This article also embodies the characteristics of Zhou Zuoren's article. The materials used are generally not poetic, and the taste he can write is extraordinary. The article seems to be written intentionally or unintentionally, seemingly interesting and seemingly meaningless. What it really talks about is "private affairs" and it is meaningless. At the end of the day, these are typical weekly expressions.
Wet is Zhou Zuoren's masterpiece-rain and wind are isomorphic in Zhou Zuoren's prose, forming a "basic (unit) image", so that the title or inscription includes "rainy day book", "rainy mood", "rain", etc., and wet is the first. Zhou Zuoren's own research entitled "Bitter Rain" is regarded as "bitter rain Weng" and "wet", so Zhou Zuoren and his works are naturally mixed and inseparable. It is said that "wet" and "rain" are objective phenomena and "bitterness" is subjective experience. Different combinations of subject and object constitute different articles, and the images produced are therefore: The absurd poem "Lying on the awning boat and listening to the rain" is very dangerous, but it is also very happy. "Arrogant", Hu's "Storm" and "A boat with a leaf" sit on a mule car and get caught in the rain in the desert ... carefree happiness.
These three "images" may be summed up by the word "rain" and used in the work of the paper "Bitter Rain", but at first, the leisurely reader entered the realm of poetry or grandeur, but the author pointed out this sentence: "This is only my fantasy, such as the poet's ideal is unreliable." It turned out to be a romantic utopian imagination (illusion). Or your mule car in the rain is very difficult, and your resentment can be seen in your heart. This is the real reality series "There is fun ahead", "Funny", "Happy", "Intimacy", "Leisure" and "Happy" moments, and then point out "Suffering" first. This naturally translates into "let me feel sad" and "rainy these days" and "bitter", which still means that this real (non-fictional) "rain" really has no romantic poetry, but the disaster it brings at least brings you inconvenience, such as taking the opportunity of "thief" and annoying "south wall rushing down the door of 20 or 30 feet" and continuing to rain monotonously. The author described all this calmly and described a very realistic work for people, but it was also very realistic and unattractive. The writer described all this calmly, describing a very realistic work and life for people, with a slightly humorous style (for example, "a thief will attack the window and go to the overall situation of Chuan Dao" and the "truth" of the canal), but in the predicament of daily life, some people themselves deride it as fatal pain, while "bitterness" and more intensive correct words continue to make writers take warning, but there are two kinds of people. The atmosphere of the article changed from "bitterness" to "joy". "Which two people?" The first is a child, and the second is a toad. This interesting juxtaposition is enough. However, Zhou Zuoren not only has a deep understanding (or enjoyment) of who likes children, but also enjoys the sound of a beautiful frog, and his emotional conjecture that he "really looks like a toad after listening to it for three times", such as reality and truth. People (especially natural people, including children) are the unity of communication and biology, and he is what I pursue seamlessly-in the above words, he is undoubtedly the most ecstatic, that is to say, he put this experience outside it, while Zhou Zuoren himself surpassed this experience with a lofty spirit by examining the reality of human suffering.