This is not a documentary, but a TV series full of artistic flavor and emotional conflict. In order to unify the different "aesthetics" of men and women, this four-year-old large-scale TV play was written twice. If you can't get a high score, at least it won't be as cheap as some people belittle. Just like the counterattack given by netizens who supported the play, "The ancients can compile a romance of the Three Kingdoms, why can't modern people compile a new history?" Under the background of respecting the original historical works, a story of the Three Kingdoms is reinterpreted. The TV series focuses on the last years of the Eastern Han Dynasty. Cao Cao, a fierce generation, helped the Han dynasty to make the princes. At this time, Sima Yi, who was just a scholar, was attracted by Cao Cao and his son because of his "eagle-eyed and wolf-hearted" and extraordinary strategic talent, but he was helplessly involved in the whirlpool of winning the country. After Cao Cao's death, Sima Yi tried his best to make suggestions for Cao Pi, made outstanding contributions to the stability and prosperity of Wei, and became the victorious party in the political struggle with the perfect cooperation of his wife Zhang Chunhua, helping Cao Pi to become the founding emperor of Wei.
The actors in this play are all excellent in acting. Uncle's performance of Sima Yi can be said to be vivid. Whether it is the actor's late shaping or the positioning design of the role itself, it is very unique and novel, which makes people feel truly restored. From the timidity of the scholar to the forbearance at the beginning, Uncle Bo portrayed it incisively and vividly without eyes and all kinds of small moves. Later, after Cao Cao's death, Sima Yi's wily and cunning ideas were revealed. Different from the previous TV series, which beautifies the protagonist as much as possible, the real truth of this TV series lies in that no one's personality and conduct are single and inflexible, and it completely truly depicts the different levels that a person presents when facing different things.
In the play, Tamia Liu's Zhang Chunhua, Yu Hewei's Cao Cao and Zhai Tianlin's Yang Xiu are all always online, and they have not slacked off. The eyes, tone and movements in different situations and different states can be called textbook-level displays. In the star-studded environment, especially when the old opera is strong, the most surprising things are Jerry Lee who plays Cao Pi and Zhang Junning who plays Bai Lingyun, which make people shine at the moment. Although there is still a gap with the acting skills of the old opera bones, the two young actors broke through themselves in this play, leaving the previous successful people behind perfectly, giving the audience a feeling that I am the character himself, which is very gratifying.
Apart from the story and actors, the picture of the play is good, a little bit of a movie, which is very pleasing. In addition, the costumes of the actors and the props of the crew are very realistic and colorful, which also adds a lot of color to this TV series. The whole story is relaxed to a certain extent, and there is neither malicious uglification nor deliberately whitewashing the protagonist's aura. It is also a unique masterpiece that insists on true feelings.
In fact, the first half of this TV series is very compact and the effect is good. If there is any problem, it is still in the place where Sima Yi married the wing. The husband and wife always disagreed, Chunhua reluctantly accepted, and Lingyun married into the government. The simple plot director dragged it from 29 episodes to 40 episodes. From this point of view, it was a bit too late, and it was not up to standard at the beginning.