Lang travels ten miles and Nong travels nine miles. Pull off the hair pin on Nong's head and use it with Langzi.
Send books with letters, but don't bring letters. Don't let the bottle fall into the well, there will be no news.
Where is Yangzhou and where is Datou? What do you think Nong likes?
When Yangzhou was launched, the ship left the berth in Ping Jin. Five or two is like a bamboo forest, where to seek knowledge.
works appreciation
The main feature of these four poems is to describe in detail the image and feelings of a Chu woman who misses her lover in the first person. The first poem in the poem shows the details of women's reluctance to pull out their hairpin and give it away. The second song is a woman's instruction to her lover. Although she said "don't worry about remembering each other", she meant "keep your word and send books". Her instructions were translated into vernacular Chinese: "If there are any letters, please send more;" If there is no letter, I will always think of me and will not forget it. " This not only expressed the woman's affection and consideration, but also laid the groundwork for the plot of "asking for help" later. The third song depicts a woman's anxious waiting state: whenever she comes to Yangzhou, she will look for her lover and ask for information about her lover. This is a typical case of lovesickness. The fourth song is the reflection of this lovesick woman. She thought: when the passenger ship just set sail in Yangzhou, the mast was like a forest. How could the appraisers have the opportunity to ask each other? Her memory is delicate and meaningful because of this masturbation. Although these four poems are divided into two groups and written in different times, they are obviously related: the first capital of each group is to describe the dynamic image of the protagonist and the details of an external behavior; The last capital of each group describes the static image of the hero and depicts the details of an inner activity. From farewell to missing, the two groups of works echo each other. Therefore, they can be regarded as a harmonious, unified and beautiful artistic treasure.
Another feature of these four poems is the use of very natural language, which is both simple and natural and full of personality. This function is the same as the above function. In the poem, the phrase "Lang travels ten miles, Nong travels nine miles" is probably taken from the saying at that time. It sums up the meaning of "I hate not being with you all the time" with the ratio of "ten miles" to "nine miles". "Nong" in the poem is a self-proclaimed word in the southern dialect at that time. In the first poem, the combination of the word "Nong" suddenly shows the endorsement characteristics of the poem (that is, the first person characteristics); Moreover, using "Nong" instead of "concubine" shows the natural beauty of the work. "The bottle fell into the well" is an old folk idiom, which means to sink a stone into the sea and is often used to describe the relationship between lovers. There is a poem in Dunhuang Quzi Ci (Bo 3 123), "A silver vase with two hands tied, carrying a passer-by", which is to use a silver vase to symbolize an unswerving love relationship. Here, in turn, meaningfully expresses the loyalty and expectation to the lover. In addition, "Wei" is the name of the big ship. The Land of Jingzhou once said that "all seven counties in Xiangzhou are welcomed by ten thousand people" and "Keetou" refers to the decoration of the bow, such as the towering jade horse cage. The ancients called the jade ornaments on the halter "gram" and the towering realm "e" Huan "was a Wu language at that time, meaning lover." For example, the midnight song says, "Happy and sad are miserable." "Five beams" is a Chu language, which refers to the bamboo poles behind the wind on the ship. For example, in the Selected Works of Fu Jiang, Shan Li quoted Xu Shen as saying: "It was also called the five beams by the Chu people. "Zhou Wang's Preface to the Poems of the Boat said:" There are two masts, five masts and sails, so the wind is also there. "So the Dunhuang Quzi" Huanxisha "also has the poem" Five heads are even ". -these words, which seem very uncommon now, are actually spoken proverbs of Chu people at that time, which are very common. These languages are lively and closely related to the identity of the protagonist of the lyrics, and have achieved excellent artistic results in shaping images and portraying characters.
According to the above two characteristics, Bao Yue's Guessing Boxing Song can be regarded as a good poem full of artistic personality and reaching the superb realm of nature and vividness. In particular, the author also reflects the personality of the times through the personality of his works. During the Northern and Southern Dynasties, due to years of war in the north, while the south remained relatively stable, the land and water transportation and commercial trade in the south were relatively developed. Yangzhou (now Nanjing) and Xiangyang (now Xiangfan) are two important water transport and commercial cities. It is in this context that the story theme of Guessing the Guest is launched to bid farewell to lovers going into business. At this time, music literature showed two important characteristics: first, Chu became the main music center alongside Wu; Second, the sudden emergence of music in the city represents the concentration of folk songs. Western songs in the Qing Dynasty, as well as Xiangyang music, Shicheng music, Jiangling music and Xunyang music (Xiangyang, Shicheng, Jiangling and Xunyang were all important cities at that time) clearly reflected these two characteristics. Therefore, the evaluation music in western music can also be regarded as the representative of the new music trend at this time. In addition, with the development of the southern economy, a number of geisha named "concubine" and "maid" have appeared in rich and powerful families. Their performance made the lyrics of Qing merchants at that time full of female characteristics. The music of the appraiser is such a gentle and charming work. In fact, the reason why the poems of Emperor Wu of Qi can't match the orchestral instruments, but Bao Yue's poems can "match harmoniously" with the orchestral instruments is because the theme, style and musical features of Bao Yue's Estimate the Music are closely in line with the performance needs and the atmosphere of the times. Later Chen Houzhu, Yu Xin and Li Bai of the Northern Zhou Dynasty, Yuan Zhen, Zhang Ji, Liu Yuxi and Liu Jia of the Tang Dynasty, etc. They all wrote poems with the theme of "Guess Hakka Music" or "Jiake Ci", but they are not as good as Bao Yue's works, which is also because Bao Yue's "Guess Hakka Music" is the product of a specific historical era.