The "Chaling Poetry School" is a poetry school in the Chenghua and Zhengde years of the Ming Dynasty. Because the leader of the sect, Li Dongyang, was from Chaling, it was named. The Chaling School of poets headed by Li Dongyang rose up to revitalize the poetry world in an attempt to cleanse the slow and redundant style of pavilions and pavilions. Li Dongyang (1447~1516), whose courtesy name was Binzhi and whose name was Xiya, was an official to the Ministry of Personnel and a bachelor of Wenyuan Pavilion. He was the author of "Huailutang Collection". Li Dongyang had been in power for decades. He held high official positions, rewarded young talents, and promoted talented people. As a result, his disciples filled the dynasty, and the Chaling School became the mainstream in the poetry world for a while. The Chaling School of Poetry believes that learning poetry should be based on the Tang Dynasty, and imitating Tang poetry lies in syllables, style and word usage. Although the ideological content of their works is still relatively poor and contains many social gifts and gifts, it is much deeper and more powerful than Taige style poetry. For example, Li Dongyang's "To Peng Minwang" contains true feelings and is not an ordinary social work. His "Naked Ancient Yuefu" has a strong Taoist flavor, but there are still chapters of stubbornness and vigor in it. Other poets of the Chaling School all have some readable works. The Chaling Poetry School was dissatisfied with the Taige style. Because it was still relatively weak, it was unable to create a new situation in the poetry world. However, its patriarchal Tang poetry and its creative tendency to learn from the ancients became the restoration movement of the former and "Later Seven Sons". The precursor.