Huayang is like snow, peach blossoms are like rain, and the curtain is high.
The grass marks in Zhoufang area are neat, and they arrived at Gusutai in the early afternoon. ?
Rush back to Du Yu, return to swallow, and make my hometown a mess.
It's only half the sorrow of spring, because it's dry and thick. ?
Open all the curtains indoors and see white poplars (catkins) like snow and bright red peach blossoms like rain, all floating in the air. There is a neat trace on Zhou Fang's grass. It turns out that early spring has reached the edge of Gusutai. The cuckoo's cry seems to urge people to go home, and the swallow came back after leaving for a year, which made him feel confused and miss his hometown. Leaning against the railing, thousands of distant mountains overlap in the sunset, which is particularly dense, but it is only half of my heavy homesickness.
Appreciation of Queqiaoxian's Climbing the Building in Spring
? Que Qiao Xian is a epigraph with 56 words in two tones, with two rhymes before and after, namely "roll", "side", "chaos" and "half", and one rhyme is pressed to the end. The first two sentences before and after demand confrontation. "Huayang" and "Peach Blossom" in Shopping Mall are paired, belonging to nouns, and the word "Ru" is used as a verb to express images. Verb reuse. "Snow" and "rain" are noun pairs. "Du Yu" is a noun pair of "Swallow". "Urging back" is a verb pair of "starting over". ? Climbing stairs in spring is a topic, which shows the specific behavior and season of climbing stairs. Climbing stairs is a way for literati to express their feelings, such as Du Fu's "Climbing stairs" and "Flowers, as high as my window, hurt the hearts of wanderers, because I see that from this height, sadness is everywhere." In the Southern Song Dynasty, Xie Lingyun's poem "Looking at the South Tower for Late Guests" said: "Who wants to go upstairs? Linjiang night. " Ouyang Xiu's "Walking on the sand, waiting for Mei Can" "The height of the building is not close to the dangerous bar. At the end of Pinger, there is Chunshan, and pedestrians are outside Chunshan. " It can be seen that when a poet climbs stairs, he is usually in a different place. When climbing stairs, he will inevitably miss home, family, hometown and friends. Therefore, all the people who went upstairs said that they were equally injured. Shao's "Weak Crown" is named after an ancient sentence in China. After visiting Beijing, I went to imperial academy, went home, and finally made a cloth. It is natural to go upstairs and confess your injuries when traveling in a foreign land. ?
First of all, the author compares Huayang with snow and Peach Blossom with rain. Xie An is reunited with his family again. When explaining the scripture to the younger generation, it snowed heavily in the sky. Gong said cheerfully, "What is the snow like?" Xie Lang, his elder brother, said, "The air is almost equal." . His eldest brother's daughter said, "Catkin can dance with the wind better than the wind." "."The Imperial Guard laughed. Whether it is compared to snow or catkins flying in the air, it is actually a similar association, that is, the form of flying. Salt and snow are similar, both are white, but there is no correlation between them. Compared with snow, Huayang wrote that Huayang is like snowflakes flying in the wind, and has many concerns. And peach blossoms are like rain, and peach blossoms are like rain, falling red all over the ground. Faced with such beautiful scenery, the poet certainly wanted to have a panoramic view, so he rolled up the curtains high and swept away all visual obstacles. Write the poet's subjective desire and behavioral efforts. When the curtain rolled up, the poet's field of vision expanded. At the water's edge where grass grows, the grass is green and neat, and the grass is blue and high, extending to the edge of Gusutai. Gusutai was built by Fu Cha, King of Wu, in a corner of Suzhou today. The word "Gusutai" often appears in later literati's poems describing Jiangnan. For example, Li Bai's poem "When Suzhou was in Wuqi, Beauty Drunken in Wugong" (Wuqi Qu) has gradually become a concrete image related to Jiangnan in poetry. The author's hometown is Changzhou, and Changzhou and Suzhou are not far apart, so writing about Gusutai is actually writing about his hometown in the south of the Yangtze River. Whether the grass in reality extends to Gusutai is unknown. The author used imaginary writing to express his feelings, and it has flown out of sight of Gusutai. This sentence also paved the way for Xia Kun's lyricism. Shang Kun always writes about what he saw when he climbed the building. The main images are Huayang, Peach Blossom, Zhoufang and Grass. Although Huayang Peach Blossom falls, it does not wither. On the contrary, it symbolizes growth and generally depicts a vibrant spring scene in Jiangnan. ? At first, I changed from vision to hearing, writing Du Yu's crying and urging me to go home. Like uptown, the scenery conforms to the distinctive characteristics of spring season. Du Yu, the legendary founding king of the ancient Shu kingdom, retired to the western hills. It is said that he became a cuckoo after his death. Every year in the spring ploughing season, the cuckoo sings, and later generations pass down its call as an onomatopoeic word "It is better to go home". In winter in the north, it is full of frost and cold wind. Its cold makes swallows leave their hometown to spend the winter in the south, and then return to their hometown from the south to have children and live and work in peace and contentment when spring blooms. In "Zaiyan", we can infer that the poet is in the north instead of his hometown in Jiangnan. The author uses scenery to express his feelings. If the grass has extended the poet's thoughts to Gusutai, and his feelings are still hidden, then the use of homesick images such as Du Yu and Yanzi makes the feelings gradually clear, and "causing homesickness" is a straightforward expression, and the confused and vacant sadness has been "vivid". "provoke" seems to mean blame, seemingly unreasonable, but in fact it contains feelings that the poet can't control. The poet leaned against the railing and saw Shan Lan in front of him. Twilight wrote that he stood on the stairs for a long time, so homesick that he forgot the passage of time. "Butterfly" describes the massiness of overlapping mountains, which also prevents the poet's sight from advancing, and implies that his hometown is blocked and he can't go home. "The West Chamber" wrote "The Pavilion Farewell", and Cui Yingying Shili Pavilion sent Zhang Sheng to Beijing to catch the exam. The parting scene said that "the green hills are separated from each other, and the sparse forest is not beautiful, and the light smoke covers him." Song Yan Shu's "Butterfly Lovers, Threshold Chrysanthemum and Tears" wrote, "Last night, the west wind carved green trees. A person in a tall building can see the end of the world. I want to send colored stationery and rulers. The mountains are long and the water is wide. " They all write emotional obstruction with mountain obstruction. The last sentence "exactly half of spring sorrow" is a metaphor for "spring sorrow" with "overlapping mountains". Li Yu once used water as a metaphor for sadness. How much sadness can you have, just like a river flowing eastward. The similarity between the two is that sadness is intangible, and mountains and water are used as metaphors to turn the intangible into a tangible and vivid image. Use water as a metaphor for sorrow, and write endless sorrow. Compare sadness with mountains and write the profundity of sadness. Both are novel metaphors. But in the end, the poet said that such overlapping mountains are only worth half of the deep sorrow, so another layer was opened, which further deepened the sorrow. ? The outstanding feature of this poem lies in the handling of the relationship between scenery and emotion. The normal way of thinking should be to feel happy when you see beautiful scenery, and sad when you see bleak scenery, that is, "to appreciate Syaraku's feelings" and "to write sad feelings with sad scenery". The former, such as "the flower of sunrise is better than fire, and the water in spring is as blue as blue" (Bai Juyi's Memory of Jiangnan), is a memory, but the memory expresses the love for the beautiful scenery of Jiangnan and is a happy memory. The latter, such as "West Wind and Thin Horse Road" (Ma Zhiyuan's "Tianjingsha Qiu Si"), describes a bleak and bleak picture and expresses the sadness that "heartbroken people are at the end of the world", which is a sad emotion. In this poem, I wrote the prosperous scene of everything sprouting in spring, but I expressed my homesickness. That is, "writing sadness with joy", which is the outstanding feature of his technique. This technique is not the first, it has always been written by ancient poets. For example, Du Fu's "Jueju": Jiang Bi bird is too white, blue and white mountain burns. I saw it this spring. When is the year of reunification? The beautiful scenery of mountain flowers gives birth to deep homesickness and sadness. Another example is Cen Can's "Mountain in Spring": crows fly in the Liang Garden at dusk, and there are three or two families in the polar depression. I don't know how many people will go, but old flowers are coming. The first two couplets are about mourning scenes, and the last two couplets are about mourning scenes. Combining two technologies, the technology is better. As Wang Fuzhi said in "Jiang Zhai Shi Hua", "Writing a funeral with music scenes and writing a funeral with Syaraku scenes will double its sadness and joy".
Logically speaking, there is a fourth relationship between scenery and emotion: mourning the scenery and Syaraku's emotion. There are two sentences in Liu Yuxi's "Enjoy Lotte at the First Meeting in Yangzhou": Qian Fan near the sunken ship and Wan Muchun in front of the sick tree. On the side of the sunken ship, Qian Fan is competing; Before a sick tree, everything is spring. But judging from the sunken ship and the diseased tree, it is also a sad scene. However, the author advised Bai Juyi not to grieve for his loneliness and idleness, but to show an open-minded and positive will to the changes of the world and the rise and fall of officials. Not very typical, you can confirm the fourth situational relationship under this logic. Generally speaking, a scene can be judged by its color, such as red, green, clear and bright. On the contrary, dark black is generally a sad scene. There are also pleasing scenes, such as the breeze and bright moon, red flowers and green willows. In terms of seasons, happy scenes are generally written in spring and summer, and sad scenes are generally written in autumn and winter, but not absolutely. In addition, in addition to the characteristics of the scenery, we need to firmly grasp the emotional keywords in the poem to grasp the emotional theme of the poem. Functionally, scenery writing serves and paves the way for lyricism. The front is the front contrast, and the back is the contrast.