The Book of Songs is China's first collection of poems. According to legend, it was recorded by Confucius. It was called "Poetry" or "Poetry 300" in the pre-Qin period, and "Jing" in the Warring States period. The Han Dynasty was regarded as a Confucian classic. The content is less divided into style, elegance and praise, which fully reflects the social life of more than 500 years from the beginning of Zhou Dynasty to the middle of Warring States Period. In technique and composition, fu, bi and xing are used, with four characters as the main tone, repeated chapters and sentences, repeated singing and beautiful rhyme. The source of China's realistic poetry creation is The Book of Songs, which shines on generation after generation with its realistic techniques and achievements.
? Mang is one of Feng Wei's The Book of Songs. Feng Wei is a poem in the fifteen-country style. The so-called "national wind", Zhu's "Book of Songs and Notes on National Wind" said: "The city was sealed by the princes, and the words of the folk songs of the wind are also." It can be seen that Feng Wei is a style poem of Wei, belonging to local folk songs and local music. Weiguo, as the old saying goes, was built by Kang Shu in Chao Ge (now Qixian County, Henan Province), the capital of Yin. Meng is a famous poem. This is the monologue of the abandoned wife. Through the narration of the process of love, marriage, abuse and abandonment, this paper shows the unfortunate experiences of women in love and marriage at the end of slave society, and denounces the sin that men are superior to women. Although it is a poem that abandons women like that, it is different from Meng, who shows women's independent personality and rebellious consciousness.
? Dream is a beautiful narrative poem. Narrating in the tone of "I" who abandoned his wife. Chapter one, courtship and sex. "In order to protect ourselves, we should embrace the silk trade. The bandits came to trade silk, just to ask. " A woman who has been cheated, hurt and seriously traumatized in this city should be full of hatred, but this poem is written in a way of recalling the past from the "stupid" state of "self-protection" and deep affection. It seems to be step by step and plain and natural, but in fact it is quite ingenious and full of profound meaning. "Self-protection" once bought silk to propose marriage with a smile, which shows that he has already made up his mind about women, so he is diligent and active. This provides a contrast to the guilt of writing "self-protection" later, but it can make readers feel noncommittal disgust and well-intentioned. This was before the engagement, so men are called "self-protection". After the engagement, the address between men and women also changed. "As for Dunqiu, it's important to send a son. When I was a robber, I had no good media. There is no anger in the child, and autumn is a period. " It can be seen that "Meng" won the woman's consent with sweet words and attentions, and the two sides got to know each other. "Zi" is a title for a man who is about to get married. The woman is really naive, kind, pure and enthusiastic, and has been deceived by the false enthusiasm of "self-protection". She received "self-protection" and sent ice water to Dunqiu. She hopes that the other party will hire a good matchmaker and set the wedding date in autumn. But it takes a long and hot summer to collect silk from spring to autumn, which is a test for a warm, kind and simple woman. The second chapter focuses on women's lovesickness and their marriage. If the first chapter is the beginning, then this chapter is the development of feelings. Simple and enthusiastic women are easy to believe in other people's words and deeds and are easy to be deceived. People are lying to him, but he has feelings for others. After seeing off Meng, she fell in love: "Take the other side of the wall and hope to return to the customs. I didn't see the resumption of customs, so I cried. I am full of laughter when I see the resumption of GATT. " As everyone knows, the woman's earnest hope and sincere lovesickness at this time are cleverly paving the way for her later encounter. Perhaps her longing and yearning at this time are all heralding his tragedy. It is in this case that the woman "bribed me to move".
The third chapter is about women's pain and regret. Sure enough, that man is an "ungrateful person". After marriage, he was no longer as attentive as when he first fell in love, but half-hearted and rude, which made the woman feel very painful. The metaphor of "the mulberry leaves are fat before falling" in the poem symbolizes the deep affection of men and women after marriage, which shows that they lived a sweet life together shortly after marriage because of the young woman's posture and beauty. However, after a few years, what did the woman get? "I don't eat mulberries." Legend has it that the turtledove is greedy for mulberries, leading to drunkenness. The poem compares this with the straightforwardness of women's pain brought out by things and people: "I am worried about women and have nothing to worry about with literati." "Yes" is what women call men after marriage. Oh, woman, never indulge in love, because "a scholar's anxiety is still worth talking about." I can't say that women are worried. "This is not only a painful regret, but also a cry of blood and tears. The plot is closely followed by the second chapter, with eager joy and painful regret, and the ups and downs of feelings give people a great shock. Of course, women's painful remorse is a reflection of their hypocrisy and ruthlessness. As a result, the following poem has become a complaint of grief and indignation. " Mulberry fell, yellow, and fell. "Once again, the comparison with business shows that as time goes on, women get older and men are emotionally exhausted. What is particularly disgusting is that this smiling man now runs counter to his original piety. "At the age of three, I am willing to be poor." This is in sharp contrast with the wedding scene "Tang Tang with seven waters, driving a car gradually". However, there is nothing wrong with women. "Women are unhappy, and scholars try their best. "After marriage, especially after the decline of womanhood, the husband is half-hearted, likes the new and hates the old, and his behavior is inconsistent and capricious. This is the root cause. The words not only contained resentment, but also revealed right and wrong, accusing her husband of being guilty. However, as an infatuated woman, after marriage, she was single-minded, loyal to love and diligent in housework, but in the end she could not escape the fate of being abandoned and laughed at. What an unfair reality this is! The fifth chapter, The Abandoned Wife, describes the fact and tragic experience of her housework. It is a waste of time for a woman to be three years old. Stay up late, there must be a dynasty. "In just a few words, it shows the hardship and hardship of abandoning my wife from both time and space: on the one hand, there is not a day after marriage that I don't get up early and get greedy, on the other hand, I do all the things at home, and I don't feel bitter. This is another time for us to see the hard work and strength of the abandoned wife. Even so, there is no escape from unprovoked tyranny: "What you say is what you do. As for violence. "Then she was taken back to her parents' home. Suffering from tyranny in her husband's family, should she get sympathy when she returns to her family? "Brothers don't know, they are all laughing." Even his own brother didn't understand her, didn't sympathize with him, but made fun of him and teased him, making him feel lonely and sad.
Chapter VI refers to reprimand and break. This chapter is the climax of the whole poem, and the psychological activity of abandoning his wife is the most intense. First of all, the contrast between the oath of "growing old with my husband" and the fact that "the old man makes me wish" now accuses my husband of treachery and duplicity. Let's start with the metaphor of "having a shore and a discipline" and accuse her husband of debauchery and no rules. Then he recalled the joyful scene of "General's Corner Banquet, laughing and laughing" and accused her husband of being ungrateful and heartless. Finally, I caught the essence of her husband's duplicity and said, since you don't even care about what you really swore at the beginning, what love do I have with you? There is no lack of resistance in resentment.
The poem depicts a vivid and lyrical hero, expressing the inner monologue of a warm, kind, naive, hardworking and strong woman who suffered bad luck and was abandoned for no reason, with outstanding personality and sincere feelings. However, divorcing his wife is not a lonely person. On the one hand, it can reflect the unequal reality of ethical code society from him-women are in a passive position and are at the mercy of others. For example, in poetry, she is passive when she is in love. After marriage, she was only driven by power and oppressed, so that she left her husband's family. This is his tragic fate. On the other hand, it can also reflect the cold social reality at that time-the abandoned wife was terrible, and even her brother had no sympathy. How chilling this is. Of course, the villain "Meng" is an image that should be whipped. Thousands of years of feudal society reversed right and wrong, beautified "self-protection" and blamed abandoned wives, which showed that thousands of years of feudal social history was a history of "cannibalism" and women were the most swallowed up.
In addition to its outstanding characteristics in character description and psychological description, it is structurally a Memory of Abandoned Wife, with intervention at the end of the memory. At the same time, with the development of things, from the joy of love and the longing for love, it turned into the outbreak of accusations after being abandoned, which eventually became decisive, ups and downs and colorful. The use of metaphor, metaphor and other rhetorical devices, as well as beautiful and vivid language, further enhance the expression effect, thus showing the mature artistic characteristics of China's juvenile poetry.