Yang Shuo's prose collections mainly include: Tongguan Night (prose collection) 1939, Chongqing Huofeng Society Asia Sunrise (prose collection) 1957, Beijing Publishing House Shihai (prose collection) 1960, and Writers Publishing House Dongfeng No.1 Branch (prose collection)19/KLOC. 1968 After his death, Writers Publishing House published the following works: Selected Prose of Yang Shuo, China Library (Prose Collection) 1970, Prose Collection of Yang Shuo of People's Literature Publishing House 1978, Collected Works of Yang Shuo of People's Literature Publishing House (Volume I, Prose and Reportage Collection) 1984, Shandong Literature and Art Publishing House. Yang Shuo's representative works (essays and novels) 1986, China's essays by Yellow River Publishing House: Yang Shuo Volume (essays) 1998. China's Prose Collection: Yang Shuo's Prose, published by People's Literature Publishing House (20 13 12), belongs to "changing the soup without changing the medicine".
Yang Shuo's Prose (Prose Collection), People's Literature Publishing House, 2005.
Urgent! Who knows what Yang Shuo's prose mode is?
Yang Shuo was a prose writer in China in 1950s and 1960s. He devoted his life to prose art creation. He believes that prose should "catch a character, an idea and a meaningful segment of life from the torrent of life and quickly reflect the silhouette of this era". Undoubtedly, in the face of painful reality, the writer's over-emphasis on utopian poetry has its historical limitations.
Characteristics of Yang Shuo's Prose His 17 years of prose creation naturally formed its unique pattern: starting with the description of the scenery, ordinary people moving in the scenery were drawn out, and finally the scenery and characters were linked through metaphors and symbols, which sublimated the theme of people's praise.
Yang Shuo creatively inherited the advantages of China's traditional prose, and reached the realm of poetry in the process of expressing emotion as a token and blending things with me.
When he created artistic conception, he often made a fuss about seeking new ideas of "emotion", such as using the hard work of bees to pay tribute to the noble sentiments of socialist builders without asking for anything in return.
Yang Shuo's prose is poetic when he writes characters.
He wrote that people are good at choosing emotional fragments to describe the gods and hearts of characters; His scenery description, while writing natural beauty, is also an important means to create artistic conception and deepen the theme.
Yang Shuo's prose is exquisitely structured. At first glance, it is often foggy, but after the twists and turns, the winding path leads to a secluded place, suddenly showing a brand-new world, and the ending is full of implications and intriguing.
Yang Shuo's language has the charm after painstaking tempering, which is as precise, concise, meaningful and musical as poetry, and its style is fresh, handsome and euphemistic.
Snow waves present a clear, simple and exquisite structure.
Simple storyline and concise description of natural scenery are arranged in series with "I" knowing Lao Taishan and "I" deepening my understanding of Lao Taishan as clues. The content is profound and comprehensive, and the winding path is secluded.
The style of writing is fresh and beautiful, paying attention to the tempering of language and the accuracy of words and sentences. Even the dialogue between characters has the characteristics of "poeticization".
However, the characters and events expressed in Snow Foam from the deliberate pursuit of poetry are too idealistic, and the language is also suspected of being carved.
What are the characteristics of Yang Shuo's prose?
Concise, rich in meaning and full of musical sense, there are fresh and handsome "Painting Mountains and Embroidering Water", "Camellia Fu" and "Sea City".
Yang Shuo creatively inherited the advantages of China's traditional prose, and reached the realm of poetry in the process of expressing emotion as a token and blending things with me.
When he created artistic conception, he often made a fuss about seeking new ideas of "emotion", such as using the hard work of bees to pay tribute to the noble sentiments of socialist builders without asking for anything in return.
Yang Shuo's prose is poetic and rich in content, which has profound social significance.
The keynote of his works is to praise the new era.
Wen Yang's language has a lingering charm after painstaking tempering, as accurate and internal as poetry; His scenery description Yang Shuo (19 13- 1968) prose has a wide range of themes, which shows a brand-new world at once, with rich implications and intriguing endings, such as Penglai fairyland, snow waves and red leaves in Xiangshan.
He is good at choosing emotional fragments to describe the characters' gods and tactful and implicit style. While writing natural beauty, it is also an important means to create artistic conception and deepen the theme.
Yang Shuo's prose is exquisitely structured, and at first glance it is often foggy. However, after twists and turns, the winding path leads to a secluded place, a new life and ordinary workers. His masterpiece is Litchi Honey. ...
What are Yang Shuo's essays?
Directory Kapok Tongguan Night Yesterday Linfen Dust-removing Iron Ride Yalu River North and South Ordinary People Team Comrade Changchun used his life to build the motherland North China, and the heroic era of the Korean people was advanced through the ages. The Spring Northwest Journey of the Iron and Steel Army on the Gobi Desert —— Notes on the Capital: Primula beside Dianchi Lake; A trip to Yongding River; Xiangshan; Red leaves; Haitian Cangbai Mountain; The "Liu Tie" story of how the Yellow River water flows out of heaven: Penglai fairyland; Mount Tai; Extremely high buildings; Flat land; Dragon horse; Kua litchi; Honey; Camellia; Autumn wind; Bleak fishing flute; Snow waves; Painting mountains; Embroidered water; Sea; Luoshan; Xijiangyue Yellow Sea Japanese origin Egyptian lamp pyramid jathyapple Indian love ant mountain gem crane head cherry rain wild pineapple garden late tide urgent spring Bali flame equatorial snow 1.html You can read prose at the following address. ...
Seeking the Full Text of Yang Shuo's Prose "Red Leaves in Xiangshan"
The air is fresh when the terrain is high.
"Then tell us a story, saying that there was an emperor in the Yuan Dynasty who visited the mountains. Tired? " The old guide said that he didn't do any work, just wanted this stone trough, Zhao Temple and other Xiangshan scenery.
Our autumn outing: "These are all country words.
"Listen to the old man with a white beard talk about some bizarre legends, and the bright and clean Gao Shuang can't be better; People also happen to be.
Let's invite the old guide to a small country restaurant for dinner first.
A few dishes of game, ask, how can you smell the fragrance of red leaves: "don't worry."
An old man with such a relaxed pace, but you see, an old man of such a big age sleeps here and dreams of sitting on a boat.
I picked a piece in the past, the leaves were round, and only the veins showed a little red, I said.
"Meanwhile, the old guide took us to a very elegant yard with two springs.
The word "Shuang Qing" is engraved on the stone wall? In the fragrance of red leaves all over the mountain, the old tour guide led us to see Sen Yuchan and Sunset Snow in the Western Hills. In autumn, a friend in the same trade asked anxiously, "I don't know if the red leaves on the mountain are red. There are cypresses in Gu Song on both sides, which block the sun. I heard that it is the second day of Chongyang, walking in the shade in the dog days, and spending the summer in summer. "
Your heart was bitter, full of eyes, half yellow and half red, but still interesting.
It's a pity that the leaves are red with water.
If it is red, the sun will shine.
Red leaves are on the hillside of Gaotou. We are always behind, and pigs can't finish eating.
The worker felt a little strange. When he put a few copper coins in the stone trough, but he couldn't get enough money, he knew it was a cornucopia. Half a glass of ale, the old man's words came, and he said slowly, "Xiangshan has no other benefits." Always so slow. I don't know about your past life, but from the dense lines on your face? " Turn over the newspaper with you.
The vast and desolate Hebei plain is just around the corner, and I found an old guide.
Along the stone mountain road: "This place used to have nothing, no sweat.
The old guide crossed his hands on his stomach and walked ahead unhurriedly.
When it comes to accounting, you will find Xiangshan more attractive and mythical.
We won't be so disappointed, but we must say that we don't believe it.
Only along the mountain, is high, people love to come.
People come for an outing in spring.
I don't want to shout, "Oh, dear! It smells good.
"Send the leaves to your nose and smell them." Not only is the time right, but spring can't keep up. In the depths of the smoke tree, our Beijing is hidden.
It's also wonderful. It's almost dusk.
When I looked up, I saw a half-curved Bai Yue in the eastern sky. A companion suddenly remembered and said, "Is it the red leaves in Xiangshan, Chongyang today? It is said that the red leaves in Xiangshan are the strongest autumn colors in Beijing. You can go and see Kunming Lake, which is a bit charming and looks like a basin of clear water.
Wanshou Mountain and Foxiang Pavilion are just ornamental bonsai.
We all forgot to see the red leaves and gave them to him.
The stone trough is too heavy, so we asked the old guide to lead us up the mountain along the south slope.
What a quiet place. Go home and find someone to help you move.
Who knows, when I come back, there are countless pines and cypresses all over the mountain.
"Speaking of which, the old man sighed, leaves emitting a faint scent.
Another companion also sniffed and cried, "Oh dear! Exactly: "What kind of tree is this? Why not like maple leaves? The old guide said, "that's not a maple leaf, so you don't have to believe it."
No wonder it's called Xiangshan.
"The old wizard also said slowly, as soon as he entered the gate, the threshold was as flat as the top of Yuquan Mountain? The old man said that only a rich man hired a worker to farm and raise pigs for him.
The old tour guide said with a smile.
Pig food is poured into a broken stone trough, and a little food is poured in, and even a red leaf can't be seen, which is in line with the old custom of climbing high and looking far.
Some people think that not seeing good red leaves is a fly in the ointment.
This is called mangrove forest.
"Pointing at the trees on the side of the road, the waves are turning under your feet, and you have to dig your feet when you wake up. There is no hurry to climb the mountain, and I don't breathe. It seems that I am unhappy.
How much can a broken stone trough cost? The rich man is happy to send personal feelings and bring his works up the mountain? I'm not sure about your life today. I have seen everything.
"When we arrived at the Mid-Levels Pavilion, we dug a pit and buried it. We were afraid of forgetting the location, and we also inserted a pine tree and a cypress tree in it to make a mark. This is the origin of "dreams drive springs".
This is not an ordinary red leaf, it is a red leaf that has been beaten by wind and rain in life.
The south area is sunny, so it's time to have the red one first.
"So finished JiuFan.
The old man said around the spring, "I haven't been up the mountain for ten years." Why is there a monument missing? " I remember the inscription on the tablet was' Dreams Drive Springs', so I should feel relaxed and not smell the red leaves.
When I went down the mountain, I went to the mountain pavilion.
I looked at the red leaves and the east. This is really a beautiful scene.
I picked a valuable red leaf and hid it in my heart: "Look, it's that kind of tree.
"The mangrove leaves on the roadside are not red yet, so we didn't notice:" This is really an active mountain.
Where there are mountains, there is water, where there is water, there are veins, and where there are veins, there are seedlings. No wonder some people say there is a cornucopia buried below.
How come I've been a tour guide for forty years and I've never heard of it? "My old man, naturally willing to.
On the day I went, the weather was beautiful: "It smells good. Behind it is a barren hill with a white beard.
The old guide lived at the foot of the western hill and worked as a guide for forty years in his early years.
What are the characteristics of Yang Shuo's model essay?
Simple descriptions of natural scenery, such as industrious creation by bees, express the noble sentiments of socialist builders.
Yang Shuo's prose is poetic when he writes characters.
When he created artistic conception, he often made a fuss about Yang Shuo on the new concept of "emotion". Facing the painful reality, the writer overemphasizes the utopian poetic realm, which has its historical limitations.
Characteristics of Yang Shuo's Prose His 17 years of prose creation naturally formed its unique pattern, and meaningful life fragments quickly reflected the silhouette of this era. There is no doubt about it.
Simple storyline, tactful and implicit style, while writing the beauty and heart of nature; His scenery description and the clue that "I" deepened my understanding of Mount Tai are connected in series. The content is in-depth and comprehensive, and the winding path is secluded.
"Snow Wave" presents a clear, concise and exquisite structure: starting with the scenery, it suddenly shows a brand-new world, with a profound and intriguing ending, which is also an important means to create artistic conception and deepen the theme.
Yang Shuo's prose is exquisitely structured. At first glance, it is often in the fog, but after the twists and turns, the winding path leads to a secluded place, then leads to ordinary people in the mountains and rivers, and finally passes through Bixing.
He wrote that people are good at choosing emotional fragments to depict the gods of characters and express their ambitions.
The text is fresh.
Yang Shuo's language has a painstakingly tempered charm, as accurate as poetry.
However, the characters and events expressed in the poetic pursuit of Snow Foam are too idealistic, and the language is also suspected of being carved, which symbolizes the connection between scenery and characters and sublimates the theme of people's praise.
Yang Shuo creatively inherited the advantages of China's traditional prose, and reached the realm of poetry in the process of blending lyricism with things and me, which was concise, rich in meaning and full of musical sense. He is fresh, handsome and beautiful, and pays attention to the tempering of language and the accuracy of words and sentences. Even the dialogue between characters is as concise as poetry. With the acquaintance of "I" and Lao Taishan, China prose writers in 1950s and 1960s lived their lives. ...
What are the characteristics of China's modern and contemporary literary works selected from Yang Shuo's prose?
(3) On rainy days, it's good that rain is the soul of water, whimpering and singing among green trees, jumping abruptly among lotus flowers and playing music briskly on the lake.
All this seems to have washed away the glitz in the world and told and interpreted poems for thousands of years.
The tree "cicada" makes the forest quieter and Tonamiyama quieter.
"The trees are sipping the dew after the rain on the mountain, and the flapping birds are constantly shuttling through the Woods.
Occasionally, a cicada sounds crisp, and the fragmentary crystal dew turns into countless pearls in a panic and hides in the soil.
The roots of trees are intricately embedded in the soil and quietly absorbed into these "pearls".
Raindrops will quietly take root and sprout in the body of the tree and flourish.
My friend, when you walk by the tree after the rain, please listen carefully-listen to the sound of raindrops blooming ... The flowers are in the drizzle, with a faint fragrance, smeared with sunshine and a faint tree. The most beautiful flowers bloom in Chu Qing after the rain.
On the lips and teeth of lotus, only rain can dispel the deep red and shine all over the world.
Because I love lotus, I hope the rain will cut my cold loneliness with sharp weapons.
Whenever this happens, I will sit by the lotus pond and watch the lotus leaves and flowers snuggle together. That kind of loneliness is like evaporated water, without a trace.
The whispering of lotus flowers in the rain has long been fixed as out-of-print tenderness in my eyes, but the rain doubts the elegance of lotus flowers and slaps them with its tail.
Lotus leaves always become sacred objects holding high in the sky, blocking the rain with their bodies.
Someone once said, "Lotus leaf is the mother of lotus.
"Yes, very good.
Otherwise, how can there be a little care and care for the leaves? All this, scattered in the rain, turned into watercolors, touching the mother's heart.
The lake is like a mirror, reflecting countless sunshine.
When the rain comes, it keeps shaking, like tension and excitement.
Under the sting of raindrops, the lake gave out one cheerful cry after another, which kept shaking my heart.
After a while, the raindrops turned into rain hammers and hit the middle of the lake hard.
I asked the lake, "Does it hurt?" "Painless, like touching.
"Oh, I see, rain is the soul of water and the purest and cleanest river in the world.
All this, in the rain, has become the realm of "smoke cage cold water moon cage sand".
Suddenly I really want to hold an umbrella and dance in the street with raindrops.
Then throw the umbrella on the street to let the rain soak the soul, revive the dead heart and say, "It's good to rain!" " "
Evaluation of Yang Shuo and Wang Xiaobo's Works
The keynote of Yang Shuo's works is to praise the new era, new life and ordinary workers. His representative works include Litchi Honey, Penglai Wonderland, Snow Waves, Red Leaves in Xiangshan, Painting Mountain and Embroidering Water, Camellia Fu, Haicheng and so on.
Yang Shuo creatively inherited the advantages of China's traditional prose, and reached the realm of poetry in the process of expressing emotion as a token and blending things with me.
When he created artistic conception, he often made a fuss about seeking new ideas of "emotion", such as using the hard work of bees to pay tribute to the noble sentiments of socialist builders without asking for anything in return.
Yang Shuo's prose is poetic when he writes characters.
He wrote that people are good at choosing emotional fragments to describe the gods and hearts of characters; His scenery description, while writing natural beauty, is also an important means to create artistic conception and deepen the theme.
Yang Shuo's prose is exquisitely structured. At first glance, it is often foggy, but after the twists and turns, the winding path leads to a secluded place, suddenly showing a brand-new world, and the ending is full of implications and intriguing.
Wen Yang's language has the charm after painstaking tempering, which is as precise, concise, rich in meaning and musical as poetry, and has a fresh, handsome and euphemistic style.
For Wang Xiaobo, the "Time Trilogy" is ostensibly a collection of Wang Xiaobo's works. There seems to be no connection between the two, but there is actually a logical order.
This logical order is as follows: the novel of "Golden Age" is about the real world; The novel The Silver Age is about the future world. All the stories written in the bronze world happened in the past.
In the whole trilogy series, he tells the absurd story of human existence with comic spirit and humorous style, and describes the distortion and suppression of power on creative desire and human needs through stories.
As for the background of the story, it spans all ages and shows the past, present and future fate of China intellectuals.
In fact, the most remarkable thing about Wang Xiaobo is undoubtedly that he shuttles through the dialogues through the ages and changes various perspectives.
On the technique of expression, he is good at describing the relationship between men and women with Jiang Yang's wanton brushwork, and describing the touching and beautiful scene and overwhelming power of love.
"Wang is the most creative writer in China at present. He is the crystallization of China's suffering and absurdity for nearly half a century.
His works thoroughly satirize all the absurdities and sufferings in our lives.
He also did something that no one ever wanted to do or did. He abandoned the tradition of softness, sadness and flattery in China's modern literature, but inherited the critical, thinking and imaginative spirit of Russell and Burl Calvino, and at the same time creatively connected this tradition with the game spirit of China's ancient novels.
"