Tongcheng school poetry
Yushan school of poetry
Wangmeng landscape poetry school
Gao Cen Frontier Poetry School
Gong 'an Jingling Poetry School
Poetry School in Han, Wei and Six Dynasties
Jian 'an Qizi
Yongjiasiling
In the history of China literature, there are many poets and poets, who are divided into different schools because of their similar styles, the same times, or their fellow villagers' friends, or their fathers and sons' apprentices. These schools, back and forth, are big and small, and their status is high and low. Knowing and being familiar with them is of great benefit to poetry appreciation.
Although there are many poets and poets, if they are divided into creative methods, they can be divided into realism and anti-realism, romanticism and negative romanticism, and formalism. Among them, realism and romanticism are the dominant schools.
(1) Realism. The members of realism school can be traced back to the anonymous authors of realistic poems in The Book of Songs. Anonymous who later created realistic works in Han and Wei Yuefu. Tao Yuanming in the Northern and Southern Dynasties, Du Fu and Bai Juyi in the Tang Dynasty and Lu You in the Song Dynasty can be regarded as leaders in different historical periods. In addition, such as Cai Tan, Wang Su and Chen Lin in the Eastern Han Dynasty, Jie Yuan, Liu Zongyuan, Yuan Mo, Zhang Ji, Wang Jian and Li Shen in the Middle Tang Dynasty, Pi Rixiu and Nie in the Late Tang Dynasty, Mei and Wang Anshi in the Northern Song Dynasty, Fan Chengda and Yang Wanli in the Southern Song Dynasty, Yuan Haowen in the Jin Dynasty, Wang Mian in the Yuan Dynasty and Gao Qi in the Ming Dynasty. Yu Qian, Gu and Wu in Qing Dynasty are all representative realistic poets.
The common characteristics of this school are: it can truly and vividly reflect social life extensively and profoundly; Created a typical character in a typical environment; With concrete and vivid details; On the basis of profound understanding, it has a high degree of generality; Use simpler language and simple painting skills.
(2) Romanticism. The members of the Romantic School can be traced back to the anonymous authors of romantic poems in The Book of Songs. Then came Qu Yuan, the first great poet in China, who pushed romantic poetry creation to a peak as early as the Warring States Period. Romantic poets such as Cao Zhi, Zuo Si, Guo Zhen and Bao Zhao appeared in Wei, Jin, Southern and Northern Dynasties. Li Bai in the Tang Dynasty was a master of romanticism. After Qu Yuan, he set off a peak of romantic poetry creation. Besides him, there were other outstanding romantic poets in the Tang Dynasty, such as Wang Zhihuan, Wang Changling, Cen Can and Li He. Su Wan and Xin Qiji in Song Dynasty are outstanding representatives of romantic poets. Gong Zizhen in Qing Dynasty was the last romantic poet with certain influence in ancient times.
The common characteristics of this school are: full of enterprising spirit of pursuing ideals; Have an optimistic heroic spirit; Can form a wonderful illusory realm with rich imagination; Often use bold exaggeration and strange metaphors; Full of beautiful and wonderful language.
Poetic schools with certain influence:
(1) Qusong. Refers to Chu poets Qu Yuan and Song Yu in the Warring States Period. They are the founders and representative writers of Sao Style. Qu Yuan was the first great poet in the history of China literature. His works have been introduced before, so I won't repeat them here. Song Yu wrote Nine Arguments and Feng Fu. Their poems have many similarities in artistic form, such as using Chu dialect and relying on Chu rhyme, and most of them are bold and colorful. Liu Cha spoke highly of it in Wen Xin Diao Long, saying, "You can't catch up with Song, you can't catch up with Song." However, although Qu Song said that there are similarities, the size of his achievements cannot be compared.
② Three Cao. Refers to Cao Cao and his sons Cao Pi and Cao Zhi in the Han and Wei Dynasties. Cao Cao's poems are mostly based on the turbulent reality, and his famous works include a trip to the morning dew, a trip to a vast distance, a trip on a cold night, and watching the sea alone. Their common feature is to reveal the author's mind in a simple form, such as "You Yan veteran, energetic", forming a unique style. Cao Pi's poems mostly describe the love between men and women and the homesickness of wanderers, with delicate and euphemistic style and simple and beautiful language, among which Ge Yanxing, a seven-character poem, is the best. Cao Zhi's poetry is full of pursuit and resistance, and it is magnificent, forming the artistic characteristics of "extraordinary character" and "taking Hua Mao as a poet". San Cao, because of their political status and literary achievements, became the leader of the literary world at that time. But among them, Cao Cao and Cao Zhi have made great achievements, and the so-called "Jian 'an style" is mainly reflected in their poems.
(3) Seven sons of Jian 'an. The "seven sons" named after Cao Pi's Dian Lun Wen refer to Kong Rong, Chen Lin, Wang Paddle, Xu Wo, Ruan Li, Ying Qi and Serina Liu. Among them, except Kong Rong, Cao Cao's political enemy who was later killed by Cao Cao, the other six people were closely related to Sancao. Their works reflect the social unrest and enterprising spirit. Wang Ji is the "crown of seven sons" and his art is relatively mature. His famous works include Seven Wounded Poems and Ode to the Building.
(4) Seven Sages of Bamboo Forest. It refers to Ji Kang in Wei and Jin Dynasties. Ruan Ji, Dan Tao, Xiang Xiu, Ruan Xian, Wang Rong and Liu Ling. "Wei Chunqiu" contains: these seven people "friendly exchanges, swimming in bamboo forests, the number is seven sages." Their poems are famous for Ruan Ji's "Yong Huai" and Ji Kang's "Poems of Sorrow and Anger", which reflect their dissatisfaction with the dark reality at that time.
(5) Three, two lands, two sets and one left. The three paintings refer to the poet Zhang Zai and his brother Zhang Xiehe and Zhang Kang in the Western Jin Dynasty. Erlu refers to Lu Ji, a writer in the Western Jin Dynasty, and his younger brother Lu Yun. Erpan refers to the writer and Penny of the Western Jin Dynasty; Left refers to Zuo Si, a poet in the Western Jin Dynasty. Their poems pay attention to skills and words, so they are called "Tai Kang Ti". In Zhong You's poems, there is a saying that "Tai San Zhang, Lu Erpan, Zuo and Bohr were resurrected", which shows its influence at that time. Among them, Zuo Si's achievement is relatively high, and his masterpiece is Eight Poems on Epics.
(6) Xie Yan. Refers to the poets Yan Yanzhi and Xie Lingyun in the Southern Song and Yuan Dynasties. Their poems are called "Yuanjia style", which describes natural scenery and pays attention to rhetoric. Among them, Xie Lingyun made a high achievement and created the "Landscape Poetry School". His chapters, such as Climbing the Pool to the Upstairs, Old Age and Stupid Lake Day, all contain beautiful sentences that have been told through the ages.
(7) Jingling Eight Friends. It refers to the eight writers under Wang Xiao, the King of Jingling in the Southern Dynasties: Xiao Yan,,,. Xiao Ke, Fan Yun, Stone Man and Lu Chong. They paid attention to the rhythm of poetry and formed an "eternal style", among which Shen Yue made great achievements in reconciliation. He is a representative writer of "New Poetry".
(8) Gongti Poetry School. This is a school of poetry headed by Jian Wendi Xiao Gang. Biography of Liang Shu Jian Wendi contains: Xiao Gang's "Elegant Poems". ..... but the injury was frivolous, and for a time, the palace was in chaos. " Palace poems mostly express boudoir feelings, with lewd content and beautiful form.
(9) Four outstanding figures in the early Tang Dynasty. Yang Jiong, Lu and others in the early Tang Dynasty. Their poems began to change the atmosphere of Qi and Liang Dynasties, with a wide range of themes and great momentum. Du Fu wrote in the second poem of "The Play is the Six Poems": "Wang Yang was thin and light at that time. Second, Cao's name is ruined, and he does not waste rivers and mountains. " Scold those who are "frivolous for writing" but laugh at them: four; Jie affirmed the achievements of the "four outstanding" poems.
(10) Wang Meng. Refers to the poets Wang Wei and Yu Haoran in the prosperous Tang Dynasty. They all use five-character poems to describe natural scenery, which are novel, quiet and vivid. People call Wang, Meng, Chu Guangxian and others "Tianyuan Poetry School".
(1 1) Gao Cen. Refers to the Tang Dynasty poets Gao Shi and Cen Can. They are all good at writing frontier poems with similar artistic styles. Famous articles include Ge Yanxing by Gao Shi, Bai Xuege by Cen Can and A Trip to Sichuan. People call Gao Cen, Wang Changling, Li Qi and others "frontier poets".
(12) Du Li. Refers to Li Bai and Du Fu, poets in the prosperous Tang Dynasty. They also said that it is not because of the same style, but because the results can be compared. Their works and achievements have been specially introduced above.
(13) Liu Wei. Refers to the poets Wei and Liu Changqing in the middle Tang Dynasty. Their poems mostly describe landscapes and pastoral areas and are regarded as "landscape poetry school".
(14) Ten gifted scholars in Dali. Refers to the top ten poets in the Tang Dynasty. According to "The Book of the New Tang Dynasty Literature and Art Lu Zhuan", "Lu and Ji Zhongfu, Qian Qi, Si Kongshu, Miao Fa, Cui Dong, Geng Jin, Xia Houshen, Li Duan, etc. can all write poems, which are equally famous." The names of ten people in his book are slightly different. They are all people attached to powerful people, and their poems are mostly decorated with banquets and farewell parties. But there are also some better poems, such as Lulun's Song of the Frontier and so on.
Author: Lu Youer's reply date: February 2007-10 22:18:17.
(15) Han Meng. Refers to the poets Han Yu and Meng Jiao in the middle Tang Dynasty. Although their poems have different styles, they all deliberately seek differences in form, forming a dangerous and peculiar poetic style. They also advocated taking Zhang Yiwen as a poem to discuss people's poetry, which made poetry tend to be dull. But they played a role in reversing the mediocre style of writing since Dali, and also wrote some good poems. Similar to Han and Meng, there are Jia Dao and Lu Lun.
(16) New Yuefu Poetry School. It refers to the participants in the "New Yuefu Movement" initiated by poets Bai Juyi and Yuan Dian in the middle Tang Dynasty, mainly including Zhang Ji, Wang Jian, Li Shen, Tang Ya, Liu Meng and Li Yu. The "New Yuefu Movement" has been specially introduced in the previous article.
Little Du Li. Refers to Tang Wei poets Li Shangyin and Du Mu. Their poems have nothing in common with Du Li, so they are called "Little Du Li" to show the difference. Their poems mostly use ancient and modern metaphors with distinctive features. Famous articles include: Untitled Poem by Li Shangyin, Spring in the South of the Yangtze River, Chibi, Bo Qinhuai, Mountain Walk by Du Mu, etc.
(18) Quincy style poems. It is a school of formalism poetry in the early Northern Song Dynasty, and its main members are Yang Yi, Qian. They deliberately imitated Li Shangyin in form, pursued rhetoric and piled up allusions. They sang with each other and compiled Quincy Awards, hence the name.
(19) Susan. Refers to the Northern Song Dynasty writer Su Xun and his sons Su Shi and Su Zhe. Learning from Pharaoh Su, learning from Dasu, and learning from Zhe, all made achievements in poetry. Among them, Su Shi is the most important.
(20) Jiangxi Poetry School. It is a formalism poetry school founded by Huang Tingjian, a poet in the Northern Song Dynasty, named after Lv Benzhong's "Sect Map of Jiangxi Poetry Society". The Sect Map of Jiangxi Poetry Society lists 25 members of this poetry school, including Huang Tingjian, Chen Shidao, Pan Dalin, Xie Yi and Hong Chu. When they write poems, they emphasize the source of words and pay attention to "replacing bones with fetuses and turning stones into gold", which leads to imitation and plagiarism and has a bad influence.
(2 1) Jianghu Poetry School. It was a school of poetry at the end of the Southern Song Dynasty, named after the Jianghu Collection published by Chen Qi. There are 109 character poems in Jianghu Collection, among which the poems by Dai Fugu, Liu Kezhuang and Liu Guo are better. Most of these poets have no political status and wander the rivers and lakes, and their work styles and achievements are inconsistent.
(22) the first seven sons, the last seven sons. It is a school of retro literature of an era. "The first seven sons" refers to Hongzhi in the Ming Dynasty. He Jingming, Bian Gong, Kang Hai, Wang, and Nian Wen; The "last seven sons" refer to Wang Shizhen, Xie Bang, Zong Chen, Liang Youyu, Xu Zhonghang and Wu in Jiajing period of Ming Dynasty. The "first seven scholars" first put forward the slogan that "literature must be in Qin and Han Dynasties, and poetry must flourish in Tang Dynasty" and advocated imitation. ,' the last seven sons' followed in its footsteps, and the momentum was even stronger. Thus, an antique trend of thought was set off, which played a role in opposing formalism, but it also had a bad influence.
(23) Police faction. It is a literary school in the Wanli period of the Ming Dynasty. Headed by Yuan Zongdao, Yuan Hongdao and Yuan Zhongdao, also known as "Sanyuan", it was named after the people of Gongan (now Gongan County, Hubei Province). They oppose the archaization of the former and the latter seven scholars, and advocate that literature should show "spirit", fully show personality and break through the rules and regulations, which has a certain positive effect. However, most of their works are limited to natural scenery and daily trifles, which have little social significance.
(24) Jingling School. It is also a literary school in the Wanli period of the Ming Dynasty. Headed by Zhong Xing and Tan, they came from Jingling, hence the name. Their basic ideas are the same as those of the public security school, but they also think that the works of the public security school have superficial disadvantages, and they try to correct them with a deep and lonely style, but the result is difficult and eccentric.
(25) A few clubs. It was a literary organization in the late Ming Dynasty. The main members are, Xia, Xu Geyuan and others. Their literary ideas are influenced by the first seven philosophers, and their works have the characteristics of exposing the disadvantages of the times. Among them, Chen Zilong's poetic achievements are high, and he has the reputation of "the commander-in-chief of the poetry circle in Ming Dynasty".
(26) verve poetry school. During the reign of Emperor Kangxi in Qing Dynasty, Wang Shizhen absorbed the theories of Si Kongtu in Tang Dynasty and Yan Yu in Song Dynasty, and put forward the theory of verve, emphasizing "prospering the society", pursuing "forgetting words with pride", paying attention to "saying nothing, being romantic" and "seeking the trace of the Yuan Dynasty", and taking the poems of Wang Wei and Meng Haoran as examples. This theory leads to the blind pursuit of confusing and detached realm in poetry creation, which mostly shows the leisurely and trivial life of feudal literati. However, the theory of verve pays attention to the exploration of poetic artistic conception, and it also has some merits.
(27) mode theory of poetry. During the reign of Emperor Qianlong of Qing Dynasty, Shen Deqian once again put forward the theory of modality, emphasizing "gentleness and gentleness" and "emphasizing meter", which played a negative role in restricting poetry creation. Although this school of poets also advocated "having substance in words", its content was mainly to safeguard the interests of feudal rulers.
(28) the spiritual theory of poetry school. During the Qianlong period of Qing Dynasty, Yuan Mei absorbed the "three yuan" theory of Ming Dynasty and put forward the "theory of soul" opposite to the theory of tune. It is advocated that works should be straightforward, natural and original, and poetry should be "clumsy but not ancient". This was relatively progressive at that time, and Yuan Mei and Zhao Yi of this poetic school also wrote some good poems, so the actual influence was slightly greater than that of the contemporary "mode theory". However, their poems mostly express the leisure of feudal literati and have little social significance.
Jiangxi poetry school
Poetry schools in Song Dynasty. In the late Northern Song Dynasty, Huang Tingjian had a great influence on poetry. Although his creative achievements are not as good as Su Shi's, his poems more prominently reflect the artistic characteristics of Song poetry. He summed up a complete set of poetic techniques and passed them on to later scholars, so many poets followed and imitated Huang Tingjian. For example, Chen Shidao has the deepest friendship with Su Shi, but Huang Tingjian is a model of his poetry. Then a school of poetry centered on Huang Tingjian was gradually formed. In Hui Zong, Lu Benzhong wrote the Sect Map of Jiangxi Poetry Society, and respected Huang Tingjian as the ancestor of poetry school. Chen Shidao and other 25 people think that these poets are in the same strain as Huang Tingjian. Lu's paintings have long been lost, and the earliest existing records can be found in the first volume of Hu's "Tiaoxi Fishing Hidden from Conghua" in the Southern Song Dynasty. The 25 people listed in the map of Lu are:, Pan Dalin, Xie Yi,,, Zuke, Xu Fu, Lin Minxiu, Hongyan,
, Li □, Han Ju, Chao Chongzhi, Jiang Duanben, Yang Fu, Xie □, Xia Ni, Lin Mingong, Pan Daguan, He □, Shanquan Monk, Gao He. Later, the list recorded in books such as "Cloud Foot Full Chao" was slightly different from this. These poets are not all from Jiangxi, probably because Huang Tingjian, the father of the poetry school, is from Jiangxi, and there are many poets in this school, so it is named Jiangxi Poetry School. Among these 25 people, only 10 people, including, Xie Yi,,, Hong Yan, Han Ju,, Chao Chongzhi, Xie□, etc. Many works have been circulated. Except Chen Shidao, their grades are not very high. In addition, you, Zeng, Chen and others were classified as Jiangxi Poetry School by later generations. Zeng, Zeng Si, Zhao Fan, Han and others are also among the poets. Most of the members of the poetry school are Du Fu. At the end of the Song Dynasty, Fang Hui, Du Fu, Huang Tingjian, Chen were also called "one ancestor and three schools" of Jiangxi poetry school.
Because Jiangxi Poetry School did not put forward any special ideas on the ideological content of poetry, their works have their own characteristics on the ideological content. The works of Huang Tingjian, Chen Shidao and others mainly describe personal life experiences and express the author's thoughts and feelings, with narrow content. Zeng□, Chen and others who experienced the "Jingkang Revolution" wrote patriotic poems reflecting the national struggle at that time. The main reasons for the formation of Jiangxi poetry school
Because these poets have similar views on the art of poetry, the relationship between the members of the poetry school is mutual teaching and learning.
The most famous ideas in Huang Tingjian's poetics are "taking the fetus as the bone" and "turning iron into gold". That is to say, a method of inheriting predecessors' words or meanings aims at "bringing forth the old and bringing forth the new" in poetry creation. Huang Tingjian used this method effectively in his creative practice and made some achievements. But this method ignores the only source of literary creation, that is, social life, so it also has great disadvantages. Then there was some lack of innovation.
Poets with new spirit take this as a criterion and unilaterally pursue "no words are everywhere", but they can't "seek novelty", so they take people's wisdom, quote allusions and dry images, forming the last stream of Jiangxi poetry school. This is the main reason why Jiangxi Poetry School has been ridiculed for a long time.
However, "replacing bones with fetuses" and "turning iron into gold" are only one aspect of Huang Tingjian's poetry theory, which has not had a great influence on outstanding poets in Jiangxi poetry school. There is another side to Huang Tingjian's poetry theory, that is, the poet is required to strive to be "unique" on the basis of hard work and mastering artistic skills, get rid of the shackles of skills, and reach the highest artistic realm of "no axe and no chisel marks". Several important poets of Jiangxi Poetry School are deeply influenced by this.
Great, Chen Shidao takes "learning to be immortal" as a metaphor, Korean dramas take "meditation" as a metaphor, and Lv Benzhong emphasizes "living method", all of which contain the meanings of "learning and then realizing" and "seeking novelty". Because of this, although the members of Jiangxi Poetry School are closely related, their artistic style is not static. Huang Tingjian's poems are good at novelty, delicacy and hardness, and other poets also have their own characteristics: Chen Shidao's poems are simple, while Lv Benzhong's poems are clear and fluent.
-Poetry tends to be lively, and Chen's poetry tends to be vigorous, without the shortcoming of "a thousand people have one side". Fu, Han Ju and others are relatively thin, but they are quite independent. Therefore, Jiangxi Poetry School is an important link in the development of China classical poetry. His works are an important part of the Song Dynasty, and his artistic style is an important factor in the unique style of the Song Dynasty. His poetic theory also occupies a certain position in the history of China's literary criticism.
In the late Northern Song Dynasty, the influence of Jiangxi Poetry School was very significant. Liu, Wang Zao, Zhang and others were not poets at that time, but they were also deeply influenced by Huang Tingjian. In the Southern Song Dynasty, the influence of Jiangxi Poetry School spread all over the poetry circle, and famous poets such as Yang Wanli, Lu You and Jiang Kui were all influenced by Jiangxi Poetry School in art. The influence of Jiangxi Poetry School was endless after the Song Dynasty, and the rest of the waves continued.
And modern poets with the same light.
Tongcheng school poetry
"It is more important to turn poetry into Tongcheng school than to look like an article." This is Cheng's comment on poetry in Inscriptions and Postscripts of Celebrities in Past Dynasties in China. Tongcheng school literature, which dares to play an important role in the literary world of Qing Dynasty.
It can be seen that the influence of Tongcheng School is enormous, and the position of husband in the history of literature can not be ignored. So what is Tongcheng Poetry School? When discussing this basic issue, scholars often list the famous poets in the history of Tongcheng School from a historical perspective, with time as the longitude and geography as the latitude: from the ignorance of Fa and Qi in the Ming Dynasty to Er Yao in the late Qing Dynasty, "The Tongcheng School is famous all over the world for 500 years." But this is only the history of Tongcheng poetry, not a scholar of Tongcheng poetry school. Tongcheng Poetry History and Tongcheng School are two concepts in the history of literature, which can not be completely overlapped, but also have multiple overlapping relationships. Simply put, Tongcheng Poetry School does not cover the whole history of Tongcheng Poetry, but is an important part of Tongcheng Poetry History. It is a school of poetry formed in a certain historical period by poets with similar poetic opinions and styles through conscious or unconscious combination. Its core figure comes from Tongcheng, so it is given a place name; However, followers fled outside Tongcheng, so it is not completely equivalent to Tongcheng poetry history with strict geographical division. Therefore, the study of Tongcheng poetry school should be based on Tongcheng and look at the whole country from the space; In terms of time, it is necessary to cut off the mass flow and clarify its source during the Qianlong period of Yongzheng in the Qing Dynasty, which dates back to the Ming Dynasty.
Yushan school of poetry
Yushan Poetry School is an important school in the southeast poetry circle named after Yushan in Changshu in the late Ming and early Qing Dynasties. Headed by Qian, including his disciples Feng Shu, Feng Ban and Qu? Grandchildren Qian Zeng, Qian Lucan and Wu Li, etc. Qian (1582 ~ 1664) was promoted as the history of rites in Nanming, and was promoted as a wine festival in the southeast poetry circle. Due to political ups and downs, early poems revealed the thought of worrying about the country and the people, and in later years, many ministers who lost their country missed the voice of the past. Because of its unique genre and rich content, it swept away the blind imitation and vague poetic style in the late Ming Dynasty and created a new situation in the early Qing Dynasty. He is the author of Poems of Past Dynasties, Beginners' Collection and Travel Collection. Feng Ban (1602 ~ 167 1) and his brother Feng Shu are also called "Mr. Er Feng". He has profound skill in textual research on the origin of The Book of Songs, and is a famous poetic critic in the history of China's poetry, and he is the author of Dingyuan Collection. Bend your body? The poem "Qi Hao Yin" is famous in Changhong, which can be compared with Wen Tianxiang's "Song Zhengqi". Qian Ceng (1629 ~ 17 10) wrote Crossing the Lus and Judging Spring. Qian Lucan (16 12 ~ 1698) is the second leader of the Yushan Poetry School after Qian, and he is the author of Poems on Foraging. Wu Li (1632 ~ 17 18) wrote March 8th. The biggest feature of Yushan Poetry School is that it takes the method from the front, not from the back. It actively advocates poetry innovation, can learn from others and form its own style, and has made certain contributions to the prosperity of southeast poetry circles.
Wangmeng landscape poetry school
Landscape pastoral poetry school is one of the two major poetry schools in the prosperous Tang Dynasty. This school of poetry is the successor of Tao Yuanming, Xie Lingyun and Xie Yao. The poets of this school are famous for being good at depicting pastoral scenery, and their artistic styles are close. They reflect their quiet mood or quiet thoughts by depicting quiet scenery, so they are called "pastoral poets". Its main author is Meng.
Meng Haoran's pastoral poems were mostly written in the form of five-character poems, which were very famous at that time. In his poems, there are descriptions of magnificent mountains and rivers, descriptions of secluded mountain forests, descriptions of travel scenes, and reflections on rural farmers' lives, such as
Wang Wei is the most accomplished poet among the pastoral poets in the prosperous Tang Dynasty. His poems are poetic and picturesque. Su Shi, a great writer in the Song Dynasty, once spoke highly of them: "There are paintings in poetry". Since then, "painting in poetry" has become the final evaluation of Wang Wei's poetry.
Wang Wei's pastoral poems vary widely, with different styles and artistic conception. They are sometimes magnificent, sometimes detailed and intriguing, sometimes vivid and vivid, and sometimes subtle and concise. Wang Wei is also good at vividly expressing natural scenery with various colors, such as "the grass in the rain is green and the peach blossoms on the water are red." "Gray rain curtain, green grass and pink peach blossom interweave into a colorful spring dawn picture of mountains and rivers, which is really picturesque in poetry", which is intoxicating.
Gao Cen Frontier Poetry School
Poetic schools in China in Tang Dynasty. It mainly describes the frontier fortress scenery and reflects the life of frontier fortress soldiers. During the Han, Wei and Six Dynasties, some frontier poems appeared, and the number increased continuously in Sui Dynasty. In the early Tang Dynasty, Sijie and Chen Ziang further developed it and reached full maturity in the prosperous Tang Dynasty. Gao Shi, Li Jie and Wang Changling are the most famous poets in this school, while Gao and Cen have the highest achievements. Others such as Wang Zhihuan, William Wang, Cui Hao, Liu Wan and Zhang Wei are also famous. Most of these poets had frontier fortress life experience, and they profoundly expressed frontier fortress life from all aspects, and also made some innovations in art. They not only described the magnificent desolate and colorful frontier fortress scenery, but also expressed their lofty aspirations and thoughts and feelings of inviting people to abandon their wives and children. Attitudes towards war are mixed, with curses and condemnations, and often reach a certain depth in thought. His poems are generous in emotion, rich in atmosphere and rich in artistic conception, and often take the form of seven-character poems and seven-character quatrains. Excellent works such as Ge Yanxing by Gao Shi and The Journey to the West by Cen Can. In addition, Lu Lun and Li Yi in the middle Tang Dynasty also had some desolate frontier quatrains.
Wang Haoran, a representative of the pastoral school in Tang Dynasty.
His representative works include: Wang Shisai, Autumn Night in the Deep Mountains, Wei Shui Peasant House, Mountain Residence in Sacrifice to Shandong Brothers, and Sending Yuan Ershi to Anxi.
Ran's works are included in Meng's "Spring Dawn" and "Crossing the Old Village".
Han Meng School of Poetry —— The representative is Han Yu Meng Jiao.
Representative works: The Original Road, Mourning, Shi Shuo, Answering Li Yishu, Learning Interpretation, Sacrificing Twelve Lang, Collected Works of Mr. Changli.
Meng: Love, wanderer.
Yuan Juyi, a representative figure of poetry school
Representative Works: Poems of Lianchang Palace in Yuan Dynasty
Bai: Charcoal Man, Su Zige Mountain North Village, Pipa Travel, Biegu Grass, Song of Eternal Sorrow.
Jiangxi Poetry School —— Representing Huang Tingjian
Masterpieces: All the seats, Li Bai's moon memories, flowers and spiritual poems.
Four Great Masters in Song Dynasty —— Su Shi Xin Qiji of the Bold School and Liu Yongli Qing Zhao of the Graceful School.
Representative works: Su Nian Nu Wa Nostalgia on Red Cliff, Mink Head, When is the Bright Moon?
New: The Pavilion of Yonghe Lejingkou Nostalgia, Ugly Slave, Nanxiangzi and Jade Case.
Liu: Yulin Order, butterfly lovers and Watching the Sea.
Li: Like a dream, slow voice, little red lips, Wulingchun, drunken flowers, plum cutting, and death.
Public Security Jingling Poetry School —— Representative Zhong Xingtan Yuan Chun
Representative works: Huanhuaxi Ji, Yin Xiuwen Xuan
Tan: Zhong Xing and I chose Poetry Return in Tongli.
The Three Masters of Jiangzuo and the School of Charm —— Taking Wang Shizhen as the Representative
Masterpiece: Autumn Willow Poems
Jian 'an Ye's Subgroup —— On behalf of Cai Yan, the seventh son of San Cao.
Sancao paper
Cao Cao's Autumn Journey, Hao's Li Xing and Short-lived Song Xing.
Ge yanxing of Cao pi
Cao Zhi's Song Yingshi, Poems on Mount Tai and White Horse Sketch
Seven fingers
Wang Shen's Seven Wounded Poems and Ode to the Building
Kong Rong's praise and criticism table, on Xiaozhang Sheng and Tso Gong and his miscellaneous poems.
Chen Lin's Drinking Horses in the Great Wall Cave
Xu Gan's Zhong Lun and Shi Si
Ruan Yu's Out of the North Gate
Angelababy's Poems Serving the Military Commander's Five Senses.
Liu Zhen's My Brother's Gift
Cai Yan's representative works: Poems of Sorrow and Anger, Eighteen Beats of Hu Jia.
Wang Kaiyun: Poetry School in Han, Wei and Six Dynasties
Masterpieces: A Record of Xiang Jun, Diary of Xiangqilou, Experience of Daoxian, Lonely Ballad and Yuanmingyuan Ci.
Wang Changling Gao Zhihuan, a representative of the Frontier Poetry School in Tang Dynasty.
Masterpieces: Wang Changling's Joining the Army, Going to the Frontier, in my heart forever, Parting with Xin Jian at Furong Inn.
"Journey to the Middle of Shu", "Song of Sending General Feng to the Western Expedition" and "Sending a military commander back to Bai Xuege"
Gao Shi's Song of Yan, Five Poems of Ji Men, Frontier fortress, Song of Xia Sai, works by Zhong Zhong and Three Poems of Nine Songs.
Wang Zhihuan's Liangzhou Ci and In the Luting Pavilion
Richie is an ancient war song.