Tang hanyu
There is a lot of silk in the sky above the avenue, which is as delicate and moist as butter. The grass is vaguely connected in the distance, but it looks sparse in the near future.
This is the most beautiful season of the year, far better than the late spring of the green willow.
Tianjie-the street of Beijing (Chang 'an).
3 ghee is made of milk and goat milk.
(4) the most is-exactly.
⑤ Chu-sometimes, it is only used for poetry.
(5) absolute victory-far beyond.
This poem praises the early spring scenery of the capital Chang 'an.
There is drizzle on Chang 'an Avenue. This light rain, soft and delicate, like cream, quietly reminds people that spring is coming. When you look out to the suburbs, there are patches of new green everywhere between the hillside and Yuan Ye. (1) You rushed into the crowd to have a good look, but the green has disappeared-although the grass has begun to turn green, it is still too small and tender. The first two sentences of this poem were written in light rain, which is smooth as crisp, and the grass color is a unique scenery in early spring, reflecting the poet's typical observation.
In the last two sentences, the poet praised with passion: this is the best season of spring in a year, far better than the late spring in the city! Yes, early spring, this is the beginning of spring, from yellow to green, full of vitality. When can energy conservation arouse such great hope in people's hearts? Therefore, early spring is the best time of the year, just as early morning is the best time of the day, and childhood is the best time of my life.
When I realized this, I wrote down the different scenes of early spring and prosperous spring. More importantly, to experience and understand spring, you don't have to wait until "the misty willows are full of imperial city", but you should be good at feeling it, understanding it and grasping it when "the grass color is far away but there is nothing". It is said that the "grass color" in early spring is difficult to be nearsighted from a distance, which contains the universal laws of many things in the world. Some things seem to exist vaguely, but once they are called to see the details, they are not clear. Yes or no? Everything is in the eyes and knowledge of the viewer. Look at the social situation, it's not like this.
Xijiang moonwalks in Huangsha Road (1)
Xin Qiji
The bright moon surprises magpies, and the breeze cries at midnight. The cool evening breeze seems to have spread to cicadas in the distance.
In the fragrance of rice and flowers, people talk about the harvest of a year, and frogs croak in their ears, as if in a bumper harvest year. In the old days, Maodian Society (3) was near the forest, and the road turned to Xiqiao.
To annotate ...
①: Huangsha: Huangshaling, in the west of Shangrao, Jiangxi.
②: "Bright Moon" sentence: Su Shi's poem "Er Yun Jiang Ying Shu" says: "Bright Moon Surprises Magpie." Other branches: oblique branches.
③: Society: Land Temple. In ancient times, there were community trees in the village, which were sacred places, so they were called community forests.
translate
The bright moonlight woke up the magpies in the branches, and the refreshing night wind blew the cicadas' chirping.
Rice flowers are talking about the harvest year, and you can hear frogs in your ears.
Sparse stars just hung far away from the horizon, and in a blink of an eye, it began to rain in Mao Mao in front of the mountain, and it was going to rain heavily.
In the past, the thatched cottage was still beside the Woods of the earth temple. When the road turns the source of the stream, it suddenly appears in front of you.
Make an appreciative comment
This word was written by Xin Qiji when he was demoted to official residence in Jiangxi. Deliberately describe the night scene of Huangshaling. The moon is bright and the wind is cool, the stars are sparse and the rain is sparse, the magpies are startled and cicadas are chirping, the rice flowers are fragrant and the frogs are chirping. Ci describes the mountain village scenery in summer night from three aspects: vision, hearing and smell. Scenes blend, picturesque. Quiet and natural, vivid and realistic. It is a masterpiece of rural life in Song Ci.
Appreciation of The Distant Altair
Distant Altair, Jiao Jiao Hehan girl.
Skillful hands, make a loom.
There is no chapter all day, and tears are pouring down.
What's the difference between a clear river and a shallow one?
Between water and water, there are no words.
The main idea of this poem is:
The poet looked at the night sky. Seeing the bright Altair and Vega in the distance, he gradually fell into endless reverie: he seemed to see Vega sitting by the loom, holding out her hand and fondling the loom bored, and couldn't knit a piece of cloth all day. The invasion of missing always makes her cry like rain. The poet thought of this place ecstatically, and he couldn't help sighing: The Milky Way is so shallow and so close. However, the weaver girl can only reflect her lonely and graceful posture to the water alone, and can't pour out her heart to her beloved!
A brief analysis of poetry;
The first two sentences of this poem are observed with the eyes of a third party. The word "Jiao Jiao" refers to the brightness of Petunia and Vega, because the brightness attracts the poet's attention most, causing the poet's reverie and lament. This word implies the origin of the poet's writing. "Far" means far away, because the distance is far away, which will bring infinite sadness and resentment to the Weaver Girl because of missing, paving the way for the following and setting the emotional tone for the full text. In addition, the first sentence "Petunia" is followed by "Star", and the last sentence "Hehan" is followed by "Female". In addition to avoiding literal repetition and making it rhyme, the poet should also have another intention, that is, starting from stars and characters, guiding readers to naturally associate with a real woman and do copywriting for the following. The arrangement of the ten words "Altair All the Way, China Girl of Jiao Jiao River" can be said to be the most ingenious arrangement and the most muddy effect.
The following four sentences are about the Weaver Girl. The poet did not give a comprehensive and overall description of the appearance of the Weaver Girl, but used the words "slim", "slim" and "plain hand" to highlight the beauty of the Weaver Girl. From a pair of small, soft, white hands, people have endless imagination: both hands are so beautiful, coupled with the light and graceful movements when waving hands, the beauty of a woman with these hands is absolutely more shocking. This close-up technique has brought endless reverie and deep impression to readers. The word "get" in the last sentence is very expressive, meaning "fiddling" and "playing", which is obviously a boring and unintentional move. Why does an industrious weaver have no intention of touching the loom? It is not difficult for people to realize that she is immersed in deep thoughts and cannot extricate herself. The word "Zaza" is an onomatopoeic word, which means the sound made by the loom when it works. The use of rhyme makes this sound monotonous, and the poet uses the methods of dynamic contrast and sound contrast to further render the deep yearning of the Weaver Girl. The last two sentences, the poet's direct imagination, make the verse from implicit to direct, deepen and highlight the emotion, and directly describe it from the front: The Weaver Girl can't weave a piece of cloth all day, but she always tears like rain, Lacrimosa! It makes readers seem to see the Weaver Girl who is thin because of missing, who has no intention to weave all day and always falls into memories of the past. When she is emotional, she will shed tears unconsciously. Full of bitterness, longing and despair.
The last four sentences are the poet's lament. The first two sentences are the poet's helpless lament. The more you write about the clarity and simplicity of the Milky Way, but you can't cross it, the more you can reflect the sadness and helplessness of missing! Contrast method at this time. "Fu" means "you have" and it means complaining. Adding a rhetorical question more effectively highlights the sad mood of the Weaver Girl, that is, it is beyond my power, and it is better than the end of the world. Notes of six ministers in Yingying and Selected Works: "Yingying is beautiful." So "Ying Ying" and the "pulse" in the next sentence are all about the Weaver Girl. It is written that the weaver girl can't set foot in the face of the milky way, but can only stand on the shore and look out. My beautiful figure is reflected in the water alone, staring at the cowherd affectionately, speechless. This is really "silence is better than sound". "Elephants are invisible and their words are silent." The pain of missing in their hearts is all in the words.
This poem sets the scene at the beginning after separation, expressing the heroine's long and helpless yearning in endless waiting. There is not a word in the poem about how the Weaver Girl misses the Cowherd, but she has seen her feelings of missing herself. The sound of the chirping loom echoes in the beloved's mind over and over again; The clear water of the Milky Way not only did not dilute the deep-rooted acacia, but doubled the feelings and superimposed the worries. Separated by water, looking at each other without saying a word, isn't this unreachable worse than not seeing it from a distance? The more we emphasize closeness, the more we can see the depth of Vega's sadness.
In fact, this poem is a metaphor for the thinking of a woman and a wanderer. It expresses the sense of separation between the world by writing the sad mood of the Weaver Girl looking at the morning glory across the Milky Way. At the same time, what is deeply revealed is the yearning for a better life and ideal, the sigh that this life and ideal cannot be realized, and an unattainable sadness.
"I heard that Wang Changling moved to the left and the Dragon Label was sent here"-Li Bai
[Original]
After the easy autumn, cuckoo clock, I heard you pass five streams.
My heart is full of sorrow, and the moon is full of sorrow. I will always follow you until Yelangxi.
[Notes]
1, Wang Changling: a poet in the Tang Dynasty, who was demoted to Longbiao County Order during Tianbao period. Move left: downgrade. Longbiao: The name of the county in the Tang Dynasty is still a very remote place in Qianyang County, Hunan Province today.
2. Move to the left: The ancients respected the right and humbled the left, and moved to the left to be an official.
3. Huayang: Catkin. Rules: cuckoo, piercing cry.
4, sub-rules: that is, cuckoo.
5. Dragon Label: Xiangyang, Hunan Province, was very secluded in the Tang Dynasty. This poem refers to Wang Changling. The ancients used to call a person by the name of the state or county where he was an official.
6. Wuxi: It refers to five streams: Yuanxi, Wuxi, Xixi, Wuxi and Chenxi, which are located in western Hunan and eastern Guizhou.
7, follow the trend: one is "follow the wind king."
8. Yelang: In the Han Dynasty, southwest ethnic minorities established political power in parts of western and northern Guizhou, northeastern Yunnan and southern Sichuan, which was called Yelang. Yelang County was established in Tongzi, Guizhou and Yuanling, Hunan in the Tang Dynasty. This refers to Yelang in Hunan (in today's xinhuang dong autonomous county, adjacent to Qianyang). Li Bai was in the southeast at that time, so he said, "Go with the wind until Yelangxi".
[Appreciation]
Wang Changling moved the dragon to the left and made no mistake, so he showed innocence in the poem "Parting with Xin Qiji at Furong Inn": "Luoyang relatives and friends are like asking each other, and there is a piece of ice in the jade pot". After learning of his unfortunate experience, Li Bai sent this poem from afar to express his deep sympathy and comfort.
[background]
"I heard that Wang Changling moved to Longbiao kiln to the left and sent this short message" is a good poem to express his anger and comfort at his friend Wang Changling's demotion. Wang Changling is also a bright star in the poetry circle in the prosperous Tang Dynasty, and he is famous for writing frontier fortress themes, especially for his seven wonders. In the early days of Tianbao, Li Bai had close contact with Hanlin when he offered sacrifices to him in Chang 'an. Wang Changling had a rough life and his personality was similar to that of Li Bai. The time when Wang Changling was reduced to the Dragon Mark is uncertain. Some people speculate that it was1Tianbao period in 978. Li Bai left Beijing for three years from Tianbao, and now he is in Yangzhou. Hearing the sad news, he wrote a poem to express his feelings and sent it to friends far away.
[translation]
Poplar flowers are falling, cuckoo is crying,
I heard that you were demoted to fifth rate.
Entrust my sadness to the bright moon,
Go to Yelangxi with you!
[structure]
The first sentence describes the scenery and points out the seasons. Taking the wandering flowers alone in the landscape is called "it is better to go home", which contains the feeling of wandering and the hatred of parting, which conforms to the situation at that time and is also integrated into the scene.
Because the first sentence has been seen at the scene, the second sentence is directly spoken. "Smelling the Tao" means surprise and regret. "Crossing the Five Rivers" shows that the migration road is long and the road is difficult. There are no sad words, only sad meanings.
The last two sentences are very lyrical. People are separated by two places, and it is difficult to follow each other, but the bright moon shines in the sky, and it can be * * * thousands of miles away. You should send your heart to the bright moon and wave with the wind. The meaning expressed in these two poems has three meanings. One is that I am full of worries, have nothing to say, and no one understands. Only this kind of worry is entrusted to the bright moon; Second, only the bright moon shines in two places, and my friends and I can see her; The third is that, therefore, only by relying on her can we get rid of our worries, and there is no other way.
[Function]
Poet Li Bai expressed like-minded friendship with the way of love between men and women through rich imagination, and endowed the abstract "sad heart" with material attributes. It went to Yelang Creek month by month with the wind. Giving objective things their own feelings and making them have feelings, that is, personalization, is a major feature and advantage of image thinking.
Amazing imagination, detached spirit and clever brushwork fully show Li Bai's artistic personality, which is the real reason why I heard that Wang Changling moved to Longbiao Kiln has long-term artistic charm.