Gu cheng's poetic arc. Bubble. Thank you for your appreciation.

The bird in the arc quickly turned to the teenager in the high wind to pick up a penny vine stretched by fantasy. The poets in the back bowed up because of shrinking, and arranged the images of four arcs in parallel, giving people a hint and a rational thinking. The "certainty" of poetry lies in the clarification of "arc" in the title and the superficial meaning of four images: all movements in nature and human society appear in the form of arcs, which are "not only impossible" but also "indomitable", and the "uncertainty" of poetry is hidden in the deep structure constructed by the combination of images. Isn't it beautiful that "birds" turn in the high wind, "vines" grow naturally and "waves" change naturally? But because of "a penny", "teenagers" bend down to "pick it up", but this artificial "arc" can't give people beauty. The obscurity of poetry brings many hints: the devaluation of human value in deformed society, the pollution of innocent hearts by bad social atmosphere, the harmonious contrast between natural arc and artificial arc, the metaphor that society has gone through detours and so on. So readers can have different opinions and don't have to ask for it. This is just a revelation. In China's classical poems, there are some beautiful sentences, such as "the crow in the thatched cottage", "the crow in the old vine" and "a stream of smoke, the wind in the city, Huang Meiyu". In western imagist poetry, there is Pound's famous sentence: "These faces in the crowd are generally ghostly; /Many petals on a wet black branch "(In the subway station). Gu Cheng's poem also omits the connected imagery poem, which is not original, but it was once accused of being "unintelligible" because of the inertia of appreciation habits.