blossom with Face, Chunfeng Literature and Art Publishing House, September 24)
Novelist in 24: Lin Bai (Women's Gossip, Xinxing Publishing House, January 25)
Poet in 24: Duo Duo (Duo Duo Xiao Ji) < People's Literature Publishing House, January 24)
Literary critic of the year 24: Li Jingze (Witness the Thousand and One Nights: Literary Life at the Beginning of the 21st Century, New World Publishing House, May 24);
Literature: Action and Association, Shandong Literature and Art Publishing House, May 24)
The most promising newcomer in 24: Zhang Yueran (Ten Loves, Fiction Collection, Writers Publishing House, July 24) Outstanding Achievement Award in 24: Gefei's award speech
Gefei's writing is tenacious, elegant and pure. His novels have been deeply involved in the literary revolution since 198s, and his narrative research has also enriched the aesthetic texture of China's novels. His writing not only has a distinct modern spirit, but also inherits the splendor and beauty in the tradition of classical novels. His narrative is complicated and exquisite, his language is gorgeous and elegant, and he exudes a strong atmosphere of books. This unique style of discourse is accurate and gorgeous, which not only fully shows the great charm of Chinese, but also awakens modern people's complex feelings about their mother tongue in time. As an extension of this discourse ideal, Ge Fei's novel "Peach Blossom with a Face" published in 24 is full of creative discoveries in redrawing the language map, analyzing the people's feelings of the world and preserving historical memory. His profound expression of this discovery not only reached the new artistic difficulty that China writers could reach, but also opened up a brand-new path to prove the universal spiritual problem of human dreams and their disillusionment.
novelist of the year p>24: Lin Bai's award speech
Lin Bai is one of the most important writers of women's experience in contemporary China. Her novels are unique and passionate, and her language is free and enchanting. Her writing practice for many years has been to vindicate the secret experience and provide new literary evidence for the legal status of personal life history in writing. She has a deep desire to change and expand the grand and abundant inner landscape she has created, and her writing around 24 has entered a wider world of people's hearts because of her simple and complicated realistic feelings. In 24, she published A Record of Women's Chatting, which was intended to make the characters of the novel speak directly by chatting and recounting, taking facing all kinds of life situations on the vast land as a new narrative ethics, and taking patient listening and reverence for life as the basic writing spirit, so that the most ordinary rural life in China began to make its own voice and was reshaped by these real voices.
Poet of the Year p>24: Duoduo Award Speech
Duoduo is a real Chinese poet. With superb skills, clear insight and unswerving writing courage, his poems almost perfectly inherited the difficult mission of Chinese in contemporary China. He integrated his warm understanding of the world and life into the meticulous carving of every word and sentence, and tried to realize his lonely and firm aesthetic ambition in the internal structure of every poem. His loyalty to the dignity of Chinese has made his poems form a distinctive personality and style very early: concise images, lively rhythm, accurate, sharp and full of tension, deep sensitivity and painful understanding of spiritual details, and clear artistic commitment to human spiritual difficulties. A series of poems published by him in 24 and his re-appearance in mother-tongue countries illuminate those beautiful and exciting literary memories, and also witness the rich possibility that Chinese poetry will never fail.
24 essayist: nan fan's award speech
nan fan's critical words are dense and profound, and his prose is full of intellectual luster. His coldness and rationality come from his unremitting questioning of the truth of life and ideological problems. Just like his forbearing and profound life experience, it tends to be clear, thorough and broad through the detailed interpretation and symbolic analysis of wisdom. His active spirit of exploration expanded the stylistic boundary of prose; His quiet language has both traces of joy in thinking and sadness after understanding things. He published Everything About My Parents in 24. By describing the life of a disappearing father, he effectively showed the cracks and dislocations between the tiny people and the huge history, and gave real care to personal traumatic memory and the inner confusion of the times. He revealed the subtle influence of the times on people and the complex situation that people and history rewrite each other, which is not only a painful memory of their loved ones, but also an important reference for understanding contemporary reality.
literary critic of the year p>24: Li Jingze's award speech
Li Jingze's writing is gentle and delicate, full of harmony and transparency. His writing continues the long tradition of China's literary criticism, and is also permeated with profound modern consciousness. His subtle, accurate and sharp artistic sense, his reading patience in searching and criticizing literary scenes, and his wise, smart and original discourse demeanor fully show the unique function and style of criticism. His keen observation of literary life, active participation in literary practice and incisive answers to the writing problems faced by many writers have changed the basic pattern of contemporary literature to some extent, and set a model for rebuilding the dialogue between criticism and writing. His works published in 24, such as Witness to the Thousand and One Nights, Literature: Action and Association, vividly and skillfully annotate the close relationship between literature and the times, and echo an independent and mentally warm critical style through his rich life perception and inner argument
Zhang Yueran's award speech in 24
Zhang Yueran's youth, intelligence and sobriety are inspiring. Her pure and mysterious writing contains abundant youthful passion and desire for freedom, as well as a temperament and patience that has not been damaged by the hustle and bustle of the times. She is infatuated with the complex feelings of the inner world, and her eyes are full of sadness and confusion when she looks at the world. Her writing is not only a mourning and examination of life memories, but also a poetic affirmation of her dream of survival. Her collection of short stories "Ten Loves" published in 24, although only some sad and romantic fragments, fully shows her brilliant artistic talent with graceful language, fantastic imagination, detailed application of life insights, meticulous description of the characters' subtle hearts, and her hard care for love and faith, as a unique record of the spiritual growth of a new generation. In the future, she may be able to move towards a broader and fuller writing realm, but her language, narration and imagination will also face greater challenges.