Searching for Li Bai is a free poem about the past and history, which is selected from Yu Guangzhong's Guanyin Collection on the other side.
The language in Searching for Li Bai is dense and elastic, and the refined words and expressions have the aesthetic effect of "freshness" and "novelty".
Looking for Li Bai, as a poet's nostalgia for another poet, shows the power that poetry gives people. Looking for Li Bai is not a blind praise and yearning for the poet Li Bai. A large number of tense poems show that this poem discusses the dialectical relationship between Li Bai and the times. Through careful reading of the text, we can find that the process of pursuing Li Bai in poetry is just the distance between his spiritual temperament and his real life as a human being, and this distance is the result of Li Bai's hiding. Escape and search become a pair of interactive forces, which prop up the vast space of the whole poem.
Extended data:
original work
Looking for Li Bai
-drinking crazy songs and living in vain. Who is the hero?
I still have those proud boots.
Gao Lishi raised his hand in shame and indignation, and everyone left.
Place refugees and wounded soldiers everywhere.
Practice the rhythm of Huma and Qiangdi
Leave it to Toure to lament carefully.
Since that year, he has been fascinated by Zhang Zhi.
Recognizing you as a fallen fairy makes you more pretentious.
Put a spell on a small hip flask.
Hide yourself, even your wife can't find you.
Complain that Chang' an is small and the pot is long.
In all the poems, you predicted.
It will suddenly run away, maybe tomorrow.
Only when the ship breaks the waves is the wind.
Now, sure enough, you are gone.
Make enemies like a forest, everyone wants to kill.
How can cirrhosis kill you?
Wine enters the intestines, and seven points enter the moonlight.
The remaining three points into a firm but gentle roar.
Embroidered mouth spit, half a prosperous Tang Dynasty.
From Kaiyuan to Tianbao, from Luoyang to Xianyang
The noise of a car riding a crown running all over the road
Not as good as a song you wrote a thousand years later.
Crystal quatrains tapped me on the forehead.
Echo caused by local bombs
Enough to degrade the world.
It would be embarrassing to let Yelang go again.
So far, your birthplace is still a mystery.
Longxi or Shandong, Qinglian Township or Broken Leaf City?
Why don't you go back to your hometown?
Where are you drunk? You said it was not a foreign country.
Missing is the only fate of genius.
Where will you go after death?
Apes don't cry, but Toure also advises you not to cry.
As soon as I turned around, I was bald under the prison window.
Seven immortals and five friends can't save you.
Kuangshan was locked in the fog and there was no way to get in.
The fire is completely half a grain of cinnabar.
How to chase the rosy clouds in Nie Gehong's sleeve?
The moon in the bottle, maybe that's your hometown.
You've been looking up to it all your life.
Whether you go out and cry east or west.
Chang 'an has fallen.
The 24th trip back to Wan Li.
There is no need to disturb Dapeng or recruit cranes.
Throw the glass into the air.
It spins into a flying saucer
The mysterious gegenschein is getting faster and faster.
Take you back to the legend
works appreciation
The poem "Looking for Li Bai" is selected from Yu Guangzhong's "Guanyin Collection on the other side". In the Postscript of Couplet Poems, he once said: "Remembering the past and cherishing history was originally a major theme of China's classical poems. In this kind of poetry, the memory of the whole nation is tantamount to introspection in the mirror. This sense of history is one of the ways for modern poets to recognize tradition. "
In Search of Li Bai, the external structure is free and rigorous, and the sentences, sections and articles are relatively free to stretch, which is called free poetry. However, the first and third parts are each 14, and the second and fourth parts are each 10. The basic format is like an extended sentence pair in classical poetry, so there is no lack of interest in arranging order in the uneven level of freedom. The poem begins with Li Bai's "disappearance". After describing the poet's crazy singing and bumpy experience, he returns to the last chapter with Li Bai's wind and turns around repeatedly, always focusing on the word "seeking" to avoid linear narration.
I don't know where the opening of Looking for Li Bai came from. The personification of "arrogance" and "shame and indignation" was accidentally added to "boots" and "hands". "It's Left Behind" and "Everyone Left" seem unreal, which not only vividly depicts Li Bai's arrogant and unconventional spirit, but also has a broad artistic time and space for readers to wander and daydream. The second paragraph of the poem describes the touching power of Li Bai and his works, with strange ideas and feelings. After the rendering and ups and downs in the third quarter, "it is your hometown that has become a mystery so far" and "it is better to go back to your hometown".
In the fourth quarter, the poet suddenly had a whim: "The moon shadow in the bottle may be your hometown/you have been looking up at it all your life." The legend of Li Bai catching the moon and dying in the Yangtze River in Historical Records is widely circulated among the people, and Yu Guangzhong's Moonlight Sonata plays a wonderful ending for readers. Li Bai's poems are imaginative and unconstrained, while Yu Guangzhong's poems are rich and creative, and indeed have a "white legacy."
Yu Guangzhong believes: "I dare to assert that the elimination rate of many third-rate essays that claim to be poems today will not be lower than that in the 1960s." The language in Searching for Li Bai is dense and elastic, and the refined words and expressions have the aesthetic effect of "freshness" and "novelty".
For example, the phrase "leaving refugees and wounded soldiers everywhere/Humaqiang practicing rhythm/leaving Toure lamenting and being cautious" is flexible, concise and rich from reality to reality. It not only vividly shows the characteristics of the content and style of Du Fu's poems, but also makes a beautiful comparison with Li Bai's poems and songs. At the same time, it summarizes the Anshi Rebellion and the later Uighur invasion, which is spacious and comprehensive.
Another example is "complaining about Chang' an's smallness but staying in the pot forever". Not only "small" and "long" use the contradictory rhetoric commonly used in western poetry, but also "small in Chang 'an" and "everlasting in the pot" are unreasonable and wonderful reverse deformations. With the addition of "resentment", people feel that the words are condensed inward and the meanings extend outward in many ways, which is chewy.
For example, "When wine enters luxury intestines, seven points are moonlight/the remaining three points are shock waves/when the mouth is embroidered, half of the Tang Dynasty is prosperous", which is the most brilliant pen and ink of the whole poem. Quantifiers such as "seven points", "three points" and "half a word" have their own usages, and the verbs "brew", "whistle" and "spit" can be said to be the best in poetry. Among them, the sentence "Embroidering the mouth and spitting is half prosperous in the Tang Dynasty" is intriguing. A knowledgeable person sees its vulgarity, a dull person regrets reading it, and a wise person may share infinite poetry. Everything is embroidered here, and it is also used here.
The so-called "embroidered mouth" is the origin of good words and auspicious words, praising the great minds think alike, and the adverb conjunctional verb "Jiu" is of great use here, so we should chew it carefully: First, the adverb "Jiu" has ten functions, meaning "exactly so" and "exactly half of the prosperous Tang Dynasty", meaning "half of the prosperous Tang Dynasty", which shows that it is saved. "Jiu" is also a conjunction. Among the 28 meanings listed in the dictionary, the category of "nine" is "embroidery and spitting", and half of the prosperous Tang Dynasty is here (in poetry). Undoubtedly decisive, what a spirit and tension!
"Jiu" is also a verb, and "near" and "near" are the source of its original meaning, while "complete" and "true" are common in all kinds of "cheng" and "just in the semi-prosperous Tang Dynasty" and attack its meaning, saying that Li Bai's achievement is almost in the semi-prosperous Tang Dynasty, which is the pulse of Yue literature and crosses time and space. Therefore, these rhetorical words "thick" have always been appreciated by people because of their magnificent artistic conception, and famous scholars regard them as "a rare swan song in contemporary China poetry".
References:
Baidu Encyclopedia-Looking for Li Bai