Second, the scope is different.
1. Song poetry is a kind of vocal poetry, which refers to oratorio poetry without music accompaniment. The "wind" in The Book of Songs is mostly songs and poems.
2. A poem with sound is a poem with harmony, that is to say, it includes songs and poems, compared with the "first poem" that is about to have sound but has not yet been orchestral, and the "apprentice poem" and "dumb poem" that can't be sung at all.
Extended data:
The International Influence of China's Poetry
In Japan, from Nara era, influenced by China culture, scholars began to create Japanese poems in the form of China's poems. The most obvious difference between Japanese Chinese poetry and Japanese native songs and haiku is that a Chinese poem has four (quatrains) or eight (metrical poems), each sentence usually has five or seven words, while songs and haiku have five, seven, five, seven, five, seven, seven and other long and short sentences, which are more like Chinese words.
In 75 1 year, the earliest Chinese poem "Huaifengzao" in Japan came out. After the peak of Heian period, Ling, Ji and Ji appeared constantly, and their popularity was called "the dark period of national wind". Since then, Japanese Chinese poetry has developed continuously in the Kurakura era and Muromachi era. For example, Crazy Party contains a large number of Chinese poems written by a Hugh Zongchun.
The development of China's poetry reached its peak in the Edo period. During the Meiji Restoration, almost everyone who was educated in Japan could write good or bad Chinese poems. After the Meiji Restoration, the influence of Japanese Chinese poetry began to decline, especially in the Showa period. However, today's ancient prose education above junior high school still includes the recitation, interpretation and creation of Chinese poems and languages. It is the most developed area of China's poetry culture outside China.
Baidu Encyclopedia-China's Ancient Poetry
Baidu Encyclopedia-Yinshi