Its characteristics are rigorous structure and elegant appearance. The form has certain norms and the phonology has certain rules. If there is any change, you need to follow certain rules. The common forms of China's classical metrical poems are quatrains and metrical poems with five words and seven sentences, which are called modern poems. Words and songs can also be called metrical poems. This ancient and traditional poetic style is rigorous in structure, with words, lines, even tones or soft tones and rhymes.
Metric poetry has certain limitations. It has a certain number of sentences. For example, regular poems generally pay attention to the rhyme of flat and even tones, and the rhyme is antithetical, such as "flat and even tones, flat and even tones." Different countries have different metrical poems. Such as China's modern poems (quatrains and metrical poems), western sonnets, limerick, quatrains, Spanish quatrains, Italian quatrains and Japanese haiku.
From Baidu Encyclopedia.
Question 2: The difference between metrical poems and metrical poems is generally divided into five words and seven words. There are few six-character poems, so they are not listed as the mainstream. Each category is divided into quatrains, metrical poems, poems and other genres. 1, quatrains: quatrains are divided into five-character quatrains and seven-character quatrains, which are referred to as five-character quatrains and seven-character quatrains for short, and six-character quatrains are ignored here (the same below). Five verses are five words and four sentences, and seven verses are seven words and four sentences. Even sentences (second and fourth sentences) should be flat, and the last word of the third sentence should be pronounced. The first sentence may or may not rhyme. At the Heron Hotel? The mountains cover the day, Wang Zhihuan, and the ocean drains the golden river. By going up one flight of stairs, look further. Rhyme: Rhyme can be divided into five-character rhyme and seven-character rhyme, referred to as five laws and seven laws. There are eight sentences in each sentence, even-numbered sentences are flat and even, the last word of odd-numbered sentences is rhymed, the first sentence can be rhymed without rhyme, and the third, fourth, fifth and sixth sentences require antithesis respectively. Example: Ask yourself questions? Drunk and dreaming, green life is chaotic and romantic, clear water and green mountains. A sleeve of agarwood condenses chrysanthemum shadow, and half a piece of ink hangs on the cloud. Bitter meditation, only to find the world of mortals, the road will lead to jade. Ling Tao doesn't know what's going on in the world, and Dongli falls asleep in the Spring and Autumn Period.
Question 3: What do the four homophones in metrical poems mean? The four-tone head is also called the four-tone head, and the flat head originally refers to the melody-that is, the tone of each syllable in the poem is flat, and the words with the same tone at the beginning of the upper and lower sentences are called flat heads-of course, this is a common problem that people made before the appearance of modern poetry, because there was no strict requirement for flat heads at that time, and this problem was overcome after the appearance of modern poetry. As a result, in the Qing Dynasty, someone was reborn and the rhythm was restored.
Question 4: What is a quatrain? A quatrain is a special (four-sentence) metrical poem.
Question 5: In the NBA, what color is the most beautiful jersey for players? Personally, I prefer the retro jerseys of NBA knights, especially the little emperor wearing that dress, which really feels like an imperial robe! Haha ~
Question 6: What is a quatrain? What is metrical poetry? Quatrain
China's poetic style. Also known as broken sentences, broken sentences and broken poems. Each song has four sentences, usually five or seven words. Known as the five wonders, seven wonders, and occasionally six wonders. It originated from the ballads of the Han, Wei, Southern and Northern Dynasties. The name "Jueju" originated in the Southern Dynasties. Liang, generally, uses quatrains to refer to four short poems, and their rhymes are relatively free, or they are ancient quatrains. After the Tang Dynasty, quatrains in the near aspect prevailed, and the meter was the same as the first, last or middle four sentences in eight metrical poems. Therefore, some people in the Tang Dynasty attributed quatrains to metrical poems in their poetry collections. Later, some scholars thought that quatrains were formed by cutting off half of orthographic poems. Quatrains are flexible and light, suitable for expressing fleeting thoughts and feelings, and are widely used by poets, and their creation is more prosperous than other poems. In Song Dynasty, Hong Mai compiled 10,000 quatrains in Tang Dynasty, accounting for 1/5 of the total number of existing Tang poems. Besides Li Bai, Wang Changling, Du Mu and Li Shangyin are good at quatrains, there are many famous works throughout the ages, which are not necessarily written by famous writers. In addition, most quatrains in the Tang Dynasty were sung by music, such as Cheng Wei Qu by Wang Wei, Qing Ping Diao by Li Bai, Zhi Zhu Ci by Liu Yuxi and Bai Juyi, and Yang Liuzhi. Therefore, quatrains are also considered as Yuefu in the Tang Dynasty.
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Rhyme is a kind of modern poetry. The meter is very strict Shen Yue's new style poems, which began in the heyday of Qi Yongming in the Southern Dynasties, paid attention to meter and duality and were shaped in the Tang Dynasty, χ93.
The metrical requirement of metrical poetry is that the number of words in the poem should be uniform first. Each song is divided into five words, six words and seven words. Secondly, there are different restrictions on the number of poems in the team. Usually eight sentences, six of which are called short poems or three-meter poems, and more than ten are called parallel poems or long poems. The third is the specific dual requirements. Usually, a metrical poem consists of eight sentences, and every two sentences form a couplet, which is counted as a quadruple. The upper and lower sentences in the middle two couplets must be dual sentences. The fourth is to strictly demand rhyme and meter. Rhyme requires a rhyme in the whole poem, and the second, fourth, sixth and eighth sentences rhyme. Tones should be flat and relative.
The shaping process in Tang Dynasty is different from the creative practice after shaping. For example, the first half of the Yellow Crane Tower in Cui Hao is antique, while the second half is harmonious. There are also deliberate irregularities that change the rules of leveling, which is called "difficult body" In addition to changing the levels of the second, fourth and sixth words, the third word of five words and the fifth word of seven words are also changed. Du Fu's creative strength is perfect and imitated by later generations.
The ancients wrote rhyming poems in strict accordance with rhymes. There is no need to elaborate on the history of rhyme books here.
Narrator In the Qing Dynasty, the rhyming books such as Integration of Poetry and Rhyme and Combination of Poetry and Rhyme, which were often consulted by ordinary people, could not only
Explain the rhyme of the Qing Dynasty's regular poems, and also explain the rhyme of the Tang and Song Dynasties' regular poems. What most people call "poetic rhyme",
That's what it means. The rhyme * * * has 106 rhyme: 30 rhymes for flat voice, 29 rhymes for rising tone and 30 rhymes for falling tone.
Such as cloud 17 rhyme. Rhyme is generally only flat, here only flat; As for the sound.
Rhyme will be mentioned later when we talk about ancient poetry.
In the rhyme book, the level tone is divided into upper level tone and lower level tone. There are many Pinghua, so it is divided into two volumes, which is equivalent to saying
Roll up in a flat voice, roll down in a flat voice, that's all.
Sheng 15 rhyme:
One east, two winters, three rivers, four branches, five micro, six fish, seven dangers and eight gases.
Nine beauties, ten ashes, eleven truths, twelve articles, thirteen yuan, fourteen cold and fifteen deletions.
Xia Pingsheng 15 rhyme:
One song, two songs, three dishes, four luxuries and five songs, six hemp, seven yang, eight Geng, nine green and ten steamed.
Eleven, you, twelve, invasion, thirteen, fourteen, salt and fifteen.
Question 7: What is metrical poetry? Metric poetry is a kind of ancient Chinese poetry, which refers to the ancient poetry after the Tang Dynasty and is divided into quatrains and metrical poems. According to the number of words in each sentence, it can be divided into five words and seven words. Style and sentence patterns have certain norms, phonology has certain rules, and the changes in use also need to abide by certain rules.
Its characteristics are rigorous structure and elegant appearance. The form has certain norms and the phonology has certain rules. If there is any change, you need to follow certain rules. The common forms of China's classical metrical poems are quatrains and metrical poems with five words and seven sentences, which are called modern poems. Words and songs can also be called metrical poems. This ancient and traditional poetic style is rigorous in structure, with words, lines, even tones or soft tones and rhymes.
Metric poetry has certain limitations. It has a certain number of sentences. For example, regular poems generally pay attention to the rhyme of flat and even tones, and the rhyme is antithetical, such as "flat and even tones, flat and even tones." Different countries have different metrical poems. Such as China's modern poems (quatrains and metrical poems), western sonnets, limerick, quatrains, Spanish quatrains, Italian quatrains and Japanese haiku.
From Baidu Encyclopedia.
Question 8: The difference between metrical poems and metrical poems is generally divided into five words and seven words. There are few six-character poems, so they are not listed as the mainstream. Each category is divided into quatrains, metrical poems, poems and other genres. 1, quatrains: quatrains are divided into five-character quatrains and seven-character quatrains, which are referred to as five-character quatrains and seven-character quatrains for short, and six-character quatrains are ignored here (the same below). Five verses are five words and four sentences, and seven verses are seven words and four sentences. Even sentences (second and fourth sentences) should be flat, and the last word of the third sentence should be pronounced. The first sentence may or may not rhyme. At the Heron Hotel? The mountains cover the day, Wang Zhihuan, and the ocean drains the golden river. By going up one flight of stairs, look further. Rhyme: Rhyme can be divided into five-character rhyme and seven-character rhyme, referred to as five laws and seven laws. There are eight sentences in each sentence, even-numbered sentences are flat and even, the last word of odd-numbered sentences is rhymed, the first sentence can be rhymed without rhyme, and the third, fourth, fifth and sixth sentences require antithesis respectively. Example: Ask yourself questions? Drunk and dreaming, green life is chaotic and romantic, clear water and green mountains. A sleeve of agarwood condenses chrysanthemum shadow, and half a piece of ink hangs on the cloud. Bitter meditation, only to find the world of mortals, the road will lead to jade. Ling Tao doesn't know what's going on in the world, and Dongli falls asleep in the Spring and Autumn Period.
Question 9: What do the four homophones in metrical poems mean? The four-tone head is also called the four-tone head, and the flat head originally refers to the melody-that is, the tone of each syllable in the poem is flat, and the words with the same tone at the beginning of the upper and lower sentences are called flat heads-of course, this is a common problem that people made before the appearance of modern poetry, because there was no strict requirement for flat heads at that time, and this problem was overcome after the appearance of modern poetry. As a result, in the Qing Dynasty, someone was reborn and the rhythm was restored.
Question 10: What are the basic requirements for writing metrical poems? The metrical requirements of poetry mainly include seven aspects (namely, seven elements): temperament, antithesis, rhyme, definite sentence, definite sentence, rhythm and composition.
First, temperament: refers to the emphasis on training. (here only refers to the narrow sense of melody, and the broad sense of melody also includes the norms and requirements of rhyme and other poems in tone. )
1. The sentence is even;
2. The sentences in couplets are flat and level;
3. Adjacent sentences are flat and sticky;
4. clean feet.
2. antithesis: the general requirement is that apart from the fact that the first and second couplets can be right or wrong, how many couplets in the middle must be antithetical and should be antithetical. (A work pair refers to a strict and neat pair, while a wide pair is the opposite. )
3. Rhyme: except for the first sentence, it can be put and closed, and every other sentence rhymes, that is, at the end of even sentences. Requirements mainly include:
1. position is at the end of even sentences;
2. The first sentence may or may not rhyme, which is generally related to antithesis. If there is no opposition, you can enter the rhyme as usual or not; It is common for antithesis not to rhyme, and some of them do. The first sentence does not rhyme, with more than five words and less than seven words;
3. Pingping rhyme;
In the end, it used to be like this. But in theory, metrical poems should be able to change rhyme;
5. Clear feet;
6. Don't rhyme with the same word repeatedly;
7. Don't use a lot of homophones in rhyme;
8. Do not rhyme;
9. Try to avoid squeezing rhyme (using words that are the same as vowels in rhymes in inappropriate places in poetry, regardless of the height, interferes with the effect of rhyme beauty, which is called "squeezing rhyme". )
10. Try to be as demanding as possible: go upstairs with rhyme.
Fourth, the sentence: each poem has a certain number of sentences.
Verb (abbreviation of verb) definite sentence: it means that each sentence has a certain number of words and the sentences are equal.
6. Rhythm: Metric poetry has certain requirements for rhythm structure. The meaning structure of poetry must be consistent with the rhythm structure of poetry.
Seven, composition: that is, the composition of metrical poems. The main contents are: the whole sentence is connected in pairs, connected in pairs, transferred between pairs, connected in the first pair and connected in the last pair.