The gloomy style of Du Fu's poems can be analyzed from the following aspects: 1, enriching the content and paying attention to people's livelihood.
Du lived in the prosperous period of Kaiyuan and the Anshi Rebellion, and his life was bumpy. His poems widely recorded the real life of this period, which is called "the history of poetry". Du Fu was good at all kinds of poetic styles, and his poetic styles were gloomy and frustrated, which had a great influence on later generations.
Taking the poem "Singing 500 Words from Beijing to Fengxian" as an example, the poem profoundly reflects the sharp social contradictions at that time. The famous sentence "The wine in Zhumen stinks and the road freezes to death" vividly reveals the social reality of the disparity between the rich and the poor. Poetry reflects the sufferings of the people and exposes the debauchery and corruption of the ruling group. It is the first full-length work in Du Fu's epic.
2. Worried about the country and the people, with deep and rich feelings.
Du Fu's poems are sincere, full of worries about the country and the people, hard to get rid of, sincere and touching.
For example, the poem "Both banks of the Yellow River were recaptured by the imperial army" reflects that the Anshi Rebellion brought great disasters to the country and people, and Du Fu had long hoped that the Anshi Rebellion would be settled as soon as possible. When the day finally came, he was so excited that he cried with joy. The first four sentences are from "sudden biography" to "first smell" and then to "look" and "roll". Several continuous movements describe the mood of surprise to the fullest. The last four sentences try to describe the excitement of "ecstasy" through imagination: he not only wants to sing loudly and drink loudly, but also wants to return to his hometown immediately in a beautiful spring. It can be seen from the four place names he listed in one breath that his heart has already flown away along this route!
3. The language is concise, vigorous, simple and vigorous.
The language of Du Fu's poems is exquisite, concise and gorgeous, and he pays great attention to tempering words and phrases, which enhances the language connotation and expressive force of his poems. His poems are not only concise, vigorous, profound and alert, but also popular, natural, fresh and beautiful. For example, the poem "Ascending the Mountain" written by the author in his later years was written by 1999 when Chongyang poet came to power due to illness. It is the most representative work of the poet's seven-character poem. The first four sentences of this poem describe the scenery, and the last four sentences are lyrical. The first couplet takes the scenery as the object, and uses highly generalized brushwork to write the grandeur and sadness of autumn scenery on the riverside. The poet selected six images of wind, sky, ape, Zhu, sand and bird, and described them with urgency, height, sadness, clearness, whiteness, flying and echo from the perspectives of feeling, vision, hearing, sound and color, which was extremely delicate, vivid and rhythmic, and also rendered a sad atmosphere for the whole poem.
4, the rules are tortuous and changeable, and the opening and closing are ups and downs.
Take the poem "Up the Mountain" as an example, the leaves fall like the spray of a waterfall, and I watch the long river always roll forward. (The ups and downs of tones and syllables) Write about the solemn bleak autumn and the vast and empty scenery. Looking down, there is a sense of stagnation. "Boundless" magnified the appearance of fallen leaves, and "rustling" accelerated the speed of falling. While writing the scenery, I deeply expressed my feelings and conveyed the feeling that my youth is fleeting and my ambition is hard to pay. Its realm is magnificent, and its touch is not only limited to the sadness at the end of the year, but also reminds people of the disappearance and limitation of life and the infinity and eternity of the universe. Through the gloomy and sad dialogue, the poet's superb brushwork is displayed, with the majestic momentum of "building a raft to walk the banyan tree" and "paying attention to the East"