They are all regarded as the source of the development of China's poetry. It had a profound influence on later China literature. Descendants are generally used to refer to literature. Being a leader in the literary world or leading in some way is called leading the way.
Lisao is a poem written by Qu Yuan, a poet in China during the Warring States Period, and it is also the longest lyric poem in ancient China.
Guo Feng is a Zhou Dynasty folk song included in The Book of Songs, the first poetry collection in the history of China literature. Including the folk songs of about fifteen vassal States from the early Western Zhou Dynasty to the mid-Spring and Autumn Period.
Extended information 1, the poem Li Sao is centered on the poet's life experience, experience and mental journey. The first half repeatedly devoted the poet's concern for the fate of Chu and people's life, expressing his desire to reform politics and his will to stick to his ideals and never compromise with evil forces even in times of disaster.
The second half reflects the poet's thoughts and feelings of patriotism and love for the people after wandering in heaven, pursuing the realization of ideals and dying after failure. The whole poem uses the metaphor of beauty and vanilla, a lot of myths and legends and rich imagination.
It formed a magnificent literary talent and magnificent structure, showed a positive romantic spirit, and created a poetic form of "Sao Style" in the history of China literature, which had a far-reaching impact on later generations. Its main annotations are Wang Yi's Chapters and Sentences of Chu Ci in the Eastern Han Dynasty, Zhu's Notes on Chu Ci in the Southern Song Dynasty and Dai Zhen's Notes on Qu Yuan in the Qing Dynasty.
The influence of Li Sao on later generations is mainly manifested in the attitude of no regrets, the spirit of seeking up and down, the metaphor of vanilla beauty and the tradition of autumn mourning. The persistence and tenacity of being martyred and regretless in poetry inspired later poets to pursue ideal politics and society, ideal personality and love in their poems with this tenacious attitude.
Later poets also inherited the spirit of pursuing good things, good feelings and good ideals from Li Sao, and also inherited and developed the unique method of using vanilla beauty to compare good quality in Li Sao. Also, from Lisao, China's poems have formed the theme of "Sad Autumn".
2. The folk songs of Zhou Dynasty with "national style" reflect the real life of working people with colorful pictures, and express their unfair treatment in the situation of exploitation and oppression and their belief in striving for a better life, which is the source of China's realistic poems.
"National Style" describes things with simple language and reflects social reality with simple life paintings, which has been well reflected in "National Style" and has become its remarkable artistic feature.
There are also many ballads satirizing and lashing the ruling class in National Wind, such as Xintai, Nanshan and Zhu Lin.
In terms of image-building, Guofeng also has realistic artistic characteristics. The author can express his emotions and describe the protagonist's actions and personality characteristics through his inner feelings. The "national style" is mostly four words and one sentence in form, which rhymes with other sentences, but it is not the same.
It often breaks through the four-character grid and uses two-character, three-character, five-character, seven-character or eight-character sentences. For example, Vatan is a poem with miscellaneous words.
These poems, which are full of changes with the fluctuation of emotions, have clear rhythm and a sense of music. The language of "national wind" is accurate, beautiful and vivid. Accurate and proper use of disyllables, rhymes and words adds artistic charm. The artistic techniques of fu, bi and xing greatly enhance the expressive force of "national style"
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