1, one day I will ride the wind and waves, sail straight up and cross the deep sea. It's hard to go.
But since the water is still flowing, although we cut it with a sword, sadness will come back, even though we drown them with wine. Xie Tiao Building in Xuanzhou sends off the school book Shu Yun.
3. Yanshan snowflakes are as big as seats, and pieces of them blow off Xuanyuantai. Popular in the north
Since God has given talents, let them be used! , spin one thousand silver, all back! . Invite for a drink
5. You didn't see how the water of the Yellow River moved out of heaven and into the ocean, never to return; Have you seen the lovely hair in the bright mirror in the high room, although it is still silky black in the morning, it turns into snow at night? Invite for a drink
Oh, let a man with spirit take risks where he wants to go, and never point his golden cup at the moon empty! . Invite for a drink
7. The green hills on both sides of the strait are opposite, and the lonely sails come from the sun. Wangtianmen mountain
8. Sailing alone in the blue sky, only the Yangtze River flows in the sky. Farewell to Meng Haoran on the way to Yangzhou from Yellow Crane Tower.
9, flying three thousands of feet, suspected that the Milky Way fell for nine days. Look at Lushan Waterfall
10, three mountains and a half fall out of the sky, and Bailuzhou is full of water. Climb the Phoenix Terrace in Nanjing.
1 1, laugh and watch the sky go out. I'm from Artemisia. Children in Nanling don't enter Beijing.
The highest cliff is less than a foot from heaven, and the withered pine trees hang low on the cliff surface. The road to Shu, so steep, steeper than Heaven.
13, a cloud rises between the light of heaven and me, hiding his city from my melancholy heart. Climb the Phoenix Terrace in Nanjing.
I will think of you in the clouds, so think of me in the sunset. See a friend off
15, which is the end of the mountain and the beginning of the plain. The river winds through the wilderness. Farewell friends at Jingmen Ferry.
Li Bai's poetic style;
Bold and unrestrained, fresh and elegant, rich in imagination, wonderful in artistic conception, wonderful in language, romantic and clear in artistic conception.
Li Bai lived in the prosperous Tang Dynasty. He has a heroic personality and loves the mountains and rivers of the motherland. He traveled all over the country and wrote many magnificent poems praising famous mountains and rivers. His poems are bold, fresh and elegant, with rich imagination, wonderful artistic conception and light language. People call him "Poet Fairy". Li Bai's poems and songs not only have typical romantic spirit, but also have typical romantic artistic characteristics from the aspects of image shaping, material intake, genre selection and the application of various artistic techniques.
Li Bai successfully shaped himself in his poems, expressed himself strongly, and highlighted the unique personality of the lyric hero, so his poems have distinct romantic characteristics. He likes to express himself in a magnificent image, expressing his feelings in his poems without disguise or restraint. For power, he "holds a chrysanthemum and stirs two thousand stones" (one of the two songs "Send Cui Shiyu after Drunk"); Seeing the hard work of the working people, he was "heartbroken like rain". When the country was destroyed and the people perished, he vowed to cross the river to clear the Central Plains. Draw a sword and hit the front column, and the sad song is hard to recover "("South Ben Shu Huai "), so impassioned; When drinking heartily with friends, "two people fall in love, one cup after another." I'm drunk and want to sleep. The Ming Dynasty intends to hold the piano ("Mountain Lovers"), which is so naive and straightforward. In a word, his poems vividly show his bold character and bold image.
Boldness is the main feature of Li Bai's poems. In addition to the factors of ideological character and talent, the artistic expression and genre structure used in Li Bai's poems are also important reasons for his bold and elegant style. Being good at relying on imagination and being subjective and objective are the important characteristics of romantic artistic techniques in Li Bai's poems. Almost every article has imagination, and some even use a variety of imagination throughout. Realistic things, natural landscapes, myths and legends, historical allusions and dreamland have all become the media of his imagination. With the help of imagination, we often transcend time and space, interweave reality with dreams and fairyland, and interweave nature with human society to reproduce objective reality. The images in his works are not the direct reflection of objective reality, but the externalization of his inner subjective world, which is the truth of art.
One of the artistic techniques of romanticism in Li Bai's poems is to skillfully combine personification with metaphor, empathize with things and compare things with people.
Another romantic artistic technique in Li Bai's poems is to grasp a certain feature of things and boldly imagine and exaggerate on the basis of real life. His exaggeration is not only strange in imagination, but also always combined with concrete things, so natural and unobtrusive; So bold, true and credible, it has played a role in highlighting the image and strengthening feelings. Sometimes he combines bold exaggeration with sharp contrast to enhance the artistic effect by increasing artistic contrast.
Li Bai's best genre is seven-character poems and quatrains. Li Bai's seven-character song also adopts the structure of opening, closing, jumping and swinging. The beginning of a poem is often abrupt, such as a sudden surge, while the middle image of the poem is abrupt, often omitting the transitional care, as if there is no trace to follow, and the end of the poem comes to an abrupt end at the emotional climax.
Li Bai's quatrains of five or seven words can better represent the fresh and lively style of his poems. For example, "Send Baidicheng early" and "Send Meng Haoran early"
reference data
Ancient Poetry Network: so.gushiwen.org