1. Selected Ancient Poems of Simple Kindergarten
Two poems by Min Nong, the first part.
Li Shen [Tang Dynasty]
In spring, as long as you sow a seed, you can harvest a lot of food in autumn.
There is no waste of heaven and earth, and the toiling peasants are still starving to death.
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This poem vividly depicts the fruitful scenes everywhere, highlighting the realistic problem that farmers have worked hard to get a bumper harvest but starved to death with empty hands.
At the beginning of this poem, the harvest is vividly described by turning "one millet" into "ten thousand seeds", and the farmers' labor is praised by "sowing" and "harvesting". The third sentence, by extension, shows that within the four seas, wasteland becomes fertile land, which, combined with the first two sentences, constitutes a vivid scene of fruitful and "gold" everywhere. "Enlightening men" is for stronger "hair". These three poems show the great contribution and infinite creativity of the working people with progressive brushwork, making the following knot more dignified and more painful.
"Farmers still starve to death" not only makes the content coherent, but also highlights the problem. Hard-working farmers got a bumper harvest with their hands, but they were still empty-handed and starved to death. Poetry forces people to think "who created this human tragedy" with a heavy heart. The poet puts all this behind the scenes for readers to discover and think. Combining these two aspects, as Marx said: "Labor has produced amazing works (miracles) for the rich, but labor has produced extreme poverty for the workers. Labor built palaces, but caves for laborers. Labor produces beauty, but it produces deformities for workers. "
"Planting a millet in spring and harvesting 10,000 seeds in autumn" is probably familiar to everyone. But it is often difficult for poets to get in touch with society and class and think about some problems. The poet thought of it. However, he saw the cruel reality that "farmers are still starving to death" from the harvest scene of Tianxia. This dial is surprisingly eye-catching and naturally left a deep impression on people.
Secondly, when the poet expounds the above contents, he does not use vague abstractions, but uses vivid images and profound contrasts to expose problems and explain the reasons, so that people can easily accept and understand them. Like the first three sentences of this poem, on the whole, they all use vivid images to summarize the hard work of farmers in the vast fields, such as spring planting and autumn harvest. These sufferings have brought a lot of food, so we can live, but the last sentence has become "farmers are still starving." In this way, the situation before and after is in sharp contrast, which causes readers to think about problems and draw conclusions from the comparison, which is much more profound and powerful than the author telling readers his own views directly.
2. Simple kindergarten poetry selection
Two Poems of Min Nong (Part Two)
Li Shen [Tang Dynasty]
At noon in summer, the sun is very hot, farmers are still working, and beads are dripping into the soil.
Who would have thought that our bowl of rice and grain are full of the blood and sweat of farmers?
translate
At noon in midsummer, when the sun was shining, farmers were still working and sweat dripped into the soil.
Who would have thought that every grain of rice in our bowl was bought by farmers' hard work?
To annotate ...
Grass: a general term for cereal plants.
Rice: a "rice". A generic term for cooked food.
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The first poem describes the scene of working in farmers' fields at noon in the scorching sun, which generally shows the hard work life of farmers all year round. Finally, with the motto "Who knows that every meal is hard", the poet expressed his sincere sympathy for the farmers.
From the beginning, it depicts that farmers are still working in the fields under the scorching sun at noon, and sweat is dripping on the scorching land. This makes up for the change from "a millet" to "ten thousand kinds" and then to "the four seas have no idle fields", which was watered by thousands of farmers in Qian Qian, Qian Qian with blood and sweat; This also captures the most typical image of the following "every grain is hard", which can be described as one tenth. Generally, it shows the hard life of farmers who don't avoid cold, summer, rain, snow, wind and frost all year round.
"Who knows that every grain of Chinese food is hard" is not an empty sermon, nor is it a moaning without illness; It is similar to a profound motto, but it not only wins by its persuasiveness, but also reflects the poet's infinite resentment and sincere sympathy in this deep sigh.
When the poet expounds the above contents, he is not vague and abstract, but exposes the problems and explains the reasons with vivid images and profound contrast, which makes people easy to accept and understand.
In the first two sentences, the author didn't say how hard it is for farmers to farm and how hard it is for crops to grow. He just made a vivid rendering of the plot of farmers sweating in the hot sun, which made people make this hard and hard taste more concrete, profound and real. Therefore, the poet finally said in a rhetorical tone that "everyone knows that every meal is hard" is very convincing. In particular, comparing the grain to a drop of sweat is really subtle and vivid.
3. Simple Kindergarten Ancient Poetry Selection
Summer quatrains
Li Qingzhao [Song]
Live and be a man among men; Die and become the soul in the soul.
Today, people still miss Xiang Yu because he refused to live and returned to the East.
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This is an ancient poem that satirizes the present and expresses grief and indignation. The first two sentences of the poem are surprising and straightforward, suggesting that people "live as outstanding people", make contributions to the country and serve the court; "Death" should also be a "ghost hero" to be a hero with indomitable spirit. Deep patriotism gushed out and shocked people. In the last two sentences, the poet satirizes the shameless behavior of those in power in the Southern Song Dynasty by praising Xiang Yu's tragic behavior.
Life is an outstanding person, and death is a ghost. "This is not a subtle combination of words, nor is it a clever touch-up of a few words; It is the essence of conciseness, the boldness of spirit and the fearless attitude towards life. That awe-inspiring character and awe-inspiring righteousness fill the space between heaven and earth, making ghosts and gods change color in vain. The place of "as" is "as", woman! Thin boneless hands, delicate body, soft interpretation, wrapped around fingers and heart, sad and touching, delicate and touching beyond measure. Because of her consistent writing style, she is known as an "elegant school" in the literary world. When the power of the pen tip is prominent, the power of the pen tip appears. How many people in the world can match this power and momentum?
"I still miss Xiang Yu and refuse to cross Jiangdong." The poetess remembered that the fierce overlord of Chu was named Xiang Yu, followed the spirit and integrity of Xiang Yu, and hated the powerful people of the current dynasty for stealing the peaceful political affairs of the Song Dynasty. They all say take a step back and broaden the horizon. A river is the dividing line between life and death, but there is only one thought, which is the difference between life and death. In order to live up to the hero's honor, Xiang Yu innocently became a seven-foot man, innocently entrusted by his elders in Jiangdong, and paid the price for his own death. "no"! Not "can't", not "don't want to", not "don't want to", not "don't go". The charm of a pen with the word "nothing" is better than uncanny workmanship and higher than heaven and earth. A heroic spirit of "killing without humiliation" and "dying without fear without humiliation" permeates the page and permeates the back of the page, which is self-evident!
This poem clearly puts forward the value orientation of life: people should be heroes in life and contribute to the country; Even if you die, you have to die for your country and become a hero in ghosts. Patriotic passion, beyond words, was really inspiring. The rulers of the southern song dynasty ignored the lives of the people and only cared about their own escape; Abandon the rivers and mountains of the Central Plains and drag out an ignoble existence. Then, the poet remembered Xiang Yu. Xiang Yu broke through to Wujiang, and the director of Wujiang Pavilion advised him to cross the river quickly and return to Jiangdong for assembly. Xiang Yu felt ashamed to see his elders in Jiangdong, so he turned around and killed hundreds of enemy troops, and then committed suicide. The poet lashed out at the shameless behavior of the rulers in the Southern Song Dynasty, and used the ancient times to satirize the present, which was awe-inspiring. There are only twenty words in the whole poem, and three allusions are used in succession, but it's no harm to pile them up, because they are all the poet's voices. The poems that hit the floor are so generous and vigorous, all written by women, which really makes people overwhelmed.
4. Selection of simple kindergarten ancient poems
Chinese plum
Wang Anshi [Song Dynasty]
There are some plums in the corner, and cold ling opens them alone.
I knew from a distance that it wasn't snow, because there was a smell coming.
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The first two sentences of this poem are written that plum blossoms in the corner are not afraid of the cold and are proudly independent; The last two sentences describe the delicate fragrance of plum blossom, personifying it, and making Ling Cold blossom alone. Metaphor is noble and fragrant, symbolizing its brilliance. It is also a metaphor for those who, like poets, can still uphold integrity and advocate justice with the strength and noble character of plum blossoms in a difficult environment. The language of the whole poem is simple, but it is plain and restrained, but it is also profound and intriguing.
"A few plums in a corner, cold ling alone." In the corner, plum blossoms are not afraid of the cold, but proudly independent. "There are a few plums in the corner" and "corner" are inconspicuous, not easy to be known and not appreciated, but they don't care. The "corner" environment highlights the humble and lonely forms of several plums. It embodies the poet's attitude of sticking to his own opinions despite the harsh environment. "Cold ling spends alone", here the plum blossom is written without her gesture, only her "opening alone", highlighting that plum blossom is not afraid of cold and does not follow the crowd. Although it is in a lonely place, it still blooms in the cold, writing about the quality of plum blossoms and writing about personality. "Loneliness" has a strong meaning, is not afraid of others' eyes, and remains firm in harsh environment. Reflect the poet's belief in self-persistence.
"Far knowledge is not snow", and "far knowledge" refers to the fragrance floating from a distance, which is faint and not obvious. The poet has a keen sense of smell, unique vision and is good at discovering. "Not snow", not plum blossoms, but the whiteness of plum blossoms. It means it looks pure and white from a distance, but I know it's not snow, it's plum blossoms. Poetic twists and turns are implicit and intriguing. A faint fragrance, a delicate fragrance. "Because there is a faint scent", "faint scent" refers to the scent of plum blossoms, which personifies people, and cold ling is alone and noble in character; The faint fragrance is inspiring and symbolizes its brilliance.
Standing in a secluded or even barren corner, breaking through the cold and quietly opening up, sending rich fragrance to the world from a distance, this is a peerless plum and a peerless person.
5. Selection of simple kindergarten ancient poems
Overnight temple
Li Bai [Tang Dynasty]
The tall buildings of the temple on the mountain are really high, like a hundred feet. People upstairs are like a hand that can pick off the stars in the sky.
Standing here, I dare not speak loudly for fear of disturbing the gods in the sky.
translate
The temple on the mountain seems to be a hundred feet high. Standing on it seems to be able to pick off the stars.
Dare not speak loudly, for fear of disturbing the gods in the sky.
To annotate ...
Stay overnight.
Dangerous building: a tall building, referring to the temple at the top of the mountain. Danger: high. 100 feet: Fictional, not real. The buildings here are very high.
Stars: Stars in the sky.
Language: speak.
Fear: fear, fear. Surprise: Call the police.
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This is a short poem about travel and scenery. The content of the poem records Li Bai's interesting experience of visiting the temple at night. There is not a rare word in the whole poem. From beginning to end, it vividly describes the extraordinary height of the mountain temple and the wonder of the starry night with the technique of "exaggeration".
"Dangerous buildings are hundreds of feet high, and you can pick stars with your hands." These two sentences are about the height of a mountain temple. The first sentence depicts a steep, straight and towering temple building. The word "danger" is eye-catching and eye-catching. The ingenious combination with the word "high" in the same sentence accurately, vividly and vividly depicts the extraordinary momentum of the mountain temple standing on the top of the mountain and dominating the world. The second sentence uses extremely exaggerated techniques to set off towering peaks and temples. Every word leads the reader's aesthetic sight to the splendid night sky of Xinghan. Instead of feeling "too cold at the top", it gives people a broad feeling. The beauty of starry night arouses people's yearning for towering "dangerous buildings".
"I dare not speak loudly, for fear of scaring people." "Dare" describes the author's psychological state when he is in a dangerous building at night in two sentences. From the poet's psychology of "dare" and "fear", readers can completely imagine the distance between "Mountain Temple" and "Heaven and Man", so the height of Mountain Temple is self-evident.
Poets use exaggerated artistic techniques to describe towering mountain temples, giving people rich associations. The buildings on the mountain seem to be 100 feet high, and the poet can pick up the stars in the sky with his hands when standing on the roof. I dare not speak loudly here, for fear of disturbing the gods in the sky.
The language of this poem is natural and simple, but the image is realistic. There are no uncommon words in the whole poem, but the words are amazing, which can be called a peerless masterpiece. With the help of bold imagination, the poet exaggerates the extraordinary height of the mountain temple and vividly describes the towering mountain temple and the fear at night, thus presenting readers with an almost unimaginable magnificent building and giving people an immersive feeling. Picking stars and shocking the world, these seemingly naive ideas are used by poets and used in poetry, which makes people feel interesting and return to nature.
Li Bai's poetic style is bold and vigorous, his imagination is extremely rich, his language is naturally euphemistic, his temperament is changeable and harmonious, and he is full of romanticism. With only a few strokes, this poem vividly shows people's joy, boldness, loveliness and frankness at heights.