Wang Wei
The empty mountains are bathed in a new rain, and feel the early autumn at night. The bright moon shed clear light from the cracks and cleared the fountain on the rocks.
The bamboo forest is sonorous, the washerwoman returns, and the lotus leaves are swaying to get on the canoe. Spring spring might as well give it a rest, and the autumn sun can stay on the hills for a long time.
Precautions:
Shanju: A place where people live in the mountains, which refers to Wangchuan Villa. B: It's late. Empty mountain: a quiet mountain. After the new rain: It just rained. Bamboo sound: laughter and noise in the bamboo forest, also refers to the sound of bamboo branches colliding with each other. Huannv: A woman who washes clothes by the water. Lotus movement: load swing. Fishing boat: Fishing boat goes down the river. Whatever: whatever. Chunfang: Flowers and plants in spring. Rest: wither and die. Wang Sun: A general term for children of nobility, and a poet refers to himself. Stay: stay.
Appreciate:
This five-character poem is the later work of Wang Wei, a famous poet in Tang Dynasty. By that time, Wang Wei had retired to the mountains. The poem describes the mountain scenery after the rain in autumn when the poet lived in seclusion in Wangchuan, which shows the poet's interest in seclusion. Autumn scenery, described by the poet, is fresh and full of vitality, which washes away the sad mood and gloomy color common in previous poems.
Looking at the whole poem, it is also poetic and picturesque, with a blend of scenes and scenes, which is wonderful and comparable to the top grade in landscape poetry. The whole poem has four levels. The first couplet points out the season ("autumn"), time ("night"), place ("empty mountain") and weather ("new rain"), which is full of poems. The word "empty" is meaningful. Zhuan Xu writes about scenery, while Jinlian writes about people from scenery, combining dynamic and static, and combining audio and video. The couplet turns from scenery writing to lyricism, from external objects to the heart, revealing the main idea of the whole poem. "There are pictures in poetry, and there are poems in paintings", which can be seen. In particular, in dealing with the relationship between dynamic and static, the poet is ingenious and likes to use the images captured in meditation to convince the static with dynamic and the static with sound. For example, "moonlight in the pine forest, crystal stone in the stream. The bamboo voice whispers that the washing woman returns, and the lotus leaf bends in front of the fishing boat. " It feels like a scrolling picture edited by several wonderful shots. The scene is changing, the characters are moving, and the "lens" jumps from one moving point to another. This patchwork composition and flexible sentence patterns make the whole poem full of agility and vitality.