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"Mountain climbing is full of emotion, while watching the sea is full of meaning." (Liu Xie's "Wen Xin Diao Long: Thinking") From the time when the peony was in bud, poets began to write, "Although the green shoots have sparse leaflets, your feelings are more than enough." (Sun Fu's "Unexposed Peony") Express his love for peony, and describe the customs and habits of the Tang Dynasty society and all kinds of flower viewing. "Looking at the sunshine, Mufeng blew off the fence." The shelves of poems and books were covered with dust, and no one looked up all day. "(Xu Yin's" Under Two Peony Flowers ") Even the favorite poetry books in peacetime have to be accompanied by dust. In the poems chanting peony in Tang Dynasty, poems were used to answer friends' questions about peony flowers, and some poems described peony as
Potato chips are people's farewell dinner ... "Build steps for loving the red Jiang Fanghe and teach people to paint the future on the fan." Luo Yin also wrote a poem "Painting Peony on a Fan". Even so, poets still feel that they have not fully expressed their love for flowers. Sun Fu wrote another poem, Peony in the Back, expressing their feelings of parting. In the poet's pen, peony flowers have various charms.
However, the poets in the Tang Dynasty were not completely intoxicated with the beauty of peony flowers. Through the superficial phenomenon of peony prosperity, they keenly discovered the hidden social problems and expressed their sympathy for the poor life of working people through poems. This is the most thoughtful poem about peony in Tang Dynasty, and Qin Zhongyin's tenth poem Bai Juyi's Buy Flowers can be taken as a representative. Its poem cloud:
The imperial city withered in spring, and it was noisy.
* * * If you say peony, you will buy flowers with you.
The price is uncertain, and the number of flowers is rewarded directly.
Burn a hundred red flowers and press five bundles of vegetarian food.
Hang a curtain on it and weave a fence next to it.
Sprinkle water and seal it with mud, and the color will not change.
There is an Weng who comes to buy flowers occasionally.
Bow your head and sigh alone. No one knows this sigh.
A bunch of dark flowers, ten people bless!
/kloc-at the age of 0/7, Li Shangyin was recognized as a literary talent by Linghu Chu and was hired as an official in Linghu Chu's shogunate. He was instructed by Ling Huchu and learned to write letters. At this time, Li Shangyin was proud of his life and was in his prime. Seeing the peony in full bloom, he thought of Linghu Chu's cultivation and wrote a seven-rhyme poem "Peony":
At the beginning of the cotton-padded jacket, embroidery was piled up over the king of Hubei.
He put down his hand to carve Yu Pei and bent down to dance the Yujin skirt.
Have you ever cut out fashionable candles and smoked incense burners?
I am a colored pen in my dream, and I want to send a book to the cloud.
One is the story of Confucius meeting Nanzi. In Dian lue, "Madam wears a brocade robe, while Confucius keeps his head in the north. My wife worships the robe again. " The second sentence uses the allusion "Shuo Yuan" of E-Jun's boating: "E-Jun is the one who repairs his clothes, hugs it when he walks, and takes it from his embroidered quilt." Connect the blooming peony with these historical allusions, and use the characters in these historical allusions to express the impression of delicate peony in green leaves, which shows that the charm of peony causes readers to think beautifully. He Chao commented: "It is not enough to be a peony, but it is full of life." (See the notes on Li Yishan's Poems by Shen Hou.)
Three or four sentences compare peony to a woman who is good at dancing. When dancing, she reached out to Yu Pei, and when she turned around, her long skirt fluttered. See the classic "Mrs. Qi is good at dancing and her sleeves are bent" in Miscellanies of Xijing. These two sentences describe peony swaying in the spring breeze, which is very vivid. The five or six lines in the poem borrowed the story of Shi Lun cooking with candles in Shi Shuo Xin Yu, and the story of Xiangyang. Liu Ji and he said, "Xun went to someone else's house and sat there for three days." Describe the luster and fragrance of peony when it is open, which gives people a strong feeling. The last two poems use the allusions of Wubi in Jiang Yan's dream and Wushan Goddess to express the admiration and cultivation of fox hunter Chu and his gratitude to fox hunter Chu, express the poet's yearning for love and add infinite charm to peony. Ji Yun said, "Eight sentences and eight things, but they are full of enthusiasm, and they are useless. It is a great force! " The advantages of this poem lie in the development of practical branches, the vivid use of dead poems, the rich expression of thoughts and poems, and the display of Li Shangyin's talents.
Not long after, Wang Maoyuan, the messenger of Li Deyu Party member Heyang, became a minister because he admired Li Shangyin's talent and married his daughter to him. From then on, Li Shangyin lived in the crevice of party struggle, and never had the happy mood of Shang Huashi in the past. In the late spring of three years in Tang Wenzong, Li Shangyin took the exam in Chang 'an. He left Chang 'an, retraced his steps and crossed the middle. (now Zengnei, Guyuan, Gansu) He lived in the anti-brigade, and it happened to be raining bitterly. As soon as the peony in the yard opened, it was blown down by a storm. The poet recalled the past, touched the scene and expressed his life experience with peony, and wrote the famous "Two Peony Trees Rain".
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One of them in Qujiang's forest park doesn't recall previous years, but suddenly hopes for each other today in New Jersey.
The waterside pavilion, pavilions, the sound of rain and spring still exist, and the silk plate is spring, although it is warm, people don't feel it.
Butterfly dances frequently pick up the fallen buds, and the beauty lies far away.
Fang Fei's companion appeared in Zhangtai Street and asked Gong Yao to donate some.
Looking back at the flowers in Beijing in those days, it's a pity that the peony in the rain has come, pavilions and pavilions, slightly cold. Compared with peony, the poet thinks of frustrated relatives and friends from his own decline, sees the big because of the small, and places his hopes in the distance.
Secondly,
Pomegranate flowers are not as ripe as spring.
Its corolla is like a white jade plate, with tears splashing and sadness repeatedly; Ruthless wind and rain are like sad guzheng, string string, broken dream.
Wanli is gloomy and not old, and a year of business is dusty.
If you look back after one last dance, you will feel the beauty of peony in the wind and rain.
This poem has fallen from its own origin to a writing style that is rejected by others. At the beginning of the poem, put aside peony and write pomegranate flowers first. Because pomegranate blooms late and can't catch up with spring, some people laugh at it inexplicably, but I know better those who bloom early and set early. Three sentences say that flowers contain rain, and four sentences say that rain hits flowers, and hope becomes empty. How clear! The peony was defeated by the rain, and Wan Li was overcast, but not old, and it was destroyed in a spring of anger. These words, from the scattered peony to the change of the whole personnel, push people's sorrow to the peak. At the end of the poem, on the other hand, they say that it will rain in the future and the peony will fall. Looking back now, it is still beautiful and moving. The implication is that today's dispersion is nothing, and his destruction that year will be far greater than today. The whole poem expresses ambition, writes scenery and expresses emotion, from which we can easily see the poet's infinite feelings after being hit by politics.